
Create templates that automatically conform to the Final Cut Pro color space
If you’re creating an effect, transition, title, or generator that includes both SDR and HDR elements—or you plan to work in multiple color spaces in Final Cut Pro for Mac—use Automatic color processing to create a template that automatically conforms to the Final Cut Pro color space.
For example, when a template is applied to the timeline in an SDR Final Cut Pro project, the template renders in SDR and any HDR elements in the template (such as video from a newer iPhone) are tone mapped to SDR. When a template is applied to the timeline in an HDR HLG Final Cut Pro project, the template renders in HDR, and any SDR elements (such as shapes or text created in Motion) are inverse tone mapped to HLG.
Additionally, use Automatic color processing while building templates to:
Easily integrate SDR elements (such as text, shapes, particles, or other objects created in Motion) with HDR media in the same template project, using intelligent tone mapping to match your SDR or HDR color space.
Quickly preview a template in different SDR and HDR color spaces using the View > Render Color Space pull-down menu.
Adjust the brightness levels of SDR images and elements to match the brightness levels of HDR media using the HDR White Level slider.
Publish the HDR White Level slider to adjust the brightness of SDR images and elements once the effect, transition, generator, or title is added to the Final Cut Pro timeline in an HDR HLG or HDR PQ project. This lets you better match the brightness of SDR elements in the template with HDR media in the Final Cut Pro project.
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