Quite often your foreground image has objects that you don’t want to appear in the composited output. These could be production items like microphone booms and light stands or the edges of the chroma key backdrop. Additionally, you might need to resize or reposition the foreground object to better fit with the background. As a final step, you can use the color corrector to adjust the foreground so that it matches the look of the background.
Final Cut Pro includes effects that you can use for these purposes.
In the Final Cut Pro timeline, move the playhead to the point in the background clip (the clip you want to superimpose the chroma key clip over) where you want the key to start.
In the browser, select the part of the foreground clip (the chroma key clip) you want to key over the background, then choose Edit > Connect to Primary Storyline (or press Q).