Logic Pro User Guide for iPad
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Drummer region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
- Create fades on audio regions
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope release phase behavior
- Vector Envelope point transition shapes
- Use Vector Envelope time scaling
- Use the Mod Pad
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and Highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Copyright
Sample Alchemy More menu in Logic Pro for iPad
Tap the More menu at the upper right to choose a number of global, sample, and MIDI handling options.
Global settings
Volume: Set the volume level of the preset.
Polyphony: Set the maximum polyphony of a preset (up to 16 voices). A value of 1 results in a monophonic preset or source.
Glide: Set the portamento rate. Glide causes slides from one note pitch to the next.
Play Mode: Determine how new notes are treated. This parameter interacts with the Polyphony and Glide controls.
Always: If the Polyphony value is 1, a trigger is generated at the start of each legato group, and portamento occurs at the start of every note. For all other Polyphony values, a trigger is generated at the start of every note, and portamento occurs at the start of every note.
Retrigger: A trigger is generated at the start of every note, and portamento occurs at the start of every note.
Legato: If the Polyphony value is 1, a trigger is generated at the start of each legato group, and portamento occurs at the start of each legato group. For all other Polyphony values, behavior is unchanged when you play single notes. When you play a chord, each note of the chord is triggered individually.
Pitch Bend: Set the maximum range for upward and downward pitch bend modulation, typically performed with your keyboard pitch bend wheel.
Sample settings
Preview Mode: Turn preview mode off or on (it’s on by default). When preview mode is on, a MIDI note is generated when you touch a handle. Turning preview mode off results in no sound when you tap the handles.
Pitch Lock: Lock the pitch of the sample to the root key. If you import an audio file containing notes with various pitches, Pitch Lock allows you to lock them all to a single note. After this, you can play Sample Alchemy (for example, with a MIDI keyboard), and it will play the notes you hold down, not the differing pitches within the sample.
Reverse: Set the sample to play in reverse.
Root Key: Adjust the pitch of the sound in semitones.
Root Cents: Adjust the pitch of the sound in cents.
Tempo: Set the tempo (shown in beats per minute) of the sample, or choose None if the sample is not rhythmic.
Derive Tempo from Loop Length: Calculate a tempo for the audio file based on the length of the sample between trim handles.
MIDI settings
MIDI Mono Mode (MPE): You can choose the settings for MIDI Mono Mode:
MIDI Mono Mode: Choose Off, On (Common Base Channel 1), or On (Common Base Channel 16). In either mode, each voice receives on a different MIDI channel. Per-voice channels support pitch bend, aftertouch, modulation wheel, and controller assignment messages.
Pitch Bend Range: Set a value from 0 to 96. The chosen pitch bend range affects individual note pitch bend messages received on all but the Common Base Channel. The default is 48 semitones. When using a MIDI guitar, 24 semitones is the preferable setting because most guitar-to-MIDI converters use this range by default.
MIDI Assign: You can choose one of four different modulation sources from the MIDI submenu. Ctrl A/B/C/D can be assigned to modulation targets in the Mod Matrix pane. These are ideal for adding breath and foot controller modulations.
Ctrl A–D: Set the MIDI continuous controller that is assigned to Ctrl A–D.
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