Logic Pro User Guide for iPad
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Route MIDI internally to software instrument tracks
- Record with Low Latency Monitoring mode
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Session Player region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
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- Intro to chords
- Add and delete chords
- Select chords
- Cut, copy, and paste chords
- Move and resize chords
- Loop chords on the Chord track
- Edit chords
- Work with chord groups
- Use chord progressions
- Change the chord rhythm
- Choose which chords a Session Player region follows
- Analyze the key signature of a range of chords
- Create fades on audio regions
- Extract vocal and instrumental stems with Stem Splitter
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
- Use the Mod Pad
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope point transition shapes
- Vector Envelope release phase behavior
- Use Vector Envelope time scaling
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low, bandpass, and highpass filters
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Studio Piano
- Copyright
Arpeggiator MIDI plug-in note order inversions in Logic Pro for iPad
The table outlines the Arpeggiator behavior in each note order preset when the Octave Range knob is set to the four positions in Inversions mode (set when the Inversions button is active). Inversions change the root note of the chord, resulting in a different start note to arpeggiated patterns.
Note order | Inversion 1 | Inversion 2 | Inversion 3 | Inversion 4 |
|---|---|---|---|---|
Up | Plays the original chord, then three inversions in consecutive order and restarts. Playback order: original, 1, 2, 3. | Plays the second inversion first. Playback order: 1, original, 2, 3. | Plays the third inversion first. Playback order: 2, original, 1, 3. | This variation, which consists of three steps, plays up and overlaps. Playback order: original, 2, 1, 3. |
Down | Plays the original chord, then three inversions in consecutive order and restarts. Playback order: 3, 2, 1, original. | Plays the second step first. Playback order: 2, 3, 1, original. | Plays the third step first. Playback order: 1, 3, 2, original. | This variation, which consists of three steps, plays down and overlaps. Playback order: 3, 1, 2, original. |
Up & Down | Plays the original chord, then three inversions in consecutive order, then reverses the order, repeating the first and last. Playback order: original, 1, 2, 3, 3, 2, 1, original. | Plays the second step first. Playback order: 1, original, 3, 2, 2, 3, original, 1. | Once the pattern is played, the order is reversed, then the arpeggio restarts. Playback order: original, 2, 1, 3, 3, 1, 2, original. | Once the pattern is played, the order is reversed, but the third inversion is not repeated. Playback order: original, 1, 2, 3, 2, 1. |
Outside-in | Plays the highest inversion, then the original, then plays the second highest and the second lowest inversion, and so on. Playback order: 3, original, 2, 1. | Plays the original, then the highest inversion, then plays the second lowest and the second highest inversion, and so on. Playback order: original, 3, 1, 2. | This is an inside-out variation. Playback order: 1, 2, original, 3. | This is an inside-out variation. Playback order: 2, 1, 3, original. |
Random | Played inversion order is randomly generated and can include duplicate chord inversions. | Played inversion order is randomly generated but no chord inversion is played twice. | This variation favors low chord inversions. Played inversion order is randomly generated and can include duplicate chord inversions. | This variation favors high chord inversions. Played inversion order is randomly generated and can include duplicate chord inversions. |
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