Welcome
- What’s new in Motion 5.6.1
- What’s new in Motion 5.6
- What’s new in Motion 5.5
- What’s new in 5.4.6
- What’s new in 5.4.4
- What is Motion?
- Motion workflow
- Motion interface
- Basic components of Motion
- Using input devices
- Intro to creating projects
- Create a new project
- Open an existing project
- Search for projects from the Finder
- Bypass the Project Browser
- Create and modify project presets
- Save, autosave, and revert projects
- Intro to adding and managing content
- Intro to project playback
- Define the play range
- Project playback performance
- Intro to basic compositing
- - Modify layer opacity
- Intro to 3D compositing
- - Intro to 3D coordinates
  - Relative coordinates
- Transform layers in 3D space
- - Create 3D intersection
  - 2D and 3D group properties
- Intro to the Timeline
- Display or resize the Timing pane
- Navigate in the Timeline
- Show and modify keyframes in the Timeline
- - Intro to the Timeline ruler
  - Edit a range of frames in the Timeline
- Edit in the mini-Timeline
- Intro to behaviors
- Behaviors versus keyframes
- - Browse for behaviors
- - Intro to adjusting behaviors
  - Adjust behaviors
- Intro to keyframing
- Add keyframes
- - Add an animation path in the canvas
  - Modify animation paths
- Animate from the HUD
- - Apply keyframes to behaviors
  - Combining keyframes and behaviors
- Use the mini-curve editor
- Animate on the fly
- Simplify a keyframe curve
- Intro to Final Cut Pro templates
- - Template workflow
  - Placeholders vs. drop zones
- - Create a generator template
  - Modify a Final Cut Pro generator
- - Convert a Motion project to Final Cut Pro
  - Convert a template to another type
- Use placeholder images in templates
- Set template resolution
- Add multiple aspect ratios to templates
- Override the Final Cut Pro color space
- Where are templates saved?
- Using masks in templates
- Guidelines for better templates
- Intro to rigging
- How does rigging work?
- Build a simple rig
- Work with widgets
- Control rigs from Animation menus
- Publish rigs to Final Cut Pro
- Intro to Particles
- - Add a particle system
  - Anatomy of a particle emitter
- Create 3D particles
- Particle system timing
- Using graphics in particle systems
- Using filters and masks with particles
- Save custom particle effects
- Intro to replicators
- Replicators vs. particle systems
- - Add a replicator
  - Anatomy of a replicator
- Work with 3D replicators
- Replicator timing
- Using filters and masks with replicators
- Save custom replicators
- Intro to basic text
- Select and modify text in the canvas
- Preview and apply fonts
- Use preset text styles
- - Intro to editing text
  - Display the Text Inspector or HUD
- Convert standard text to 3D text
- Check spelling
- Find and replace text
- Using filters with text
- Intro to 3D text
- 3D text workflow
- - Add 3D text
  - Convert 2D text to 3D text
- Apply a preset 3D text style
- Move and rotate 3D text
- Add a glow or drop shadow to 3D text
- 3D text intersection
- Intro to animated text
- Apply a text behavior
- - Use the Scroll Text behavior
  - Scroll Text controls
- - Use the Text Tracking behavior
  - Text Tracking controls
- - Use the Type On behavior
  - Type On controls
- Animate individual text glyphs
- Animating 2D text in 3D space
- When to use keyframes to animate text
- Adding nontext behaviors to text
- Save a modified text behavior
- Intro to shapes, masks, and paint strokes
- - Intro to complex shapes and masks
  - Draw complex shapes and masks
- Edit fill, outline, and feathering
- Keyframe shape control points
- Convert between shapes and masks
- Using filters and masks with shapes
- Copy shape styles
- Save custom shapes and shape styles
- Intro to using generators
- Add a generator
- - Modify or animate a generator
  - Controls common to all generators
- Save a modified generator
- Intro to filters
- Browse and preview filters
- Apply or remove filters
- - Animate filter parameters with keyframes
  - Animate filters using behaviors
- Publish filter parameters to Final Cut Pro
- Using filters on alpha channels
- Filter performance
- Save custom filters
- Intro to color keying
- - Intro to the Luma Keyer filter
  - Luma Keyer filter controls
- Intro to 3D objects
- Add a 3D object
- Move and rotate a 3D object
- Reposition a 3D object’s anchor point
- Exchange a 3D object file
- 3D object intersection and layer order
- - Intro to 3D object timing
  - Modify 3D object timing in Motion
- Using cameras and lights with 3D objects
- Save custom 3D objects
- Guidelines for working with 3D objects
- Working with imported 3D objects
- Intro to 360-degree video
- 360-degree projects
- Create 360-degree projects
- Add 360-degree video to a project
- - View 360-degree projects
  - View 360-degree video in a VR headset
- - Intro to graphics in 360-degree projects
  - Use graphics in 360-degree projects
- Create a tiny planet effect
- Reorient 360-degree media
- Creating 360-degree templates for Final Cut Pro
- 360-degree-aware filters and generators
- Export and share 360-degree projects
- Guidelines for better 360-degree projects
- Intro to tracking
- How does motion tracking work?
- Analyze and record motion in a clip
- Track shapes, masks, and paint strokes
- Track the position of a filter or object
- Adjust onscreen trackers
- Load existing tracking data
- Use a range of frames for analysis
- Save tracks to the Library
- Intro to audio
- View audio files
- Add audio files
- Play audio files
- Intro to exporting projects
- Export a QuickTime movie
- Export audio only
- Export a still image
- Export an image sequence
- Export to Apple devices
- Export to email
- Export using Compressor
- Create share destinations
- Render settings
- View the status of shared items
- Share notifications
- Intro to preferences and shortcuts
- Touch Bar shortcuts
- Move assets to another computer
- Work with GPUs
Glossary
Copyright

Adjust HDR media in Motion

You can adjust HDR media in Motion in two ways:

Use the HDR Tools filter to convert wide-gamut HDR media from one color space to another or to limit the brightness of a video to a specific level.
Use the Media Inspector to assign or correct a media file’s color profile.

Adjust the color space of wide-gamut HDR media using the HDR Tools filter

In the Layers list in Motion, select the wide-gamut HDR media.
In the toolbar, click Filters, then choose Color > HDR Tools from the pop-up menu.
In the Filters Inspector, click the Mode pop-up menu, then choose one of the following adjustments:
- HDR to Rec. 709 SDR: Choose this option to convert high-dynamic-range (HDR) media (such as PQ, HLG, or log media that has been color-corrected in HDR) to Rec. 709 standard-dynamic-range (SDR) luminance levels. Further adjustments to the image may be necessary to fine-tune the look.
- PQ Output Tone Map: Choose this option to reduce the brightness of PQ media down to the level you set in the Peak Brightness slider, and to apply a soft rolloff to the highlights so that they don’t clip abruptly. Use this setting in PQ projects only, and apply it as the last effect.
- HLG to PQ (Rec. 2100): Apply this setting to HLG clips in PQ projects to maintain the brightness at a level you set in the Peak Brightness slider (in accordance with Rec. ITU-R BT.2100-1).
- PQ to HLG (Rec. 2100): Apply this setting to PQ clips in HLG projects to maintain the brightness at a level you set in the Peak Brightness slider (in accordance with Rec. ITU-R BT.2100-1).
Depending on the Mode parameter setting, the Peak Brightness parameter sets a clip’s maximum luminance on a display to a specific level or sets the nominal peak luminance of a display:
- When Mode is set to PQ Output Tone Map, Peak Brightness specifies the number of nits to which the output of the filter is limited. For example, if you want to limit your clip to 1,000 nits peak, set Peak Brightness to 1000.
- When Mode is set to HLG to PQ (Rec. 2100) or PQ to HLG (Rec. 2100), Peak Brightness specifies the nominal peak luminance of the (HLG) display on which the HLG content is displayed. For example, if you want to convert an HLG clip to PQ and want the resulting PQ clip to look identical to an HLG clip on a 1000-nit display, set the Peak Brightness parameter to 1000.
For the most accurate results when using the HDR Tools filter, keep the Mix setting at 100%.

You might use the HDR Tools filter on any of the following kinds of wide-gamut HDR images:

MOV or MXF files that were encoded directly using the HLG (Hybrid Log-Gamma) or PQ (Perceptual Quantizer) standard. This could be media originating from a camera or media exported from Motion, Final Cut Pro, Compressor, or another app.
A source file that is not HLG or PQ (it could be RAW, for example) to which a LUT filter has been applied (before application of the HDR Tools filter) to output HLG or PQ video.
A video clip that has been set to either PQ or HLG. For example, you might modify a PQ project (a project configured for Rec. 2020 PQ), and then export the project as a movie and place it in an HLG project. For information about wide-gamut HDR project settings, see Use wide-gamut HDR color processing in Motion.

Override a file’s color profile in the Media pane

If a media file is not tagged or is tagged incorrectly prior to importing into Motion, you can manually set its color profile in the Media pane of the Inspector.

In Motion, open the Media pane, then select the image or clip.
In the Media Inspector, click the Color Space Override pop-up menu, then choose an option.
The options vary depending on the selected file. Rec. 601, Rec. 709, and Rec. 2020, Rec. 2020 HLG, and Rec. 2020 PQ are available for most files.

For more information about controls in the Media Inspector, see Source media controls in Motion.

Download this guide: Apple Books | PDF

Kasulik?

Motion User Guide

Adjust HDR media in Motion

Adjust the color space of wide-gamut HDR media using the HDR Tools filter

Override a file’s color profile in the Media pane