Logic Pro User Guide for iPad
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Route MIDI internally to software instrument tracks
- Record with Low Latency Monitoring mode
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Session Player region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
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- Intro to chords
- Add and delete chords
- Select chords
- Cut, copy, and paste chords
- Move and resize chords
- Loop chords on the Chord track
- Edit chords
- Work with chord groups
- Use chord progressions
- Change the chord rhythm
- Choose which chords a Session Player region follows
- Analyze the key signature of a range of chords
- Create fades on audio regions
- Extract vocal and instrumental stems with Stem Splitter
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
- Use the Mod Pad
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope point transition shapes
- Vector Envelope release phase behavior
- Use Vector Envelope time scaling
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low, bandpass, and highpass filters
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Studio Piano
- Copyright
Set the processing details when exporting projects in Logic Pro for iPad
When you choose to export a project as an uncompressed or compressed file in Logic Pro for iPad, the following processing details are available:
Mode: Choose from three options for the export process:
Automatic: Logic Pro determines whether the bounce can be made offline or must be made in real time.
Offline: Bouncing offline can be faster than real time for more complex projects and can perform bounces not possible in real time (because they might exceed the processing power of your iPad).
Note: Only internal sources (audio or software instrument tracks) can be bounced offline—not MIDI tracks or audio channel inputs.
Realtime: Performs the bounce in real time. Use this setting when you want to bounce audio and software instrument tracks, or external MIDI sound sources that are routed to the Mixer via aux channels.
Bounce 2nd Cycle Pass: The bounce process takes two repetitions of the cycle range into account, with the creation of the bounce file starting at the second repetition. This is useful if you want effect tails (from the first cycle pass) to be added to the start of the bounce file.
Note: This option is available when Realtime is selected as the export mode.
Include Audio Tail: When this is turned on, the export file is extended as far as necessary to include any instrument release and effect tail.
Note: Some plug-ins, including plug-ins used for mastering and the test oscillator plug-in, can add noise to the signal. Include Audio Tail should not be selected when using these plug-ins, because the resulting bounce file would be too long.
Include Mastering Assistant: Choose to include or bypass Mastering Assistant for the export file.
Note: This option is available only if you have used Mastering Assistant in your project. For more information, see Mastering Assistant overview.
Normalize: Choose from three options:
Off: No normalization is applied.
On: The project (incoming audio) is scanned for the highest amplitude peak, then the level is increased so that the peak is at the maximum possible level (without clipping).
Overload Protection Only: Downward normalization takes place only for overloads (levels above 0 dB, which would lead to clipping), but no normalization takes place for lower levels.
Note: Normalize is not available if you have turned on Include Mastering Assistant.
Include Master Effect Plug-ins: Choose whether to include or bypass all plug-ins inserted on the output channel strip.
Write Song Information: When this is turned on, you can add song information to the export file, including song title, artist, composer, and an International Standard Recording Code (ISRC) for song identification.
Note: This switch is available only when you have chosen to export a compressed file.
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