Logic Pro User Guide for iPad
-
- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
- Undo and redo edits in Logic Pro for iPad
-
- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
-
- Intro to recording
-
- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Route MIDI internally to software instrument tracks
- Record with Low Latency Monitoring mode
- Use the metronome
- Use the count-in
-
- Intro to arranging
-
- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Session Player region or a pattern region
- Replace a MIDI region with a Session Player region in Logic Pro for iPad
- Rename regions
- Change the color of regions
- Delete regions
-
- Intro to chords
- Add and delete chords
- Select chords
- Cut, copy, and paste chords
- Move and resize chords
- Loop chords on the Chord track
- Color chords on the Chord track
- Edit chords
- Work with chord groups
- Use chord progressions
- Change the chord rhythm
- Choose which chords a Session Player region follows
- Analyze the key signature of a range of chords
- Create fades on audio regions
- Extract vocal and instrumental stems with Stem Splitter
- Access mixing functions using the Fader
-
- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
-
- Intro to mixing
-
- Channel strip types
- Channel strip controls
- Peak level display and clipping
- Set channel strip volume
- Set channel strip input format
- Set the output for a channel strip
- Set channel strip pan position
- Mute and solo channel strips
- Reorder channel strips in the Mixer in Logic Pro for iPad
- Replace a patch on a channel strip using drag and drop
- Work with plug-ins in the Mixer
- Search for plug-ins in the Mixer in Logic Pro for iPad
-
- Effect plug-ins overview
-
- Instrument plug-ins overview
-
- ES2 overview
- Interface overview
-
- Modulation overview
- Use the Mod Pad
-
- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope point transition shapes
- Vector Envelope release phase behavior
- Use Vector Envelope time scaling
- Modulation source reference
- Via modulation source reference
-
- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low, bandpass, and highpass filters
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Studio Piano
- Copyright
EVOC 20 TrackOscillator Inputs in Logic Pro for iPad
The parameters of the Inputs section determine how the input signal is analyzed and used by EVOC 20 TrackOscillator. See also EVOC 20 TrackOscillator Un/Voiced detection.
Inputs parameters
Analysis in pop-up menu: Choose the analysis signal source.
Track: Uses the input audio signal of the channel strip the EVOC 20 TrackOscillator is inserted into as the analysis signal.
Side Chain: Uses a side chain as the analysis signal. You choose the side chain source channel strip from the Side Chain pop-up menu in the plug-in menu bar.
Note: If Side Chain is chosen and no Side Chain channel strip is assigned, the EVOC 20 TrackOscillator reverts to Track mode.
Freeze button: Hold the current analysis sound spectrum indefinitely. When Freeze is enabled, the analysis filter bank ignores the input source, and the Attack and Release knobs have no effect.
Attack knob and field: Determine how quickly each envelope follower—coupled to each analysis filter band—reacts to rising signals.
Release knob and field: Determine how quickly each envelope follower—coupled to each analysis filter band—reacts to falling signals.
Set Attack and Release times in EVOC 20 TrackOscillator
In Logic Pro, rotate the Attack and Release knobs to set times that provide the most articulated sound.
Longer attack times result in a slower tracking response to transients—level spikes—of the analysis input signal. A long attack time on percussive input signals, such as a spoken word or hi-hat part, translates into a less articulated vocoder effect. Set the Attack parameter to the lowest possible value to enhance articulation.
Longer release times cause the analysis input signal transients to sustain for a longer period at the vocoder output. A long release time on percussive input signals, such as a spoken word or hi-hat part, translates into a less articulated vocoder effect. Use of extremely short release times results in rough, grainy vocoder sounds. Release values of around 8 to 10 ms are useful starting points.
Freeze the input signal in EVOC 20 TrackOscillator
In Logic Pro, tap the Freeze button to hold, or sustain, the sound spectrum of the analysis input signal.
By freezing the input signal you can capture a particular characteristic of the signal, which is then imposed as a complex sustained filter shape on the Synthesis section. Here are some examples of when this could be useful:
If you’re using a spoken word pattern as a source, the Freeze button could capture the attack or tail phase of an individual word within the pattern—the vowel a, for example.
People cannot sustain sung notes indefinitely. To compensate for this human limitation, use the Freeze button. If the synthesis signal needs to be sustained but the analysis source signal—a vocal part—is not sustained, use the Freeze button to lock the current formant levels of a sung note, even during gaps in the vocal part, between words in a vocal phrase.
Tip: The Freeze parameter can be automated, which may be useful in this situation.
Download this guide: PDF