Logic Pro User Guide for iPad
- What’s new in Logic Pro 1.1
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Drummer region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
- Create fades on audio regions
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope release phase behavior
- Vector Envelope point transition shapes
- Use Vector Envelope time scaling
- Use the Mod Pad
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Copyright
Tuning project settings in Logic Pro for iPad
Logic Pro for iPad includes a real-time tuning system for use with the included software instruments. You can change the tuning system in the Tuning project settings.
Software instrument pitch
Tune field: Determines the global tuning of all software instruments. Detuning is in ± cent (1/100 of a semitone) steps. The default value of 0 cents refers to the concert pitch A (440 Hz).
Software Instrument Scale pop-up menu: Choose from two different tuning scales:
Equal Tempered: Equal tempered is the most commonly used scale in classical music and Western music today.
Hermode Tuning (HMT): A microtonal tuning system that adjusts 3rd, 5th, and 7th intervals to make them sound harmonically richer.
Hermode Type pop-up menu: Only displayed when you choose Hermode Tuning (HMT) from the Software Instrument Scale pop-up menu.
Pop/Jazz (3/5/7-All): 3rds, 5ths, and 7ths are changed in this mode. It’s great for pop and jazz styles, especially when using sustained chords. It’s less suitable for polyphonic music because the detuning of the natural 7th is significant. This mode should always be used with a Depth of 90% or 100% because other values render the natural 7th acoustically ineffective.
Classic (3/5-All): This mode provides a broad and regular tuning of pure 3rds and 5ths. In cases of conflict, the degree of purity is temporarily reduced. This mode can be used for all types of music. The value of the Depth parameter indicates the degree of the 3rd and 5th purity. A setting of 100% determines maximum purity. A 10% value is the lowest purity setting. Off sets the tuning to an equal tempered scale.
Baroque (3/5-Adaptive): This mode tunes pure 3rds and 5ths (with changing characteristics). In tonal music, with a clear harmonic center, the middle chords are tuned very purely, whereas more distant chords are tuned with less purity. If the harmonic center becomes unclear, all chords are tuned with equal purity. As with the other mode parameters, a Depth value of 100% determines the highest purity, and a value of 10%, the lowest purity.
Depth field: Only displayed when you choose Hermode Tuning (HMT) from the Software Instrument Scale pop-up menu. It allows you to set the degrees of 3rd and 5th purity between 0% and 100%.
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