Logic Pro User Guide for iPad
- What’s new in Logic Pro 1.1
-
- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
-
- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
-
- Intro to recording
-
- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Use the metronome
- Use the count-in
-
- Intro to arranging
-
- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Drummer region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
- Create fades on audio regions
- Access mixing functions using the Fader
-
- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
-
- Effect plug-ins overview
-
- Instrument plug-ins overview
-
- ES2 overview
- Interface overview
-
- Modulation overview
-
- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope release phase behavior
- Vector Envelope point transition shapes
- Use Vector Envelope time scaling
- Use the Mod Pad
- Modulation source reference
- Via modulation source reference
-
- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Copyright
Vintage Tube EQ in Logic Pro for iPad
Vintage Tube EQ emulates two retro EQ units that were often paired as they complemented each other. These units are still in use today, despite being out of production for decades.
The main original unit (Program EQ) that Vintage Tube EQ is based on is a valve-equipped analog design. It is a lossless passive equalizer. This means that the signal level remains constant even if the EQ is switched out. The original unit is noted for the “musical” quality of its filters, making it a versatile tool for mixing and mastering.
The low-frequency section of Vintage Tube EQ is a shelving EQ with sweepable frequency bands between 20 and 100 Hz. These frequencies can be boosted by 13.5 dB or cut by 17.5 dB. You can create unusual EQ curves by simultaneously boosting and cutting overlapping frequencies.
The Vintage Tube EQ high-frequency section provides up to 18 dB of boost at frequencies sweepable from 3 to 16 kHz. A Bandwidth control changes the Q value. A shelf-cut EQ provides up to 16 dB of attenuation between 5 and 20 kHz.
The second emulated EQ model (Mid-Range EQ) is often paired with the original unit. It’s the perfect partner for the upper unit, adding mid-range flexibility that lets you fine-tune signals in this frequency spectrum, with a beautifully matched tonal signature.
To add Vintage Tube EQ to your project, choose Equalizers > Vintage EQ Collection > Vintage Tube EQ in a channel strip Audio Effect plug-in menu or the Plug-ins area. See Intro to plug-ins. Also see Add, replace, reorder, and remove plug-ins in the Plug-ins area and Work with plug-ins in the Mixer.
Program EQ (main unit) parameters
Program EQ On/Off button: Turn the EQ circuit on or off.
Low Boost knob: Set the amount of low frequency boost, up to 13.5 dB.
Low Atten knob: Set the amount of low frequency attenuation (cut), up to 17.5 dB.
Low Freq knob: Set the low range center frequency to 20, 30, 60, or 100 Hz, or values between these increments.
High Boost knob: Set the amount of high frequency boost, up to 18 dB.
High Bandwidth knob: Set the Q, or bandwidth, of the high frequency range from narrow to broad.
High Freq knob: Set the high range center frequency to 1, 2, 3, 4, 5, 6, 8, 10, 12, 14, or 16 kHz, or values between these increments.
High Atten knob: Set the amount of high frequency attenuation (cut), up to 16 dB.
High Atten Sel knob: Set the high range shelving frequency to 5, 10, or 20 kHz, or values between these increments.
Mid-Range EQ parameters
Mid-Range EQ On/Off button: Turn the EQ circuit on or off.
Low Peak knob: Set the amount of low frequency boost, up to 10 dB.
Low Freq knob: Set the low range center frequency to 0.2, 0.3, 0.5, 0.7, or 1.0 kHz, or values between these increments.
Dip knob: Set the amount of attenuation (cut) for the selected Dip frequency, up to 10 dB.
Dip Q knob: Set the width of the frequency band around the cutoff frequency.
Dip Freq knob: Set the Dip (attenuation) center frequency to 0.2, 0.3, 0.5, 0.7, or 1.0, 1.5, 2, 3, 4, or 5 kHz, or values between these increments.
High Peak knob: Set the amount of high frequency boost, up to 8 dB.
High Freq knob: Set the high range center frequency to 1.5, 2, 3, 4, or 5 kHz, or values between these increments.
Download this guide: PDF