Logic Pro User Guide for iPad
- What’s new in Logic Pro 1.1
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Drummer region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
- Create fades on audio regions
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope release phase behavior
- Vector Envelope point transition shapes
- Use Vector Envelope time scaling
- Use the Mod Pad
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Copyright
Amp Designer cabinets in Logic Pro for iPad
Learn about the properties and tone of each cabinet model available in Amp Designer.
Cabinet | Description | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
Tweed 1 x 12 | A 12” open-back cabinet from the 1950s with a warm and smooth tone. | ||||||||||
Tweed 4 x 10 | A 4 x 10” open-back cabinet from the late 1950s that was originally conceived for bassists but that guitarists use for its sparkling presence. | ||||||||||
Tweed 1 x 10 | A single 10” open-back combo amp cabinet from the 1950s with a smooth sound. | ||||||||||
Black Panel 4 x 10 | Classic open-back cabinet with four 10” speakers. Its tone is deeper and darker than the Tweed 4 x 10. | ||||||||||
Silver Panel 2 x 12 | An open-back model from the 1960s that provides low-end punch. | ||||||||||
Black Panel 1 x 10 | An open-back 1960s cabinet with glassy highs and low/mid body. | ||||||||||
Brown Panel 1 x 12 | A balanced 1960s open-back cabinet that is smooth, transparent, and rich-sounding. | ||||||||||
Brown Panel 1 x 15 | This early 1960s open-back cabinet houses the largest speaker emulated by Amp Designer. Its highs are clear and glassy, and its lows are tight and focused. | ||||||||||
Vintage British 4 x 12 | This late 1960s closed-back cabinet is synonymous with classic rock. The tone is big and thick yet also bright and lively, due to the complex phase cancelations between the four 30-watt speakers. | ||||||||||
Modern British 4 x 12 | A closed-back 4 x 12” cabinet that is brighter and has a better low end than the Vintage British 4 x 12, with less midrange emphasis. | ||||||||||
Brown 4 x 12 | A closed-back 4 x 12” cabinet with a good low end and complex midrange. | ||||||||||
British Blues 2 x 12 | A bright-sounding open-back cabinet with solid lows and crisp highs, even at high gain settings. | ||||||||||
Modern American 4 x 12 | A closed-back 4 x 12” cabinet with a full sound. The lows and mids are denser than the British 4 x 12” cabinets. | ||||||||||
Studio 1 x 12 | A compact-sounding open-back cabinet with full mids and glassy highs. | ||||||||||
British 2 x 12 | A mid 1960s open-back cabinet with an open, smooth tone. | ||||||||||
British 1 x 12 | A small open-back cabinet with crisp highs and low/mid transparency. | ||||||||||
Boutique British 2 x 12 | A 2 x 12” cabinet based on the British 2 x 12. It has a richer midrange and is more powerful in the treble range. | ||||||||||
Sunshine 4 x 12 | A 4 x 12” closed-back cabinet with a thick, rich midrange. | ||||||||||
Sunshine 1 x 12 | A single 12” open-back combo amp cabinet with a lively sound that has bright, sweet highs, and transparent mids. | ||||||||||
Stadium 4 x 12 | A tight, bright, closed-back British cabinet with bold upper/mid peaks. | ||||||||||
Stadium 2 x 12 | A nicely balanced modern British open-back cabinet. Tonally, it is a compromise between the warmth of the Black Panel 4 x 10 and the brilliance of the British 2 x 12. | ||||||||||
Boutique Retro 2 x 12 | A 2 x 12” cabinet based on the British 2 x 12. It has a rich, open midrange and is more powerful in the treble range. | ||||||||||
High Octane 4 x 12 | A modern, closed-back European cabinet with strong lows and highs and scooped mids appropriate for metal and heavy rock. | ||||||||||
Turbo 4 x 12 | A modern, closed-back European cabinet with strong lows, very strong highs, and deeply scooped mids appropriate for metal and heavy rock. | ||||||||||
Pawnshop 1 x 8 | A single 8” speaker cabinet that has a strong low-end punch. | ||||||||||
Direct | This option bypasses the speaker emulation section. | ||||||||||
Tip: A creative sound design option is to choose Direct from the Speaker pop-up menu, insert Space Designer in the next free effect slot, then load one of the “warped” presets.
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