MainStage User Guide
- Welcome
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- Overview of Edit mode
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- Select patches and sets in the Patch List
 - Copy, paste, and delete patches
 - Reorder and move patches in the Patch List
 - Add and rename patches
 - Create a patch from several patches
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- Overview of the Patch Settings Inspector
 - Select patch settings in the Patch Library
 - Set the time signature for patches
 - Change the tempo when you select a patch
 - Set program change and bank numbers
 - Defer patch changes
 - Instantly silence the previous patch
 - Change patch icons
 - Transpose the pitch of incoming notes for a patch
 - Change the tuning for a patch
 - Add text notes to a patch
 
 
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- Overview of channel strips
 - Add a channel strip
 - Change a channel strip setting
 - Configure channel strip components
 - Show signal flow channel strips
 - Hide the metronome channel strip
 - Create an alias of a channel strip
 - Add a patch bus
 - Set channel strip pan or balance positions
 - Set channel strip volume levels
 - Mute and solo channel strips
 - Use multiple instrument outputs
 - Use external MIDI instruments
 - Reorganize channel strips
 - Delete channel strips
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- Overview of the Channel Strip Inspector
 - Choose channel strip settings
 - Rename channel strips
 - Change channel strip colors
 - Change channel strip icons
 - Use feedback protection with channel strips
 - Set keyboard input for a software instrument channel strip
 - Transpose individual software instruments
 - Filter MIDI messages
 - Scale channel strip velocity
 - Set channel strips to ignore Hermode tuning
 - Override concert- and set-level key ranges
 - Add text notes to a channel strip in the Channel Strip Inspector
 
 
 - Route audio via send effects
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- Screen Control Inspector overview
 - Replace parameter labels
 - Choose custom colors for screen controls
 - Change background or grouped screen control appearance
 - Set screen controls to show the hardware value
 - Set parameter change behavior for screen controls
 - Set hardware matching behavior for screen controls
 - Reset and compare changes to a patch
 - Override concert- and set-level mappings
 
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- Overview of mapping screen controls
 - Map to channel strip and plug-in parameters
 - Map screen controls to actions
 - Map a screen control to multiple parameters
 - Use screen controls to display PDF document pages
 - Edit the saved value for a mapped parameter
 - Set drum pads or buttons to use note velocity
 - Map screen controls to all channel strips in a patch
 - Undo screen control parameter mappings
 - Remove screen control mappings
 
 - Work with graphs
 - Create controller transforms
 - Share patches and sets between concerts
 - Record the audio output of a concert
 
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- Overview of concerts
 - Create a concert
 - Open and close concerts
 - Save concerts
 - How saving affects parameter values
 - Clean up concerts
 - Consolidate assets in a concert
 - Rename the current concert
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- Overview of the Concert Settings Inspector
 - Set MIDI Routing to channel strips
 - Transpose incoming note pitch for a concert
 - Define the program change message source
 - Send unused program changes to channel strips
 - Set the time signature for a concert
 - Change the tuning for a concert
 - Set the pan law for a concert
 - Add text notes to a concert
 
 - Control the metronome
 - Silence MIDI notes
 - Mute audio output
 
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- Layout mode overview
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- Screen control parameter editing overview
 - Lift and stamp screen control parameters
 - Reset screen control parameters
 - Common screen control parameters
 - Keyboard screen control parameters
 - MIDI activity screen control parameters
 - Drum pad screen control parameters
 - Waveform screen control parameters
 - Selector screen control parameters
 - Text screen control parameters
 - Background screen control parameters
 
 - How MainStage passes through MIDI messages
 - Export and import layouts
 - Change the aspect ratio of a layout
 
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- Before performing live
 - Use Perform mode
 - Screen controls in performance
 - Tempo changes during performance
 - Tips for performing with keyboard controllers
 - Tips for performing with guitars and other instruments
 - Tune guitars and other instruments with the Tuner
 - The Playback plug-in in performance
 - Record your performances
 - After the performance
 - Tips for complex hardware setups
 
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- Overview of keyboard shortcuts and command sets
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- Concerts and layouts keyboard shortcuts
 - Patches and sets (Edit mode) keyboard shortcuts
 - Editing keyboard shortcuts
 - Actions keyboard shortcuts
 - Parameter mapping (Edit mode) keyboard shortcuts
 - Channel strips (Edit mode) keyboard shortcuts
 - Screen controls (Layout mode) keyboard shortcuts
 - Perform in Full Screen keyboard shortcuts
 - Window and view keyboard shortcuts
 - Help and support keyboard shortcuts
 
 
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- Use MIDI plug-ins
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- Arpeggiator overview
 - Arpeggiator control parameters
 - Note order parameters overview
 - Note order variations
 - Note order inversions
 - Arpeggiator pattern parameters overview
 - Use Live mode
 - Use Grid mode
 - Arpeggiator options parameters
 - Arpeggiator keyboard parameters
 - Use keyboard parameters
 - Assign controllers
 
 - Modifier controls
 - Note Repeater controls
 - Randomizer controls
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- Use Scripter
 - Use the Script Editor
 - Scripter API overview
 - MIDI processing functions overview
 - HandleMIDI function
 - ProcessMIDI function
 - GetParameter function
 - SetParameter function
 - ParameterChanged function
 - Reset function
 - JavaScript objects overview
 - Use the JavaScript Event object
 - Use the JavaScript TimingInfo object
 - Use the Trace object
 - Use the MIDI event beatPos property
 - Use the JavaScript MIDI object
 - Create Scripter controls
 
 - Transposer controls
 
 
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- Alchemy overview
 - Alchemy interface overview
 - Alchemy Name bar
 - Alchemy file locations
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- Alchemy source overview
 - Source master controls
 - Import browser
 - Source subpage controls
 - Source filter controls
 - Source filter use tips
 - Source elements overview
 - Additive element controls
 - Additive element effects
 - Spectral element controls
 - Spectral element effects
 - Pitch correction controls
 - Formant filter controls
 - Granular element controls
 - Sampler element controls
 - VA element controls
 - Wide unison mode
 - Source modulations
 - Morph controls
 
 - Alchemy master voice section
 - Alchemy Extended parameters
 
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- Playback plug-in overview
 - Add a Playback plug-in
 - Playback interface
 - Use the Playback waveform display
 - Playback transport and function buttons
 - Playback information display
 - Playback Sync, Snap To, and Play From parameters
 - Use the Playback group functions
 - Use the Playback Action menu and File field
 - Use markers with the Playback plug-in
 
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- Sample Alchemy overview
 - Interface overview
 - Add source material
 - Edit mode
 - Play modes
 - Source overview
 - Synthesis modes
 - Granular controls
 - Additive effects
 - Additive effect controls
 - Spectral effect
 - Spectral effect controls
 - Filter module
 - Lowpass, bandpass, and highpass filters
 - Comb PM filter
 - Downsampler filter
 - FM filter
 - Envelope generators
 - Mod Matrix
 - Modulation routing
 - Motion mode
 - Trim mode
 - More menu
 
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- Sculpture overview
 - Sculpture interface
 - Global parameters
 - Amplitude envelope parameters
 - Use the Waveshaper
 - Filter parameters
 - Output parameters
 - Define MIDI controllers
 - Extended parameters
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 - Studio Piano
 
 - Copyright
 

Amp Designer cabinets in MainStage
Learn about the properties and tone of each cabinet model available in Amp Designer.
Cabinet  | Description  | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
Tweed 1 x 12  | A 12” open-back cabinet from the 1950s with a warm and smooth tone.  | ||||||||||
Tweed 4 x 10  | A 4 x 10” open-back cabinet from the late 1950s that was originally conceived for bassists but that guitarists use for its sparkling presence.  | ||||||||||
Tweed 1 x 10  | A single 10” open-back combo amp cabinet from the 1950s with a smooth sound.  | ||||||||||
Black Panel 4 x 10  | Classic open-back cabinet with four 10” speakers. Its tone is deeper and darker than the Tweed 4 x 10.  | ||||||||||
Silver Panel 2 x 12  | An open-back model from the 1960s that provides low-end punch.  | ||||||||||
Black Panel 1 x 10  | An open-back 1960s cabinet with glassy highs and low/mid body.  | ||||||||||
Brown Panel 1 x 12  | A balanced 1960s open-back cabinet that is smooth, transparent, and rich-sounding.  | ||||||||||
Brown Panel 1 x 15  | This early 1960s open-back cabinet houses the largest speaker emulated by Amp Designer. Its highs are clear and glassy, and its lows are tight and focused.  | ||||||||||
Vintage British 4 x 12  | This late 1960s closed-back cabinet is synonymous with classic rock. The tone is big and thick yet also bright and lively, due to the complex phase cancelations between the four 30-watt speakers.  | ||||||||||
Modern British 4 x 12  | A closed-back 4 x 12” cabinet that is brighter and has a better low end than the Vintage British 4 x 12, with less midrange emphasis.  | ||||||||||
Brown 4 x 12  | A closed-back 4 x 12” cabinet with a good low end and complex midrange.  | ||||||||||
British Blues 2 x 12  | A bright-sounding open-back cabinet with solid lows and crisp highs, even at high gain settings.  | ||||||||||
Modern American 4 x 12  | A closed-back 4 x 12” cabinet with a full sound. The lows and mids are denser than the British 4 x 12” cabinets.  | ||||||||||
Studio 1 x 12  | A compact-sounding open-back cabinet with full mids and glassy highs.  | ||||||||||
British 2 x 12  | A mid 1960s open-back cabinet with an open, smooth tone.  | ||||||||||
British 1 x 12  | A small open-back cabinet with crisp highs and low/mid transparency.  | ||||||||||
Boutique British 2 x 12  | A 2 x 12” cabinet based on the British 2 x 12. It has a richer midrange and is more powerful in the treble range.  | ||||||||||
Sunshine 4 x 12  | A 4 x 12” closed-back cabinet with a thick, rich midrange.  | ||||||||||
Sunshine 1 x 12  | A single 12” open-back combo amp cabinet with a lively sound that has bright, sweet highs, and transparent mids.  | ||||||||||
Stadium 4 x 12  | A tight, bright, closed-back British cabinet with bold upper/mid peaks.  | ||||||||||
Stadium 2 x 12  | A nicely balanced modern British open-back cabinet. Tonally, it is a compromise between the warmth of the Black Panel 4 x 10 and the brilliance of the British 2 x 12.  | ||||||||||
Boutique Retro 2 x 12  | A 2 x 12” cabinet based on the British 2 x 12. It has a rich, open midrange and is more powerful in the treble range.  | ||||||||||
High Octane 4 x 12  | A modern, closed-back European cabinet with strong lows and highs and scooped mids appropriate for metal and heavy rock.  | ||||||||||
Turbo 4 x 12  | A modern, closed-back European cabinet with strong lows, very strong highs, and deeply scooped mids appropriate for metal and heavy rock.  | ||||||||||
Pawnshop 1 x 8  | A single 8” speaker cabinet that has a strong low-end punch.  | ||||||||||
Direct  | This option bypasses the speaker emulation section.  | ||||||||||
Tip: A creative sound design option is to choose Direct from the Cabinet pop-up menu, insert Space Designer in the next free effect slot, then load one of the “warped” speaker impulse responses.