Logic Pro User Guide for iPad
- Welcome
-
- What is Logic Pro?
- Working areas
- Work with the menu bar
- Work with function buttons
- Work with numeric values
- Undo and redo edits in Logic Pro for iPad
-
- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- How to get help
-
- Intro to recording
-
- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Route MIDI internally to software instrument tracks
- Record with Low Latency Monitoring mode
- Use the metronome
- Use the count-in
-
- Intro to arranging
-
- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Normalize audio regions in the Tracks area in Logic Pro for iPad
- Create regions in the Tracks area
- Convert a MIDI region to a Session Player region or a pattern region
- Replace a MIDI region with a Session Player region in Logic Pro for iPad
- Rename regions
- Change the color of regions
- Delete regions
-
- Intro to chords
- Add and delete chords
- Select chords
- Cut, copy, and paste chords
- Move and resize chords
- Loop chords on the Chord track
- Color chords on the Chord track
- Edit chords
- Work with chord groups
- Use chord progressions
- Change the chord rhythm
- Choose which chords a Session Player region follows
- Analyze the key signature of a range of chords
- Use Chord ID to analyze the chords in an audio or MIDI region
- Create fades on audio regions
- Extract vocal and instrumental stems with Stem Splitter
- Access mixing functions using the Fader
-
- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Chords and pitch in Step Sequencer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
-
- Intro to mixing
-
- Channel strip types
- Channel strip controls
- Peak level display and clipping
- Set channel strip volume
- Set channel strip input format
- Set the output for a channel strip
- Set channel strip pan position
- Mute and solo channel strips
- Reorder channel strips
- Replace a patch on a channel strip using drag and drop
- Work with plug-ins in the Mixer
- Search for plug-ins in the Mixer
-
-
- Effect plug-ins overview
-
- Instrument plug-ins overview
-
- ES2 overview
-
- Modulation overview
- Use the Mod Pad
-
- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope point transition shapes
- Vector Envelope release phase behavior
- Use Vector Envelope time scaling
- Modulation source reference
- Via modulation source reference
- Use macro controls
-
- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low, bandpass, and highpass filters
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Studio Piano
- Copyright and trademarks
Use ES2 LFOs in Logic Pro for iPad
ES2 LFOs can be used to create delayed modulations, free modulations, and modulations that are synchronized with the Logic Pro tempo.
Tap the Mod Sources button to view and adjust these ES2 parameters.
Set the LFO 1 modulation speed up or slow down time in ES2
In Logic Pro, set a positive LFO 1 EG delay to speed up the modulation rate from zero to its set value.
The higher the value, the longer it takes to reach set modulation rate.
Set a negative LFO 1 EG delay value to slow down the modulation rate from its set value to zero.
The lower the slider is positioned onscreen, the longer it takes to reach the zero value for the modulation rate.
Set up a delayed vibrato in ES2
LFO envelopes are most often used for delayed vibrato—many instrumentalists and singers intonate longer notes this way.
In Logic Pro, in the Mod Sources view, set the LFO 1 EG delay slider to a position in the upper half (Delay).
Set an LFO 1 Rate of about 5 Hz.
Choose the triangular wave as the LFO 1 waveform.
Tap the Mod Matrix button, and in the Slot 1 section, select LFO 1 from the Source pop-up menu and Pitch123 from the Target pop-up menu to modulate the oscilator pitch with the LFO 1.
Set a slight modulation intensity with the Amount slider.
Set a free rate for LFO 2 in ES2
In Logic Pro, choose a value in the upper half of the LFO 2 Rate range to run LFO 2 freely.
The rate is displayed in hertz.
Synchronize the ES2 LFO 2 rate with the song tempo
In Logic Pro, choose a value to the left of the LFO 2 Rate center position to synchronize LFO 2 with the project tempo.
The rate is displayed in rhythmic values (when project tempo synchronization is active).
Synchronized rates range from speeds of 1/64-notes to a periodic duration of 32 bars. Triplet and punctuated values are also available.
Download this guide: PDF