Welcome
- What’s new in Logic Pro for Mac 10.8
- What’s new in Logic Pro for Mac 10.7.8
- What’s new in Logic Pro for Mac 10.7.5
- What’s new in Logic Pro 10.7.3
- What’s new in Logic Pro 10.7
- What’s new in Logic Pro 10.6
- What’s new in Logic Pro 10.5
- What’s new in Logic Pro 10.4
- What’s new in Logic Pro 10.3
- What’s new in Logic Pro 10.2
- What’s new in Logic Pro 10.0
- Get started overview
- Workflow overview
- Logic Pro main window
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- Tempo, key, and time signature
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- Arranging regions
- - Piano Roll Editor
  - Audio Track Editor
- Drummer
- Smart Controls
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- Apple Loops
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- Sharing
- What is Logic Pro for Mac?
- Logic Pro project basics
- Use menu commands and key commands
- Use the complete set of Logic Pro features
- Undo and redo edits
- Manage Logic Pro content
- How to get help
- Hardware connection overview
- Projects overview
- Create projects
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- Use Logic Remote to control Logic Pro projects
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- View project information
- Tracks overview
- Control timing with the groove track
- Use selection-based processing
- Edit track parameters
- Overview
- Use the metronome
- Using loops and other media in Logic Pro
- Bookmark folders in the All Files Browser
- Import compressed audio files
- Arranging overview
- - Remove silent passages
  - Uses for Remove Silence
- Create groove templates
- Overview
- Select audio regions
- Cut, copy, and paste audio regions
- Move audio regions
- Trim audio regions
- Split and join audio regions
- Snap edits to zero crossings
- Delete audio regions
- Use Flex Time and Pitch in the Logic Pro for Mac Audio Track Editor
- Use automation in the Audio Track Editor
- Overview
- View multiple MIDI regions
- Split chords
- Automation/MIDI area in the Piano Roll Editor
- Open other editors
- Drummer Overview
- Work with Producer Kits
- Convert Drummer regions to MIDI or pattern regions
- Flex Time and Pitch overview
- Use Varispeed to alter the speed and pitch of audio
- Logic Pro for Mac advanced editors overview
- Mixing overview
- - Channel strip types
  - Channel strip controls
- Set channel strip input formats
- Set channel strip pan or balance positions
- Mute and solo channel strips
- Work with channel strip settings
- Surround panning
- Use the I/O Labels window
- Undo and redo Mixer and plug-in adjustments
- Automation overview
- Track automation vs. region automation
- Show automation curves
- Choose automation modes
- - Select, copy, and move automation
  - Delete automation
- Snap automation to grid positions
- Edit automation in the Automation Event List
- Write automation with external controllers
- Smart Controls overview
- Show Smart Controls for master effects
- Choose a Smart Control layout
- Automatic MIDI controller assignment
- Map screen controls automatically
- Map screen controls
- Edit mapping parameters
- Use parameter mapping graphs
- Open the plug-in window for a screen control
- Rename a screen control
- Use articulation IDs to change articulations
- Assign hardware controls to screen controls
- Compare Smart Control edits with saved settings
- Use the Arpeggiator
- Automate screen control movements
- Live Loops overview
- Start and stop cells
- Work with Live Loops cells
- - Record to cells
  - Record and edit takes in cells
- Change loop settings for cells
- How the Live Loops grid and Tracks area interact
- Edit cells
- Edit scenes
- Work in the Cell Editor
- Bounce cells
- Record a Live Loops performance
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- Control Live Loops with other devices
- Step Sequencer overview
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
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- Customize Step Sequencer
- Global changes overview
- - Add arrangement markers
  - Edit arrangement markers
- - Transposition overview
  - Add and edit transposition points
- Control project volume
- Overview
- Add notes
- Use automation in the Score Editor
- Share a score
- Sharing overview
- Share songs to the Music app
- Share songs using AirDrop
- Share songs using MailDrop
- Share a project to GarageBand for iOS
- Share a project to Logic Pro for iPad
- Overview of surround and spatial audio
- - Overview of spatial audio with Dolby Atmos
  - - Bed tracks and object tracks
    - Rendering a Dolby Atmos mix in Logic Pro for Mac
- - Surround Panner overview
  - Surround Panner parameters
- - 3D Object Panner overview
  - 3D Object Panner parameters
- - Bounce surround audio files
  - Export ADM BWF files
- Video and synchronization overview
Touch Bar shortcuts
- Environment overview
- Common object parameters
- - Environment Layers overview
  - Create, name, delete, and switch layers
- Customize the Environment
- - Effects overview
  - Add, remove, move, and copy plug-ins
- - Instruments introduction
  - Add, remove, move, and copy plug-ins
  - Use multi-output instruments
- - Alchemy overview
  - Alchemy interface overview
  - Alchemy Name bar
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  - - Preset browser overview
    - Browser results list
  - - Main filter controls
    - Filter types
  - Alchemy master voice section
  - Alchemy Extended parameters
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  - Edit pane
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- - Drum Machine Designer overview
  - Drum Machine Designer interface
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  - - Pad controls bar
    - Use pad controls
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  - Kit Piece Tone and Effect Smart Controls
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    - Overdrive the filter
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- - ES2 overview
  - ES2 interface overview
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    - Enhance sounds with the Sine Level control
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    - Restrict randomization
- - EFM1 overview
  - Modulation parameters
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  - Create random sounds
  - Extended parameters
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- - ES E overview
  - Oscillator parameters
  - LFO parameters
  - Filter parameters
  - Envelope parameters
  - Output parameters
  - Extended parameters
- - ES M overview
  - Oscillator parameters
  - Filter and filter envelope controls
  - Level envelope and output controls
  - Extended parameters
- - ES P overview
  - Oscillator parameters
  - LFO parameters
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- - - EVOC 20 PS overview
    - Vocoder basics
  - EVOC 20 PS interface
  - Analysis controls
  - (U/V) detection parameters
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  - Modulation parameters
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- - Quick Sampler overview
  - Add audio to Quick Sampler
  - Quick Sampler waveform display
  - Use Flex in Quick Sampler
  - - Mod Matrix pane
    - LFO controls
  - Quick Sampler Pitch controls
  - Quick Sampler Filter controls
  - Quick Sampler filter types
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  - Quick Sampler extended parameters
- - Retro Synth overview
  - Analog oscillator controls
  - Sync oscillator controls
  - - Table oscillator parameters
    - Use the Wavetable menu
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  - Filter types
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  - Sampler extended parameters
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  - Sculpture interface
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    - Spread controls
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  - Amplitude envelope parameters
  - Use the Waveshaper
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- - Studio instruments overview
  - Section MIDI channel assignments
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  - Ultrabeat interface
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- - Vintage B3 overview
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  - Vintage Clav interface
  - Extended parameters
  - - D6 Clavinet history
    - D6 mechanical details
- - Vintage Electric Piano overview
  - Vintage Electric Piano interface
  - - Model controls
    - Pitch controls
  - Extended parameters
  - - Rhodes models
    - Hohner and Wurlitzer models
  - MIDI controller assignments
- - Vintage Mellotron overview
  - Vintage Mellotron controls
- - Legacy instruments overview
  - - Bass
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- - Synthesizer basics overview
  - Synthesizer fundamentals
Glossary
Copyright

Sampler modulation Targets in Logic Pro for Mac

The table outlines targets you can choose in the Target pop-up menus of the Mod Matrix pane which can be modulated in real time. Also see Sampler modulation Sources and Sampler modulation Via sources.

Target				Comments
None				Disables the target.
Sample Select				Modulates the sample (zone) that is played. By default, Sample Select is controlled by velocity—through the default Velocity to Sample Select modulation routing. This means that the received note velocity value determines which of the layered zones (in different velocity ranges) is heard as you play the keyboard softer or harder. You aren’t limited to using velocity, however, to determine which sample is played. You could assign the modulation wheel source to the Sample Select target or use both velocity and the modulation wheel. If you choose a continuous controller such as the modulation wheel, you can step through the velocity layers during playback. If you do this, use the crossfade (Xfade) parameters in the Mapping and Zone panes to create smooth transitions between velocity split points. When you use multiple modulation sources, be aware that these can cause all velocity layers to run simultaneously—using up as many voices as there are layered zones. In cases where you’re using multiple Xfades, Sampler needs to be prepared to play any velocity layer in parallel, in order to perform a real time crossfade. To allow for smooth crossfades, this means that all velocity layers need to be active.
Bit Resolution				Modulates the bit depth. This lets you create lo-fi sound effects. For example, using an envelope to make a sustained sound break up over time.
Sample Start/End				Modulates the sample start or end time. This allows you to trigger a drum loop partway through, for example. Modulation of both could create interesting chopping or semi gated effects.
Loop Start/End				Modulates the loop start or end time. This allows you to cycle different sized portions of a drum loop, for example.
Loop Position				Modulates the loop position. This moves the entire looped portion of the sample without changing the loop length.
Flex Speed				Modulates the Flex Speed parameter value, when Flex is enabled. You could use this to double or halve the synchronized playback speed of audio, enabling creative rhythmic effects.
Pitch				Modulates the frequency (pitch) of the loaded sampler instrument. If you select an LFO as the source, this target leads to siren or vibrato sounds. Select one of the envelope generators with zero attack, short decay, zero sustain, and short release as the source for tom and kick drum sounds. Slight envelope modulations can make the amount of detuning change over time, which can be particularly useful for brass sounds.
Glide Time				Modulates the duration of the Glide (portamento) effect. If you modulate Glide with Velocity, keystrike speed sets the time required for played notes to reach the target pitch.
Filter Cutoff				Modulates the Cutoff Frequency parameter independently for each filter.
Filter Resonance				Modulates the Resonance parameter independently for each filter.
Filter Drive				Modulates the filter Drive parameter independently for each filter.
Filter Blend				Modulates the Filter Blend parameter which changes the balance between the filter units. See Crossfade between Sampler filters.
Volume				Controls the main output level.
Pan				Modulates the panorama position of the sound in the stereo spectrum. Modulating Pan with an LFO results in a stereo tremolo (auto panning). In unison mode, the panorama positions of all voices are spread across the entire stereo spectrum. Nevertheless, you can still modulate pan, moving the positions in parallel.
LFO Rate				Modulates the LFO frequency (rate). For example, you can automatically accelerate or slow down the LFO 1 Rate by modulating this target with one of the envelope generators or another LFO.
LFO Fade				Controls the LFO Ramp Generator parameter. See Use the Sampler LFO ramp generator.
LFO Phase				Controls the LFO waveform start position.
Env Delay				Modulates the Delay (pre Attack phase) time of the envelope.
Env Attack				Modulates the Attack time of the envelope.
Env Attack Curve				Modulates the Attack curve shape of the envelope.
Env Hold				Modulates the Hold time of the envelope.
Env Decay				Modulates the Decay time of the envelope.
Env Release				Modulates the Release time of the envelope.
Time				Scale (lengthen or shorten) the envelope time intervals, based on key position. Note position C3 is the center point. Time intervals for zones assigned to keys above C3 can be made shorter with the Amount slider. Time intervals for zones assigned to keys below C3 can be made longer.
All Env Time Stages				Simultaneously modulate all envelope time parameters, as applicable to the chosen envelope type: Delay, Attack, Hold, Decay, Release.
Hold				Modulates the controller assigned to the sustain pedal function.
Articulation ID				Modulates the Articulation ID. See Sampler articulation handling.

Download the guides:

Logic Pro User Guide: PDF

Logic Pro Instruments: PDF

Logic Pro Effects: PDF

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Logic Pro User Guide for Mac

Sampler modulation Targets in Logic Pro for Mac