Logic Pro User Guide for iPad
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Route MIDI internally to software instrument tracks
- Record with Low Latency Monitoring mode
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Session Player region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
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- Intro to chords
- Add and delete chords
- Select chords
- Cut, copy, and paste chords
- Move and resize chords
- Loop chords on the Chord track
- Edit chords
- Work with chord groups
- Use chord progressions
- Change the chord rhythm
- Choose which chords a Session Player region follows
- Analyze the key signature of a range of chords
- Create fades on audio regions
- Extract vocal and instrumental stems with Stem Splitter
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
- Use the Mod Pad
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope point transition shapes
- Vector Envelope release phase behavior
- Use Vector Envelope time scaling
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low, bandpass, and highpass filters
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Studio Piano
- Copyright
Supported file formats in Logic Pro for iPad
Audio files imported into a Logic Pro project can be at any supported bit depth and sample rate. Logic Pro supports bit depths of 16, 24, and 32 bits and sample rates of 44.1, 48, 88.2, and 96 kHz. Logic Pro can use the file’s sample rate, or it can perform a real-time sample rate conversion if it differs from the project sample rate.
In addition to audio files, Logic Pro can also import MIDI files.
You can import the following file formats into Logic Pro:
WAV and AIFF files: Wave (WAV) and Audio Interchange File Format (AIFF) audio files are very similar. They can be stored at different bit depths (16, 24, and 32 bit are supported by Logic Pro), in mono and stereo, and at sample rates up to 96 kHz.
Core Audio Format files: Core Audio Format (CAF) files are containers that support integer and float PCM formats, A-law, u-law, and a number of others, including AAC and the Apple Lossless Audio Codec (ALAC). Unrestricted file sizes are possible, at high sample rates and bit depths.
MP3, Apple Lossless, and AAC files: MP3 and AAC files contain compressed audio information. They are usually much smaller than equivalent WAV and AIFF files. This reduction in file size is due to encoding techniques that “throw away” some of the audio information. As a result, there may be a loss in audio quality compared to their WAV or AIFF audio counterparts, depending on the source audio material. Apple Lossless files also contain compressed audio information. As the name suggests, the compression used (ALAC) does not discard audio information in the same fashion as MP3 and AAC files. The sound of the compressed audio file is identical to the original recording.
Apple Loops: Audio loops contain additional metadata, such as time and date, category, mood, key, and tempo. They also contain a number of transient markers, which break them down into small time slices. The main advantage of Apple Loops is their ability to automatically match the tempo and key of a Logic Pro project. MIDI, Session Player, and pattern loops contain information about the included MIDI notes and the required instrument patch. When added to a software instrument track, the MIDI note information can be edited the same way as any MIDI region. When added to an audio track, an audio version of the loop is created.
Standard MIDI files: Standard MIDI file (SMF) is the standard file format used in MIDI sequencers. Standard MIDI files can be read and saved in Logic Pro. MIDI files may contain note, lyric, controller, and SysEx data. You can add them to software instrument tracks in your project.
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