Welcome
- What’s new in Logic Pro for Mac 11
- What’s new in Logic Pro for Mac 10.8
- What’s new in Logic Pro for Mac 10.7.8
- What’s new in Logic Pro for Mac 10.7.5
- What’s new in Logic Pro 10.7.3
- What’s new in Logic Pro 10.7
- What’s new in Logic Pro 10.6
- What’s new in Logic Pro 10.5
- What’s new in Logic Pro 10.4
- What’s new in Logic Pro 10.3
- What’s new in Logic Pro 10.2
- What’s new in Logic Pro 10.0
- Get started overview
- Workflow overview
- Logic Pro main window
- Projects
- Playback and navigation
- Tempo, key, and time signature
- Patches
- Arranging regions
- - Piano Roll Editor
  - Audio Track Editor
- Session Players
- Smart Controls
- Live Loops
- Mixing
- Apple Loops
- Smart Tempo
- Sharing
- What is Logic Pro for Mac?
- Logic Pro project basics
- Use menu commands and key commands
- Use the complete set of Logic Pro features
- Undo and redo edits
- Manage Logic Pro content
- How to get help
- Hardware connection overview
- Projects overview
- Create projects
- Open projects
- Save projects
- Delete projects
- Use Logic Remote to control Logic Pro projects
- Preview projects in the Finder
- Close projects
- View project information
- Tracks overview
- Control timing with the groove track
- Use selection-based processing
- Edit track parameters
- Overview
- Use the metronome
- Using loops and other media in Logic Pro
- Bookmark folders in the All Files Browser
- Import compressed audio files
- Arranging overview
- Extract vocal and instrumental stems with Stem Splitter
- - Remove silent passages
  - Uses for Remove Silence
- Create groove templates
- Overview
- Select audio regions
- Cut, copy, and paste audio regions
- Move audio regions
- Trim audio regions
- Split and join audio regions
- Snap edits to zero crossings
- Delete audio regions
- Use Flex Time and Pitch in the Logic Pro for Mac Audio Track Editor
- Use automation in the Audio Track Editor
- Overview
- View multiple MIDI regions
- Split chords
- Automation/MIDI area in the Piano Roll Editor
- Open other editors
- Session Players overview
- The Session Player Editor
- Choose a Session Player type and style
- Chords and Session Players
- Choose Session Player presets
- Follow rhythm of chords and other tracks
- Work with Drummer multi-channel kits
- Convert Session Player regions to MIDI or pattern regions
- Flex Time and Pitch overview
- Use Varispeed to alter the speed and pitch of audio
- Logic Pro for Mac advanced editors overview
- Mixing overview
- - Channel strip types
  - Channel strip controls
- Set channel strip input formats
- Set channel strip pan or balance positions
- Mute and solo channel strips
- Work with channel strip settings
- Surround panning
- Use the I/O Labels window
- Undo and redo Mixer and plug-in adjustments
- Automation overview
- Track automation vs. region automation
- Show automation curves
- Choose automation modes
- - Select, copy, and move automation
  - Delete automation
- Snap automation to grid positions
- Edit automation in the Automation Event List
- Write automation with external controllers
- Smart Controls overview
- Show Smart Controls for master effects
- Choose a Smart Control layout
- Automatic MIDI controller assignment
- Map screen controls automatically
- Map screen controls
- Edit mapping parameters
- Use parameter mapping graphs
- Open the plug-in window for a screen control
- Rename a screen control
- Use articulation IDs to change articulations
- Assign hardware controls to screen controls
- Compare Smart Control edits with saved settings
- Use the Arpeggiator
- Automate screen control movements
- Live Loops overview
- Start and stop cells
- Work with Live Loops cells
- - Record to cells
  - Record and edit takes in cells
- Change loop settings for cells
- How the Live Loops grid and Tracks area interact
- Edit cells
- Edit scenes
- Work in the Cell Editor
- Bounce cells
- Record a Live Loops performance
- Change Live Loops grid settings
- Control Live Loops with other devices
- Step Sequencer overview
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Step Sequencer inspector
- Customize Step Sequencer
- Global changes overview
- - Add arrangement markers
  - Edit arrangement markers
- Control transposition with the Pitch Source parameter
- Control project volume
- Overview
- Add notes
- Use automation in the Score Editor
- Share a score
- Sharing overview
- Share songs to the Music app
- Share songs using AirDrop
- Share songs using MailDrop
- Share a project to GarageBand for iOS
- Share a project to Logic Pro for iPad
- Overview of surround and spatial audio
- - Overview of spatial audio with Dolby Atmos
  - - Bed tracks and object tracks
    - Rendering a Dolby Atmos mix in Logic Pro for Mac
- - Surround Panner overview
  - Surround Panner parameters
- - 3D Object Panner overview
  - 3D Object Panner parameters
- - Bounce surround audio files
  - Export ADM BWF files
- Video and synchronization overview
Touch Bar shortcuts
- Environment overview
- Common object parameters
- - Environment Layers overview
  - Create, name, delete, and switch layers
- Customize the Environment
- - Effects overview
  - Add, remove, move, and copy plug-ins
- - Instruments introduction
  - Add, remove, move, and copy plug-ins
  - Use multi-output instruments
- - Alchemy overview
  - Alchemy interface overview
  - Alchemy Name bar
  - Alchemy file locations
  - - Preset browser overview
    - Browser results list
  - - Main filter controls
    - Filter types
  - Alchemy master voice section
  - Alchemy Extended parameters
- - Drum Kit Designer overview
  - Edit pane
  - Use Drum Kit Designer
  - Extended parameters
  - Drum Kit Designer mappings
- - Drum Machine Designer overview
  - Drum Machine Designer interface
  - Kit controls
  - - Pad controls bar
    - Use pad controls
  - Kit Tone and Effect Smart Controls
  - Kit Piece Tone and Effect Smart Controls
- - Drum Synth overview
  - Drum Synth Kicks
  - Drum Synth Snares and Claps
  - Drum Synth Percussion
  - Drum Synth Hats and Cymbals
- - ES1 overview
  - Global parameters
  - - Filter parameters
    - Overdrive the filter
  - Amplifier parameters
  - MIDI controller assignments
- - ES2 overview
  - ES2 interface overview
  - - Use the dynamic stage
    - Enhance sounds with the Sine Level control
  - ES2 integrated effects processor controls
  - Use ES2 in Surround mode
  - Extended parameters
  - - Use randomization parameters
    - Restrict randomization
- - EFM1 overview
  - Modulation parameters
  - Global parameters
  - Output parameters
  - Create random sounds
  - Extended parameters
  - Assign MIDI controllers
- - ES E overview
  - Oscillator parameters
  - LFO parameters
  - Filter parameters
  - Envelope parameters
  - Output parameters
  - Extended parameters
- - ES M overview
  - Oscillator parameters
  - Filter and filter envelope controls
  - Level envelope and output controls
  - Extended parameters
- - ES P overview
  - Oscillator parameters
  - LFO parameters
  - Filter parameters
  - Envelope and level controls
  - Integrated effects processor
  - Extended parameters
- - - EVOC 20 PS overview
    - Vocoder basics
  - EVOC 20 PS interface
  - Analysis controls
  - (U/V) detection parameters
  - Formant filter controls
  - Modulation parameters
  - Output parameters
  - Vocoder history
  - EVOC 20 block diagram
- - Quick Sampler overview
  - Add audio to Quick Sampler
  - Quick Sampler waveform display
  - Use Flex in Quick Sampler
  - - Mod Matrix pane
    - LFO controls
  - Quick Sampler Pitch controls
  - Quick Sampler Filter controls
  - Quick Sampler filter types
  - Quick Sampler Amp controls
  - Quick Sampler extended parameters
- - Retro Synth overview
  - Analog oscillator controls
  - Sync oscillator controls
  - - Table oscillator parameters
    - Use the Wavetable menu
  - FM oscillator controls
  - Filter controls
  - Filter types
  - Amp and effect controls
  - Global and controller settings
  - Extended parameters
- - Sample Alchemy overview
  - Interface overview
  - Add source material
  - Edit mode
  - Play modes
  - Source overview
  - Synthesis modes
  - Granular controls
  - Additive effects
  - Additive effect controls
  - Spectral effect
  - Spectral effect controls
  - Filter module
  - Lowpass, bandpass, and highpass filters
  - Comb PM filter
  - Downsampler filter
  - FM filter
  - Envelope generators
  - Mod Matrix
  - Modulation routing
  - Motion mode
  - Trim mode
  - More menu
- - Sampler overview
  - Load and save instruments in Sampler
  - Sampler articulation handling
  - Sampler memory management
  - Sampler extended parameters
- - Sculpture overview
  - Sculpture interface
  - - Pickup parameters
    - Spread controls
  - Global parameters
  - Amplitude envelope parameters
  - Use the Waveshaper
  - Filter parameters
  - Output parameters
  - Use surround range and diversity
  - Define MIDI controllers
  - Extended parameters
- - Studio Bass overview
  - Main view parameters
  - Details view parameters
  - Keyswitch mapping
  - String and position MIDI channel assignments
- - Studio Horns overview
  - Extended parameters
  - Keyswitch mapping
  - Section MIDI channel assignments
- Studio Piano
- - Studio Strings overview
  - Extended parameters
  - Keyswitch mapping
  - Section MIDI channel assignments
- - Ultrabeat overview
  - Ultrabeat interface
  - Synthesizer section overview
  - Filter section controls
  - Distortion circuit controls
- - Utility instruments
  - External Instrument
  - Klopfgeist
- - Vintage B3 overview
- - Vintage Clav overview
  - Vintage Clav interface
  - Extended parameters
  - - D6 Clavinet history
    - D6 mechanical details
- - Vintage Electric Piano overview
  - Vintage Electric Piano interface
  - - Model controls
    - Pitch controls
  - Extended parameters
  - - Rhodes models
    - Hohner and Wurlitzer models
  - MIDI controller assignments
- - Vintage Mellotron overview
  - Vintage Mellotron controls
- - Legacy instruments overview
  - - Bass
    - Church Organ
    - Drum Kits
    - Electric Clav(inet)
    - Electric Piano
    - Guitar
    - Horns
    - Piano
    - Sound Effects
    - Strings
    - Tuned Percussion
    - Voice
    - Woodwind
    - Tonewheel Organ
- - Synthesizer basics overview
  - Synthesizer fundamentals
Glossary
Copyright

Sampler Mapping pane menu in Logic Pro for Mac

You can use Mapping pane menu commands and functions at any time. The menu bar displays the same menus and elements in the Key Mapping Editor, Group view, and Zone view.

Figure. Sampler Mapping pane Group view.

Mapping pane menu parameters

See the tasks in this section to learn more about the commands and functions in each pop-up menu.

Edit pop-up menu: Choose an editing or selection command or function.
Group pop-up menu: Choose a group-related command or function.
Zone pop-up menu: Choose a zone-related command or function. This menu contains Split, Automap, Remap, Loop, and Audio File submenus.
View pop-up menu: Choose an option that affects the appearance and behavior of the display.
Preview button: Play the selected zone.
Zoom slider: In the Key Mapping Editor, drag to zoom the view in or out. You can also use pinch gestures to zoom directly in the graphical editor with your trackpad. If you are using a Magic Mouse, use a single-finger vertical swipe to zoom.
Editor view buttons: Use to switch to the Key Mapping Editor, Group view, or Zone view.

Use Mapping pane Edit menu commands

In Logic Pro Sampler, choose any of the following commands or functions from the Edit menu:

Cut, Copy, Paste: The standard commands for cutting, copying, and pasting values. You can also cut, copy, and paste selected zones and groups.
- When you copy groups between two Sampler instances, associated zones are also copied and group assignments of the zones are retained.
- When you copy groups within a single Sampler instance, only the groups themselves are copied, not the associated zones. This behaves like the Group menu Duplicate command.
Delete: Deletes the currently selected zone or group.
WARNING: Take care when deleting a group because all zones associated with the group are also deleted.
Select All: Selects all zones and groups in the loaded sampler instrument.
Deselect All: Selects none of the zones and groups in the loaded sampler instrument.
Select Unused: Selects all unused zones and groups in the loaded sampler instrument. These commands are available only when the Key Mapping Editor or Zone view is active.
- Unused Group: A group that doesn’t contain at least one zone, is not part of a round robin, and has no keyswitch is considered unused.
- Unused Zone: A zone without a reference to an audio file is considered empty or unused.
  Note: A zone without a reference can be created manually by using the New command in the Zone menu. You can manually remove the zone audio reference by using the Detach command in the Zone > Audio files menu.
Invert Selection: Switches the current selection. For example, if you have selected all unused zones and groups, this command will select all used zones and groups.
Select from Last Played Keys: Selects groups, zones and groups, or neither when you play keys on your MIDI keyboard.
- None: No zone or group is selected when you play your MIDI keyboard.
- Groups: One or more groups is selected when you play your MIDI keyboard.
- Groups and Zones: Both zones and groups are selected when you play your MIDI keyboard.
Edit Key Labels: Open a dialog where you can name keys. This is ideal for GM Drum kit mapping, for example.
Edit Output Labels: Open a dialog where you can name audio outputs.

Use Mapping pane Group menu commands

In Logic Pro Sampler, choose any of the following commands or functions from the Group menu:

New: Create a new, empty group.
Duplicate: Create a copy of the selected group (or groups). This does not copy zones in the group. Only the group itself is copied, inclusive of all group parameter settings.
Create Round Robin: Creates a round robin of multiple selected groups. Repeatedly striking a key will sequentially step through these groups in a continuous cycle. See the task in Make advanced Sampler group selections.
Merge: Merges multiple selected groups.

Use Mapping pane Zone menu commands

In Logic Pro Sampler, choose any of the following commands or functions from the Zone menu:

New: Create a new empty zone (a zone with no reference to an audio file).
Load Audio Files: Open a browser window where you can choose one or more audio files.
Normalize Loudness: Analyze the selected zone to find the perceived loudness and raise or lower the volume of the zone to achieve a perceived loudness of -12 LUFs. The dynamic relationships of sample levels within the zone remain unaltered. When multiple zones are selected, all will play at the same loudness and the dynamic relationships of sample levels between zones will change.
Tip: If you want to maintain the same relative gain relationship between zones, raise or lower the group volume.
Retune: Analyzes the audio content and sets the root key and tuning value automatically.
Always Move Root Key with Zone: Turn on to automatically move the root key when you drag one or more zones in the Key Mapping Editor.
Tip: This is useful when you want to change a zone’s keyboard position without transposing the zone pitch, when moving it up or down the keyboard.
Prefer Splitting Zones by Velocity: Turn on to change the appearance and behavior of zones in the Key Mapping Editor when you drag the boundary between two zones stacked vertically.
- Turn on to cut zones horizontally (by velocity) to resolve a zone overlap within the same group.
- Turn off to cut zones vertically (by note) to resolve a zone overlap within the same group.
Slide Zones Over: Turn on to change the appearance and behavior of zones in the Key Mapping Editor when you drag them horizontally to positions that overlap other zones.
- Turn on to cut unselected zones to resolve a zone overlap within the same group.
- Turn off to cut selected zones to resolve a zone overlap within the same group.
Protect Unselected Zones in Zone List: Turn on to prevent accidental overlaps, and therefore modifications, of unselected zones when you edit notes and velocities in Zone view.
Preview Selected Zone: Automatically plays the selected zone when selected.

Use Mapping pane Zone menu Split commands

In Logic Pro Sampler, choose any of the following commands or functions from the Zone > Split menu:

Create Zones Split at Silence: Use to analyze the selected zone for points with extended periods of silence. New zones are created for the non silent sections of the zone. This feature is most commonly used to split custom recordings of instruments, where notes of various pitches and loudness levels are played, separated by a second or two of silence.
Tip: For both “Create” functions, once a zone is split, you can use Automap menu commands with the resulting zones to build a playable instrument.
Create Zones Split at Notes: Use to analyze the selected zone for clear, pitched notes. A new zone is created for each pitched note, of sufficient duration and harmonicity, detected in the audio file. This feature is most commonly used to split loops that contain musical phrases.

Use Mapping pane Zone menu Automap commands

Automapping is a process that repositions zones across keyboard and velocity ranges, based on the audio content of each zone. As examples: note pitch or loudness, or a filename.

In Logic Pro Sampler, choose any of the following commands or functions from the Zone > Automap menu:

Automap using Current Root Note: Selected zones are extended horizontally to fill the entire key range without gaps between zones, relative to the current root note position. If multiple selected zones have the same root note, they will be sorted by velocity, based on audio content loudness levels.
Automap using Pitch Detection: Selected zones are repositioned and extended horizontally to fill the entire key range without gaps between zones, in accordance with their pitch. If multiple selected zones have the same pitch, they will be sorted by velocity, based on audio content loudness levels.
Automap using Mapping Data from Audio Files: Selected zones are mapped using any recognized mapping data contained within the audio file header. Should the content of audio files overlap, new groups are created and zones are automatically moved to avoid overlaps.
Automap using Root Note from Audio File Names: Selected zones are repositioned and extended horizontally to fill the entire key range without gaps between zones based on root note data in the audio filename. If multiple selected zones have the same root note in the filename, they will be sorted by velocity, based on audio content loudness levels.
Automap Velocities Only: Selected zones are repositioned and extended vertically to fill the entire velocity range without gaps between zones based on audio content loudness levels.

Use Mapping pane Zone menu Remap commands

Remapping is a process that repositions zones across keyboard and velocity ranges, with no analysis of audio file content.

In Logic Pro Sampler, choose any of the following commands or functions from the Zone > Remap menu:

Remap Notes: Use to open a dialog where you can specify a start note and width that is applied to all selected zones.
Remap Velocities: Use to open a dialog where you can specify a velocity range that is applied to all selected zones.
Remap White Notes: Use to remap all selected zones to white notes only.
Remap Black Notes: Use to remap all selected zones to black notes only.
Remap All Notes: Use to remap all selected zones to fill all free keys, starting from the position/key of the lowest selected zone.
Remap to Root Notes: Use to remap all selected zones to their respective root key positions.
Remap Evenly: Use to evenly remap all selected zones across the entire keyboard range.
Pivot on Corner: Use to remap selected zones to the position/key of the lowest selected note. Selected zones are stacked vertically on the key, in order from lowest (at the bottom) to highest numbered. The velocity range of each stacked zone is automatically adjusted.
Note: In cases where selected zones are already stacked vertically, Pivot on Corner will perform the inverse function and will place each zone on a different key, using the full velocity range available.
Mirror Velocities: Use to change the velocity range positions of all selected zones. Selected zone positions are mirrored vertically on the key.
Fill Gaps: Use to expand the velocity and key ranges of all selected zones that have gaps between them. Expansion of these ranges is balanced between selected zones.
- Notes Only: Expands the key ranges of all selected zones that have gaps between them.
- Vel Only: Expands the velocity ranges of all selected zones that have gaps between them.
Swap: Use to swap the positions of two selected zones.

Use Mapping pane Zone menu Loop commands

In Logic Pro Sampler, choose any of the following commands or functions from the Zone > Loop menu:

Auto-Loop: Use to analyze the selected zone and to automatically set loop start and loop end marker positions.
Set Start to Loop Start: Use to move the (sample) start marker to the current loop start marker position.
Set End to Loop End: Use to move the (sample) end marker to the current loop end position.
Set Loop from Start to End: Use to move the loop start and end markers to the (sample) start and end marker positions.
Optimize Loop Start: Use to automatically adjust the loop start point to create a smooth loop cycle.
Optimize Loop Crossfade/End: Use to automatically set crossfade values at the point in the loop cycle where the loop end and loop start markers cross over. The loop length is not affected.

Use Mapping pane Zone menu Audio Files commands

In Logic Pro Sampler, choose any of the following commands or functions from the Zone > Audio Files menu:

Detach: Use to remove the audio file association from the selected zone. This results in an empty zone.
Write Loop: Use to write loop start and end data to the header of the audio file associated with the selected zone.
Write Mapping: Use to write mapping data such as: the root key, key range, and velocity range to the header of the audio file associated with the selected zone.

Use Mapping pane View menu commands

In Logic Pro Sampler, choose any of the following display functions from the View menu to change the layout and appearance of the Key Mapping Editor, Group view, and Zone view:

Show Zone Names: Turn on to display zone names on each zone in the Key Mapping Editor.
Show Zones from all Selected Groups: Turn on to restrict the display of zones to selected groups in the Key Mapping Editor and Zone view.
Show Group Column in Mapping Editor: Turn on to display the group list in the Key Mapping Editor.
Show Group Column in Zone List: Turn on to display the group list in Zone view.
Visible Group List Columns: Choose each item to display the corresponding parameter column in Group view. A checkmark is shown beside active items. Choose an active item to hide the column in Group view.
- Show all/used columns: Choose to show all or used columns only in Group or Zone view.
- Restore column options: Choose a Restore item to reset the current Group or Zone view column layout to default settings.
- Use column layout as default: Choose to set the current Group or Zone view column layout as the default column layout.
Visible Zone List Columns: Choose each item to display the corresponding parameter column in Zone view. A checkmark is shown beside active items. Choose an active item to hide the column in Zone view.
- Show all/used columns: Choose to show all or used columns only in Group or Zone view.
- Restore column options: Choose a Restore item to reset the current Group or Zone view column layout to default settings.
- Use column layout as default: Choose to set the current Group or Zone view column layout as the default column layout.

Download the guides:

Logic Pro User Guide: PDF

Logic Pro Instruments: PDF

Logic Pro Effects: PDF

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Logic Pro User Guide for Mac