Welcome
What’s new
- What is Motion?
- Motion workflow
- Motion interface
- Basic components of Motion
- Using input devices
- Intro to creating projects
- Create a new project
- Open an existing project
- Search for projects from the Finder
- Bypass the Project Browser
- Create and modify project presets
- Save, revert, and autosave projects
- Intro to adding and managing content
- Intro to project playback
- Define the play range
- Project playback performance
- Intro to basic compositing
- - Modify layer opacity
- Intro to 3D compositing
- - Intro to 3D coordinates
  - Relative coordinates
- Transform layers in 3D space
- - Create 3D intersection
  - 2D and 3D group properties
- Intro to the Timeline
- Display or resize the Timing pane
- Navigate in the Timeline
- Show and modify keyframes in the Timeline
- - Intro to the Timeline ruler
  - Edit a range of frames in the Timeline
- Edit in the mini-Timeline
- Intro to behaviors
- Behaviors versus keyframes
- - Browse for behaviors
- - Intro to adjusting behaviors
  - Adjust behaviors
- Intro to keyframing
- Add keyframes
- - Add an animation path in the canvas
  - Modify animation paths
- Animate from the HUD
- - Apply keyframes to behaviors
  - Combining keyframes and behaviors
- Use the mini-curve editor
- Animate on the fly
- Simplify a keyframe curve
- Intro to Final Cut Pro templates
- - Template workflow
  - Placeholders vs. drop zones
- - Convert a Motion project to a template
  - Convert a template to another type
- Use placeholder images in templates
- Set template resolution
- Add multiple aspect ratios to templates
- Override the Final Cut Pro color space
- Create templates that conform to the Final Cut Pro color space
- Where are templates saved?
- Using masks in templates
- - General template guidelines
  - Tips for color processing in templates
- Intro to rigging
- How does rigging work?
- Build a simple rig
- Work with widgets
- Control rigs from Animation menus
- Publish rigs to Final Cut Pro
- Intro to Particles
- - Add a particle system
  - Anatomy of a particle emitter
- Create 3D particles
- Particle system timing
- Using graphics in particle systems
- Using filters and masks with particles
- Save custom particle effects
- Intro to replicators
- Replicators vs. particle systems
- - Add a replicator
  - Anatomy of a replicator
- Work with 3D replicators
- Replicator timing
- Using filters and masks with replicators
- Save custom replicators
- Intro to basic text
- Select and modify text in the canvas
- Preview and apply fonts
- Use preset text styles
- - Intro to editing text
  - Display the Text Inspector or HUD
- Convert standard text to 3D text
- Check spelling
- Find and replace text
- Using filters with text
- Intro to 3D text
- 3D text workflow
- - Add 3D text
  - Convert 2D text to 3D text
- Apply a preset 3D text style
- Move and rotate 3D text
- Add a glow or drop shadow to 3D text
- 3D text intersection
- Intro to animated text
- Apply a text behavior
- - Use the Scroll Text behavior
  - Scroll Text controls
- - Use the Text Tracking behavior
  - Text Tracking controls
- - Use the Type On behavior
  - Type On controls
- Animate individual text glyphs
- Animating 2D text in 3D space
- When to use keyframes to animate text
- Adding nontext behaviors to text
- Save a modified text behavior
- Intro to shapes, masks, and paint strokes
- - Intro to complex shapes and masks
  - Draw complex shapes and masks
- Edit fill, outline, and feathering
- Keyframe shape control points
- Convert between shapes and masks
- Using filters and masks with shapes
- Copy shape styles
- Save custom shapes and shape styles
- Intro to using generators
- Add a generator
- - Modify or animate a generator
  - Controls common to all generators
- Save a custom generator
- Intro to filters
- Browse and preview filters
- Apply or remove filters
- - Animate filter parameters with keyframes
  - Animate filters using behaviors
- About filters and color processing
- Publish filter controls to Final Cut Pro
- Using filters on alpha channels
- Filter performance
- Save custom filters
- Intro to color keying
- - Intro to the Luma Keyer filter
  - Luma Keyer filter controls
- Intro to 3D objects
- Add a 3D object
- Move and rotate a 3D object
- Reposition a 3D object’s anchor point
- Exchange a 3D object file
- 3D object intersection and layer order
- - Intro to 3D object timing
  - Modify 3D object timing in Motion
- Using cameras and lights with 3D objects
- Save custom 3D objects
- Guidelines for working with 3D objects
- Create your own 3D objects
- Intro to 360-degree video
- 360-degree projects
- Create 360-degree projects
- Add 360-degree video to a project
- - View 360-degree projects
  - View 360-degree video in a VR headset
- - Intro to graphics in 360-degree projects
  - Use graphics in 360-degree projects
- Create a tiny planet effect
- Reorient 360-degree media
- Creating 360-degree templates for Final Cut Pro
- 360-degree-aware filters and generators
- Export and share 360-degree projects
- Guidelines for better 360-degree projects
- Intro to tracking
- How does motion tracking work?
- Analyze and record motion in a clip
- Track shapes, masks, and paint strokes
- Track the position of a filter or object
- Adjust onscreen trackers
- Load existing tracking data
- Use a range of frames for analysis
- Save tracks to the Library
- Intro to audio
- View audio files
- Add audio files
- Play audio files
- Intro to exporting projects
- Export a QuickTime movie
- Export audio only
- Export a still image
- Export an image sequence
- Export to Apple devices
- Export to email
- Export using Compressor
- Create share destinations
- Render settings
- View the status of shared items
- Share notifications
- About color space
- Intro to color management
- Set the color processing method
- Manage automatic color processing
- View HDR media
- Adjust HDR media
- Choose HDR colors
- Display luminance values
- Tips for color management
- Intro to Cinematic mode video
- Move Cinematic clips to your Mac
- Enable Cinematic mode video adjustments
- Adjust focus points in Cinematic mode video clips in Motion
- Adjust depth of field in Cinematic mode video clips
- Intro to settings and shortcuts
- Touch Bar shortcuts
- Move assets to another computer
- Work with GPUs
Glossary
Copyright and trademarks

Select characters with the Transform Glyph tool

Before you can transform a glyph, you must select it using the Transform Glyph tool in the canvas toolbar. You can select a single glyph or multiple glyphs in a text layer. When more than one glyph is selected, the last Shift-selected glyph is enclosed in a bounding box with transform handles. This is known as the focused glyph. Each of the other glyphs in the selection are enclosed in a bounding box without transform handles. Any selected glyph (focused or not) is affected by transforms applied to the focused glyph.

Note: If you use the Transform Glyph tool to distort an appearance attribute of a glyph (Face, Outline, Glow, Drop Shadow), only one glyph can be selected at a time.

Select a single glyph

In Motion, select a text layer in the Layers list, canvas, or Timeline.
In the canvas toolbar, click and hold the transform tools pop-up menu, then choose Transform Glyph.
A bounding box with transform handles appears around the first glyph in the text. (Or, if a different glyph was previously selected, the bounding box surrounds that glyph).
If you want to select a different glyph in the text layer, click another glyph in the canvas.

Select all glyphs in a text layer

In Motion, select a text layer in the Layers list, canvas, or Timeline.
In the canvas toolbar, click and hold the transform tools pop-up menu, then choose Transform Glyph.
Ensure that the Attribute pop-up menu in the HUD is set to Transform Glyph (because the other settings in the menu allow only one glyph selection at a time).
A glyph is selected in the canvas.
Choose Edit > Select All (or press Command-A).
All glyphs are selected.

Select multiple glyphs in a text layer

In Motion, select a text layer in the Layers list, canvas, or Timeline.
In the canvas toolbar, click the transform tools pop-up menu, then choose Transform Glyph.
Ensure that the Attribute pop-up menu in the HUD is set to Transform Glyph (because the other settings in the menu allow only one glyph selection at a time).
A glyph is selected in the canvas.
Do one of the following:
- Select contiguous glyphs: Pressing and holding the Shift key, click in the canvas to select additional adjacent glyphs; or drag in the canvas to select adjacent glyphs.
- Select noncontiguous glyphs: Pressing and holding the Command key, click to select nonadjacent glyphs.
Although the onscreen controls appear only around the focused (last selected) glyph, any glyph surrounded by a box is affected when you adjust the onscreen controls.

Deselect a group of selected glyphs

In Motion, choose Edit > Deselect All (or press Shift-Command-A).
Any previously selected glyphs are deselected.

Select a glyph in another text layer

With an active Transform Glyph tool selection in Motion, click a different text layer in the Layers list or Timeline.
The selection shifts to the second text layer.

Download this guide: PDF

സഹായകമായോ?

Motion User Guide