Welcome
- What’s new in Logic Pro for Mac 11
- What’s new in Logic Pro for Mac 10.8
- What’s new in Logic Pro for Mac 10.7.8
- What’s new in Logic Pro for Mac 10.7.5
- What’s new in Logic Pro 10.7.3
- What’s new in Logic Pro 10.7
- What’s new in Logic Pro 10.6
- What’s new in Logic Pro 10.5
- What’s new in Logic Pro 10.4
- What’s new in Logic Pro 10.3
- What’s new in Logic Pro 10.2
- What’s new in Logic Pro 10.0
- Get started overview
- Workflow overview
- Logic Pro main window
- Projects
- Playback and navigation
- Tempo, key, and time signature
- Patches
- Arranging regions
- - Piano Roll Editor
  - Audio Track Editor
- Session Players
- Smart Controls
- Live Loops
- Mixing
- Apple Loops
- Smart Tempo
- Sharing
- What is Logic Pro for Mac?
- Logic Pro project basics
- Use menu commands and key commands
- Use the complete set of Logic Pro features
- Undo and redo edits
- Manage Logic Pro content
- How to get help
- Hardware connection overview
- Projects overview
- Create projects
- Open projects
- Save projects
- Delete projects
- Use Logic Remote to control Logic Pro projects
- Preview projects in the Finder
- Close projects
- View project information
- Tracks overview
- Control timing with the groove track
- Use selection-based processing
- Edit track parameters
- Overview
- Use the metronome
- Using loops and other media in Logic Pro
- Bookmark folders in the All Files Browser
- Import compressed audio files
- Arranging overview
- Extract vocal and instrumental stems with Stem Splitter
- - Remove silent passages
  - Uses for Remove Silence
- Create groove templates
- Overview
- Select audio regions
- Cut, copy, and paste audio regions
- Move audio regions
- Trim audio regions
- Split and join audio regions
- Snap edits to zero crossings
- Delete audio regions
- Use Flex Time and Pitch in the Logic Pro for Mac Audio Track Editor
- Use automation in the Audio Track Editor
- Overview
- View multiple MIDI regions
- Split chords
- Automation/MIDI area in the Piano Roll Editor
- Open other editors
- Session Players overview
- The Session Player Editor
- Choose a Session Player type and style
- Chords and Session Players
- Choose Session Player presets
- Follow rhythm of chords and other tracks
- Work with Drummer multi-channel kits
- Convert Session Player regions to MIDI or pattern regions
- Flex Time and Pitch overview
- Use Varispeed to alter the speed and pitch of audio
- Logic Pro for Mac advanced editors overview
- Mixing overview
- - Channel strip types
  - Channel strip controls
- Set channel strip input formats
- Set channel strip pan or balance positions
- Mute and solo channel strips
- Work with channel strip settings
- Surround panning
- Use the I/O Labels window
- Undo and redo Mixer and plug-in adjustments
- Automation overview
- Track automation vs. region automation
- Show automation curves
- Choose automation modes
- - Select, copy, and move automation
  - Delete automation
- Snap automation to grid positions
- Edit automation in the Automation Event List
- Write automation with external controllers
- Smart Controls overview
- Show Smart Controls for master effects
- Choose a Smart Control layout
- Automatic MIDI controller assignment
- Map screen controls automatically
- Map screen controls
- Edit mapping parameters
- Use parameter mapping graphs
- Open the plug-in window for a screen control
- Rename a screen control
- Use articulation IDs to change articulations
- Assign hardware controls to screen controls
- Compare Smart Control edits with saved settings
- Use the Arpeggiator
- Automate screen control movements
- Live Loops overview
- Start and stop cells
- Work with Live Loops cells
- - Record to cells
  - Record and edit takes in cells
- Change loop settings for cells
- How the Live Loops grid and Tracks area interact
- Edit cells
- Edit scenes
- Work in the Cell Editor
- Bounce cells
- Record a Live Loops performance
- Change Live Loops grid settings
- Control Live Loops with other devices
- Step Sequencer overview
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Step Sequencer inspector
- Customize Step Sequencer
- Global changes overview
- - Add arrangement markers
  - Edit arrangement markers
- Control transposition with the Pitch Source parameter
- Control project volume
- Overview
- Add notes
- Use automation in the Score Editor
- Share a score
- Sharing overview
- Share songs to the Music app
- Share songs using AirDrop
- Share songs using MailDrop
- Share a project to GarageBand for iOS
- Share a project to Logic Pro for iPad
- Overview of surround and spatial audio
- - Overview of spatial audio with Dolby Atmos
  - - Bed tracks and object tracks
    - Rendering a Dolby Atmos mix in Logic Pro for Mac
- - Surround Panner overview
  - Surround Panner parameters
- - 3D Object Panner overview
  - 3D Object Panner parameters
- - Bounce surround audio files
  - Export ADM BWF files
- Video and synchronization overview
Touch Bar shortcuts
- Environment overview
- Common object parameters
- - Environment Layers overview
  - Create, name, delete, and switch layers
- Customize the Environment
- - Effects overview
  - Add, remove, move, and copy plug-ins
- - Instruments introduction
  - Add, remove, move, and copy plug-ins
  - Use multi-output instruments
- - Alchemy overview
  - Alchemy interface overview
  - Alchemy Name bar
  - Alchemy file locations
  - - Preset browser overview
    - Browser results list
  - - Main filter controls
    - Filter types
  - Alchemy master voice section
  - Alchemy Extended parameters
- - Drum Kit Designer overview
  - Edit pane
  - Use Drum Kit Designer
  - Extended parameters
  - Drum Kit Designer mappings
- - Drum Machine Designer overview
  - Drum Machine Designer interface
  - Kit controls
  - - Pad controls bar
    - Use pad controls
  - Kit Tone and Effect Smart Controls
  - Kit Piece Tone and Effect Smart Controls
- - Drum Synth overview
  - Drum Synth Kicks
  - Drum Synth Snares and Claps
  - Drum Synth Percussion
  - Drum Synth Hats and Cymbals
- - ES1 overview
  - Global parameters
  - - Filter parameters
    - Overdrive the filter
  - Amplifier parameters
  - MIDI controller assignments
- - ES2 overview
  - ES2 interface overview
  - - Use the dynamic stage
    - Enhance sounds with the Sine Level control
  - ES2 integrated effects processor controls
  - Use ES2 in Surround mode
  - Extended parameters
  - - Use randomization parameters
    - Restrict randomization
- - EFM1 overview
  - Modulation parameters
  - Global parameters
  - Output parameters
  - Create random sounds
  - Extended parameters
  - Assign MIDI controllers
- - ES E overview
  - Oscillator parameters
  - LFO parameters
  - Filter parameters
  - Envelope parameters
  - Output parameters
  - Extended parameters
- - ES M overview
  - Oscillator parameters
  - Filter and filter envelope controls
  - Level envelope and output controls
  - Extended parameters
- - ES P overview
  - Oscillator parameters
  - LFO parameters
  - Filter parameters
  - Envelope and level controls
  - Integrated effects processor
  - Extended parameters
- - - EVOC 20 PS overview
    - Vocoder basics
  - EVOC 20 PS interface
  - Analysis controls
  - (U/V) detection parameters
  - Formant filter controls
  - Modulation parameters
  - Output parameters
  - Vocoder history
  - EVOC 20 block diagram
- - Quick Sampler overview
  - Add audio to Quick Sampler
  - Quick Sampler waveform display
  - Use Flex in Quick Sampler
  - - Mod Matrix pane
    - LFO controls
  - Quick Sampler Pitch controls
  - Quick Sampler Filter controls
  - Quick Sampler filter types
  - Quick Sampler Amp controls
  - Quick Sampler extended parameters
- - Retro Synth overview
  - Analog oscillator controls
  - Sync oscillator controls
  - - Table oscillator parameters
    - Use the Wavetable menu
  - FM oscillator controls
  - Filter controls
  - Filter types
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- - Sample Alchemy overview
  - Interface overview
  - Add source material
  - Edit mode
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  - More menu
- - Sampler overview
  - Load and save instruments in Sampler
  - Sampler articulation handling
  - Sampler memory management
  - Sampler extended parameters
- - Sculpture overview
  - Sculpture interface
  - - Pickup parameters
    - Spread controls
  - Global parameters
  - Amplitude envelope parameters
  - Use the Waveshaper
  - Filter parameters
  - Output parameters
  - Use surround range and diversity
  - Define MIDI controllers
  - Extended parameters
- - Studio Bass overview
  - Main view parameters
  - Details view parameters
  - Keyswitch mapping
  - String and position MIDI channel assignments
- - Studio Horns overview
  - Extended parameters
  - Keyswitch mapping
  - Section MIDI channel assignments
- Studio Piano
- - Studio Strings overview
  - Extended parameters
  - Keyswitch mapping
  - Section MIDI channel assignments
- - Ultrabeat overview
  - Ultrabeat interface
  - Synthesizer section overview
  - Filter section controls
  - Distortion circuit controls
- - Utility instruments
  - External Instrument
  - Klopfgeist
- - Vintage B3 overview
- - Vintage Clav overview
  - Vintage Clav interface
  - Extended parameters
  - - D6 Clavinet history
    - D6 mechanical details
- - Vintage Electric Piano overview
  - Vintage Electric Piano interface
  - - Model controls
    - Pitch controls
  - Extended parameters
  - - Rhodes models
    - Hohner and Wurlitzer models
  - MIDI controller assignments
- - Vintage Mellotron overview
  - Vintage Mellotron controls
- - Legacy instruments overview
  - - Bass
    - Church Organ
    - Drum Kits
    - Electric Clav(inet)
    - Electric Piano
    - Guitar
    - Horns
    - Piano
    - Sound Effects
    - Strings
    - Tuned Percussion
    - Voice
    - Woodwind
    - Tonewheel Organ
- - Synthesizer basics overview
  - Synthesizer fundamentals
Glossary
Copyright

Edit chords in Logic Pro for Mac

You can edit chords on both the Chord track and Session Player regions. You can edit the root note and chord type, add or remove chord extensions, and add a bass note other than the root of the chord. You can also choose a scale to associate with the chord to control what non-chord tones the Session Player plays—for example, in fills.

You can also edit chords using a connected MIDI controller, and edit them directly as text, using the same chord symbols that appear in Logic Pro.

Edit a chord

In Logic Pro, Control-click the chord, then choose Edit Chord from the shortcut menu.
The Edit Chord dialog appears.
In the Edit Chord dialog, do any of the following:
- Edit the chord name as text: Enter a new name in the Chord field.
  When the Edit Chord dialog opens, the chord name is selected in the Chord field. You can edit the chord name directly, using the same chord symbols that appear in Logic Pro. See Enter chord symbols as text.
- Change the root note of the chord: Choose a note from the Root Note pop-up menu.
  Each chord consists of at least three notes: the root (first), third, and fifth. The root note is the one on which the chord is based, and by which it is identified. In a C major chord, the root is C; in an F# minor chord, the root is F#.
- Change the chord type: Click one of the Chord Type buttons.
  Most commonly used chords are either major or minor, which is determined by the third of the chord. Additional types include augmented, diminished, and suspended (sus4 and sus2) chords. Suspended chords do not contain a third.
- Add chord extensions: Click one or more of the Chord Extension buttons. To remove a chord extension, click a highlighted Chord Extension button.
  Extensions are added notes at higher intervals than the fifth. They include 7ths, 9ths, 11ths, and 13ths. Some extensions, such as b5 and #9, are chromatic to the key. Extensions modify the color or character of a chord and can also add tension.
- Add a bass note other than the root: Choose a note from the Bass Note pop-up menu.
  Typically, the bass plays the root or fifth of the chord (except during fills), but sometimes you want the bass to play a different note, either to create a stepwise progression or to add dissonance (especially when the bass note is not a chord tone).
- Change the scale associated with the chord: Choose a scale from the Scale pop-up menu.
  Each chord has a scale that determines which non-chord tones the Session Player can play over the chord—for example, in fills. When you add a chord, a default scale is associated with the chord, depending on the chord type and the key signature. In most cases, the default scale provides the most useful results and the least probablity of unwanted dissonance.
- Hear an example of the chord with your changes: Click the Preview button.
Tip: While the Edit Chord dialog is open, you can move to the next chord by pressing the Tab key.

Edit a chord using a MIDI controller

Make sure the MIDI controller is connected to your Mac and is working. For more information, see Using MIDI devices.
In Logic Pro, select the chord, either on the Chord track or on a region in the Session Player Editor.
Note: On the Chord track, be sure to select a single chord, not a chord group.
Control-click the chord, then choose Edit Chord from the shortcut menu.
In the Edit Chord dialog, click the MIDI Input button.
Play a chord on your MIDI controller.
The selected chord changes to the chord you played.
While the Edit Chord dialog is open, you can move to the next chord by pressing the Tab key..
Note: The Edit Chord dialog must be open to edit a chord using a MIDI controller.

Enter chord symbols as text

In addition to editing chords using the buttons and menus in the Edit Chord dialog, you can edit them as text. If you are familiar with the chord symbols that appear in Logic Pro, this can be a quick way to edit chords as you work on a project.

Some common symbols include:

Chord name with no other symbol = major
m = minor
aug = augmented
dim = diminished
sus = suspended (2 or 4)
No 3 = only the root and fifth, no third
b = flat (lowered note)
# = sharp (raised note)

In Logic Pro, double-click a chord. If the chord is part of a chord group, first select the chord group, then double-click the individual chord.
The chord name is highlighted and ready for editing.
Enter the chord name using your computer keyboard, using the same kinds of chord symbols that Logic Pro shows for chords.
Tip: While the Edit Chord dialog is open, you can move to the next chord by pressing the Tab key.

Download the guides:

Logic Pro User Guide: PDF

Logic Pro Instruments: PDF

Logic Pro Effects: PDF

Hasznos?

Logic Pro User Guide for Mac

Edit chords in Logic Pro for Mac

Edit a chord

Edit a chord using a MIDI controller

Enter chord symbols as text