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Final Cut Pro User Guide for Mac
- Welcome
- What’s new
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- Intro to importing media
- If it’s your first import
- Organize files during import
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- Import from Image Playground
- Import from iMovie for macOS
- Import from iMovie for iOS or iPadOS
- Import from Final Cut Pro for iPad
- Import from Final Cut Camera
- Import from Photos
- Import from Music
- Import from Apple TV
- Import from Motion
- Import from GarageBand and Logic Pro
- Import using workflow extensions
- Record into Final Cut Pro
- Memory cards and cables
- Supported media formats
- Import third-party formats with media extensions
- Adjust ProRes RAW camera settings
- Import REDCODE RAW files
- Import Canon Cinema RAW Light files
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- Intro to effects
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- Intro to transitions
- How transitions are created
- Add transitions and fades
- Quickly add a transition with a keyboard shortcut
- Set the default duration for transitions
- Delete transitions
- Adjust transitions in the timeline
- Adjust transitions in the inspector and viewer
- Merge jump cuts with the Flow transition
- Adjust transitions with multiple images
- Modify transitions in Motion
- Add adjustment clips
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- Add storylines
- Use the precision editor
- Conform frame sizes and rates
- Use XML to transfer projects
- Glossary
- Copyright and trademarks
proxy files
You can use Final Cut Pro to transcode your original media to create proxy files, which are smaller files with a lower data rate. Proxy files increase editing performance and take up considerably less storage space than optimized files. This makes them a good choice for offline editing. Final Cut Pro creates video proxy files using either the Apple ProRes 422 Proxy or H.264 format. You can create proxy media in a variety of frame sizes from 12.5 percent to 100 percent of the original.
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