Logic Pro User Guide for Mac
- Welcome
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- What’s new in Logic Pro for Mac 11.1
- What’s new in Logic Pro for Mac 11
- What’s new in Logic Pro for Mac 10.8
- What’s new in Logic Pro for Mac 10.7.8
- What’s new in Logic Pro for Mac 10.7.5
- What’s new in Logic Pro 10.7.3
- What’s new in Logic Pro 10.7
- What’s new in Logic Pro 10.6
- What’s new in Logic Pro 10.5
- What’s new in Logic Pro 10.4
- What’s new in Logic Pro 10.3
- What’s new in Logic Pro 10.2
- What’s new in Logic Pro 10.0
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- What is Logic Pro for Mac?
- Logic Pro project basics
- Use menu commands and key commands
- Use the complete set of Logic Pro features
- Undo and redo edits
- Manage Logic Pro content
- How to get help
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- Projects overview
- Create projects
- Open projects
- Save projects
- Delete projects
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- Play a project
- Set the playhead position
- Control playback with the transport buttons
- Use transport shortcut menus
- Use transport key commands
- Customize the control bar
- Change the LCD display mode in Logic Pro for Mac
- Monitor and reset MIDI events
- Use the cycle area
- Use the Chase Events function
- Use Apple Remote to control Logic Pro
- Use Logic Remote to control Logic Pro projects
- Preview projects in the Finder
- Close projects
- View project information
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- Tracks overview
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- Create tracks
- Create tracks using drag and drop
- Create tracks using existing channel strips
- Assign tracks to different channel strips
- Choose the default region type for software instrument tracks
- Select tracks
- Duplicate tracks
- Rename tracks
- Change track icons
- Change track colors
- Reorder tracks
- Zoom tracks
- Replace or double drum sounds
- Control timing with the groove track
- Use selection-based processing
- Edit track parameters
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- Overview
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- Before recording software instruments
- Play software instruments
- Record software instruments
- Record additional software instrument takes
- Overdub software instrument recordings
- Spot erase software instrument recordings
- Use Note Repeat
- Replace software instrument recordings
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Use step input recording techniques
- Record MIDI messages from another music app
- Route MIDI internally to software instrument tracks
- Use the metronome
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- Arranging overview
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- Regions overview
- Select regions
- Select parts of regions
- Cut, copy, and paste regions
- Move regions
- Add or remove gaps
- Delay region playback
- Loop regions
- Repeat regions
- Resize regions
- Mute and solo regions
- Time stretch regions
- Reverse audio regions
- Split regions
- Demix MIDI regions
- Join regions
- Create regions in the Tracks area
- Change the gain of audio regions in the Tracks area
- Normalize audio regions in the Tracks area
- Create aliases of MIDI regions
- Convert repeated MIDI regions to loops
- Change the color of regions
- Convert a MIDI region into a pattern region in Logic Pro for Mac
- Replace a MIDI region with a Session Player region in Logic Pro for Mac
- Convert audio regions to samples for a sampler instrument
- Rename regions
- Delete regions
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- Chords overview
- Add and delete chords
- Select chords
- Cut, copy, and paste chords
- Move and resize chords
- Loop chords on the Chord track
- Transpose chords
- Edit chords
- Work with chord groups
- Use chord progressions
- Change the chord rhythm
- Choose which chords a Session Player region follows
- Analyze the key signature of a range of chords
- Extract vocal and instrumental stems with Stem Splitter
- Create groove templates
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- Overview
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- Add notes
- Select notes
- Snap items to the grid
- Move notes
- Copy notes
- Change the pitch of notes
- Resize notes
- Edit note velocity
- Quantize the timing of notes
- Quantize the pitch of notes
- Change note articulations
- Lock the position of events
- Mute notes
- Change note color
- View note labels
- Delete notes
- Time stretch notes
- View multiple MIDI regions
- Split chords
- Automation/MIDI area in the Piano Roll Editor
- Open other editors
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- Session Players overview
- The Session Player Editor
- Choose a Session Player type and style
- Chords and Session Players
- Choose Session Player presets
- Regenerate a Session Player performance
- Follow rhythm of chords and other tracks
- Work with Drummer multi-channel kits
- Convert Session Player regions into MIDI or pattern regions
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- Logic Pro for Mac advanced editors overview
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- Audio File Editor overview
- Play audio files in the Audio File Editor
- Navigate audio files in the Audio File Editor
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- Audio File Editor edit commands
- Edit audio files with transient markers
- Use the Audio File Editor Pencil tool
- Trim or silence audio files
- Remove DC offset
- Set audio file levels
- Normalize audio files
- Fade audio files
- Reverse audio and invert phase
- Audio File Editor Loop commands
- Undo Audio File Editor edits
- Backup audio files
- Use an external sample editor
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- Mixing overview
- Set channel strip input format
- Set channel strip pan or balance positions
- Mute and solo channel strips
- Reorder channel strips in the Mixer
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- Plug-ins overview
- Add, remove, move, and copy plug-ins
- Search for plug-ins in the Mixer
- Insert a plug-in on a track using drag and drop
- Activate plug-ins on inactive channel strips
- Use the Channel EQ
- Work in the plug-in window
- Work with plug-in settings
- Work with plug-in latencies
- Work with Audio Units in Logic Pro for Mac
- Support for ARA 2 compatible plug-ins
- Use MPE with software instruments
- Use the Plug-in Manager
- Work with channel strip settings
- Surround panning
- Use the I/O Labels window
- Undo and redo Mixer and plug-in adjustments
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- Smart Controls overview
- Show Smart Controls for master effects
- Choose a Smart Control layout
- Automatic MIDI controller assignment
- Map screen controls automatically
- Map screen controls
- Edit mapping parameters
- Use parameter mapping graphs
- Open the plug-in window for a screen control
- Rename a screen control
- Use articulation IDs to change articulations
- Assign hardware controls to screen controls
- Compare Smart Control edits with saved settings
- Use the Arpeggiator
- Automate screen control movements
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- Live Loops overview
- Start and stop cells
- Work with Live Loops cells
- Change loop settings for cells
- How the Live Loops grid and Tracks area interact
- Edit cells
- Edit scenes
- Work in the Cell Editor
- Bounce cells
- Record a Live Loops performance
- Change Live Loops grid settings
- Control Live Loops with other devices
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- Global changes overview
- Control transposition with the Pitch Source parameter
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- Tempo overview
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- Smart Tempo overview
- Use free tempo recording
- Choose the Project Tempo mode
- Choose the Flex & Follow setting
- Use Smart Tempo with multitrack audio
- Work in the Smart Tempo Editor
- Improve the tempo analysis using hints
- Correct tempo analysis results using beat markers
- Protect Smart Tempo edits by locking a range
- Match audio recordings to the project tempo
- Match the tempo to an audio region
- Use audio file tempo information
- Record tempo changes
- Use the Tempo Interpreter
- Use the tempo fader
- Control project volume
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- Overview
- Add notes
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- Part box overview
- View score symbols
- Select score symbols
- Add notes and rests
- Add notes and symbols to multiple regions
- Add key and time signature changes
- Change the clef sign
- Add dynamic marks, slurs, and crescendi
- Change note heads
- Add symbols to notes
- Add trills, ornaments, and tremolo symbols
- Add sustain pedal markings
- Add chord symbols
- Add chord grids and tablature symbols
- Add bar lines, repeats, and coda signs
- Add page and line break symbols
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- Select notes
- Move and copy notes
- Change note pitch, duration, and velocity
- Change note articulations
- Quantize the timing of notes
- Restrict note input to the current key
- Control how ties are displayed
- Add and edit tuplets
- Override display quantization using tuplets
- Add grace notes and independent notes
- Delete notes
- Use automation in the Score Editor
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- Staff styles overview
- Assign staff styles to tracks
- Staff Style window
- Create and duplicate staff styles
- Edit staff styles
- Edit staff, voice, and assign parameters
- Add and delete staffs or voices in the Staff Style window in Logic Pro for Mac
- Copy staffs or voices in the Staff Style window in Logic Pro for Mac
- Copy staff styles between projects
- Delete staff styles
- Assign notes to voices and staffs
- Display polyphonic parts on separate staffs
- Change the staff assignment of score symbols
- Beam notes across staffs
- Use mapped staff styles for drum notation
- Predefined staff styles
- Share a score
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- Key commands overview
- Browse, import, and save key commands
- Assign key commands
- Copy and print key commands
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- Global Commands
- Global Control Surfaces Commands
- Various Windows
- Windows Showing Audio Files
- Main Window Tracks and Various Editors
- Various Editors
- Views Showing Time Ruler
- Views Showing Automation
- Main Window Tracks
- Live Loops Grid
- Mixer
- MIDI Environment
- Piano Roll
- Score Editor
- Event Editor
- Step Editor
- Step Sequencer
- Project Audio
- Audio File Editor
- Smart Tempo Editor
- Library
- Sampler
- Drum Machine Designer
- Step Input Keyboard
- Smart Controls
- Tool Menu
- Control Surface Install Window
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- Logic Pro projects
- Various windows
- Controller Assignments window
- Control bar
- Tracks area
- Global tracks
- Automation
- Live Loops grid
- Mixer
- MIDI Environment
- Piano Roll Editor
- Score Editor
- Event List
- Step Editor
- Step Sequencer
- Flex Time
- Audio File Editor
- Smart Tempo Editor
- Surround Panner
- Channel EQ
- Space Designer
- Sampler
- Touch Bar shortcuts
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- Working with your control surface
- Connect control surfaces
- Add a control surface to Logic Pro for Mac
- Automatic assignment for USB MIDI controllers
- Grouping control surfaces
- Control Surfaces settings overview
- Modal dialog display
- Tips for using your control surface
- Supported control surfaces
- Software and firmware for Logic Pro for Mac
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- Environment overview
- Common object parameters
- Customize the Environment
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- Fader objects overview
- Use fader objects
- Play back fader movements
- Work with object groups
- Fader styles
- Fader functions: MIDI events
- Fader functions: range, value as
- Fader functions: filter
- Vector fader
- Special faders overview
- Cable switchers
- Meta event faders
- SysEx faders
- Work with SysEx messages
- Special functions
- Ornament objects
- MMC record buttons
- Keyboard objects
- Monitor objects
- Channel splitter object
- Physical input objects
- Physical input objects
- MIDI click objects
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
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- Use Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer controls
- Record MIDI to Track
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- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Wide unison mode
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
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- ES2 overview
- ES2 interface overview
- ES2 integrated effects processor controls
- Use ES2 in Surround mode
- Extended parameters
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- Sample Alchemy overview
- Interface overview
- Add source material
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Lowpass, bandpass, and highpass filters
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Use surround range and diversity
- Define MIDI controllers
- Extended parameters
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- Studio Piano
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- Ultrabeat overview
- Ultrabeat interface
- Synthesizer section overview
- Filter section controls
- Distortion circuit controls
- Glossary
- Copyright
Load and save Sampler instruments in Logic Pro for Mac
A sampler instrument is the file type that is loaded into Sampler with the plug-in Settings pop-up menu. When you choose a sampler instrument, the associated audio files are automatically located on the hard disk (or disks) and are loaded into your computer’s RAM.
You can also save patches, comprising a sampler instrument and associated plug-in settings and routings, in the Library.
Load an instrument from the plug-in Settings pop-up menu
In the Logic Pro Sampler plug-in header, click the plug-in Settings pop-up menu.
Browse to the instrument family, App Presets, or other folder, then choose the sampler instrument you want to play or edit.
Load the next or previous instrument in your sampler instrument library
In Logic Pro, do one of the following:
In the plug-in header, click the Previous and Next buttons (the arrows).
Use the Previous Instrument or Next Instrument key command.
If Sampler is in focus, you can also use the following key commands:
Previous Plug-in Setting or Instrument
Previous Channel Strip or Plug-in Setting or Instrument
Next Plug-in Setting or Instrument
Next Channel Strip or Plug-in Setting or Instrument
Tip: You can also browse through your sampler instruments by using your MIDI keyboard. You can assign a MIDI event, such as a MIDI note, control change, or program change to select the previous or next sampler instrument in Sampler settings.
Filter the instrument display in the plug-in Settings pop-up menu
You can use a keyword filter to restrict the plug-in Settings pop-up menu to show only instruments that contain your search term.
In the Logic Pro Sampler plug-in header, click the plug-in Settings pop-up menu.
Choose Search Filter…
A text entry dialog opens.
Enter your search term, then click OK or press Return. Enter “bass” to try this.
The Settings pop-up menu now displays only instruments that contain your search term.
Click the Settings pop-up menu, then browse to the instrument family, App Presets, or other folder, and choose the sampler instrument you want to play or edit.
Click Clear Search Filter to show all instruments in the Settings pop-up menu.
Open Quick Sampler settings with Sampler
In Logic Pro, do one of the following:
Choose the Quick Sampler setting name from the Sampler plug-in Settings pop-up menu. Use the Load menu item to browse to the default location: ~/Music/Audio Music Apps/Plug-In Settings/Quick Sampler.
The Quick Sampler sound is loaded as a group containing one or more zones. You can now edit, process, and handle the content as you would with any group or zone.
Choose Sampler from the Instrument pop-up menu on an instrument channel strip that contains a Quick Sampler instance.
This replaces Quick Sampler with Sampler on the channel strip, and the sound is automatically loaded as a group containing one or more zones.
Important: You cannot open a Sampler setting with Quick Sampler.
Save a sampler instrument
In Logic Pro, you can access all basic sampler instrument file operations using the commands in the plug-in Settings pop-up menu.
Save: Saves the currently loaded sampler instrument. When you create a new instrument and save it for the first time, you are asked to provide a name. If you have edited an existing sampler instrument and use this command, Sampler uses the existing filename and overwrites the original instrument. You can also use the Save Instrument key command.
Save As: Saves the currently loaded sampler instrument, but you are prompted to provide a different filename. Use this command when you want to save a copy or multiple versions of an edited sampler instrument, rather than overwriting the original version. Like the Save A Copy As command, this command may be useful when you want to save a Sampler setting (including audio data) that is unique to a specific project. Storing this in a location outside of the App Presets library or user folders may also be practical for sharing a copy of your Sampler setting (with or without audio data) with a colleague or friend.
In the Finder window, you can:
Browse to any folder location or create a new folder.
Click the “Save with audio data” checkbox to duplicate the samples and place them in a folder named after the Sampler setting file.
For example, the save location is the default User Library, the instrument files (.exs) are placed in the Sampler Instruments folder. The audio files are placed in a subfolder named after the plug-in setting. This subfolder is placed in a Samples folder. The original audio files are not touched or moved.
Click the Consolidated checkbox to consolidate the saved samples into a minimum number of audio files of the CAF file type. This option is available only when the “Save with audio data” checkbox is selected.
Save A Copy As: Saves a copy of the currently loaded sampler instrument. You are prompted to provide a different filename. Use this command when you want to save a copy or multiple versions of an edited sampler instrument, rather than overwriting the original version.
In the Finder window, you can:
Browse to any folder location or create a new folder.
Click the “Save A Copy with audio data” checkbox to duplicate the samples and place them in a folder named after the Sampler setting file.
For example, the save location is the default User Library, the instrument files (.exs) are placed in the Sampler Instruments folder. The audio files are placed in a subfolder named after the plug-in setting. This subfolder is placed in a Samples folder. The original audio files are not touched or moved.
Click the Consolidated checkbox to consolidate the saved samples into a minimum number of audio files of the CAF file type. This option is available only when the “Save A Copy with audio data” checkbox is selected.
Save As Default: Saves the currently loaded sampler instrument as the default instrument. This instrument serves as a template for future sampler instruments and is used when you create a new instrument. It is also used when you choose the Recall Default command in the plug-in Settings pop-up menu.
Save a Sampler patch in the Library
You can also save patches, comprised of a sampler instrument and associated plug-in settings and routings, in the Library.
In Logic Pro, click the Save button at the bottom of the Library pane. If the Library is not visible, click the Library button on the menu bar or use the default key command: Y.
In the Finder window, browse to the file location you want to use. The default folder location is User Patches. If you wish, create a new folder.
Enter the patch name, then click the Save button.
Load a Sampler patch from the Library
You can load your saved Sampler patches from the Library for the selected instrument channel.
In Logic Pro, open the Library pane. Default key command: Y
Browse to the folder, then choose the sampler patch you want to play or edit. For example, browse to User Patches > Orchestral > Strings > Dark Filter Strings.