Logic Pro User Guide for iPad
- What’s new in Logic Pro 1.1
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Drummer region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
- Create fades on audio regions
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope release phase behavior
- Vector Envelope point transition shapes
- Use Vector Envelope time scaling
- Use the Mod Pad
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Copyright
Auto Wah in Fuzz-Wah effect in Logic Pro for iPad
These parameters determine the tone and behavior of the wah effect.
You can control the wah effect with the Auto Wah feature, which continually performs a filter sweep across the entire range. You can also control the wah sweep with MIDI foot pedals or other controllers.
Auto Wah parameters
On/Off button: Turn the Auto Wah effect on or off.Wah Mode pop-up menu: Choose a Wah effect type.
Classic Wah: This setting mimics the sound of a popular wah pedal with a slight peak characteristic.
Retro Wah: This setting mimics the sound of a popular vintage wah pedal.
Modern Wah: This setting mimics the sound of a distortion wah pedal with a constant Relative Q(uality) setting. Relative Q determines the resonant characteristics. Low Relative Q values affect a wider frequency range, resulting in softer resonances. High Relative Q values affect a narrower frequency range, resulting in more pronounced emphasis.
Opto Wah 1: This setting mimics the sound of a distortion wah pedal with a constant Relative Q(uality) Factor setting.
Opto Wah 2: This setting mimics the sound of a distortion wah pedal with a constant Relative Q(uality) setting.
Resonant LP: In this mode, the Wah works as a resonance-capable lowpass filter. At the minimum pedal position, only low frequencies can pass.
Resonant HP: In this mode, the Wah works as a resonance-capable highpass filter. At the maximum pedal position, only high frequencies can pass.
Peak: In this mode, the Wah works as a peak (bell) filter. Frequencies close to the cutoff frequency are emphasized.
Auto Gain button: Limit the output signal dynamic range. The wah effect can cause the output level to vary widely. Auto Gain compensates for this tendency and keeps the output signal within a more stable range.
- Auto Wah Depth knob and field: Set the intensity of the Auto Wah effect. When set to 0, the automatic wah feature is disabled.
Relative Q knob and field: Adjust the main filter peak, resulting in a sharper or softer wah sweep.
Auto Wah Attack knob and field: Set the time it takes for the wah filter to fully open.
Auto Wah Release knob and field: Set the time it takes for the wah filter to close.
Wah Level knob and field: Set the amount of the wah-filtered signal.
Pedal Position knob and field: Set a virtual pedal position.
Pedal Start/Pedal Range End sliders and field: Set the maximum and minimum values of the sweep range. You can sweep the wah filter range with the Pedal Position knob or with a MIDI pedal.
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