Wavetable, Vector, and LA synthesis

Wavetable synthesis uses a number of different single-cycle waveforms, laid out in what is known as a wavetable.

Playing a note on the keyboard triggers a predetermined sequence of waves. In general, this is not a stepped transition but rather a smooth blend from one waveform into another, resulting in a constantly evolving waveform. Multiple wavetables can also be used simultaneously—either played one after the other, or blended together—resulting in more harmonically complex waveforms.

A single wavetable can emulate filter cutoff with a series of bright, less bright, then dull-sounding waveforms played in sequence—which resembles a reduction of the filter cutoff frequency in a subtractive synthesizer.

Wavetable synthesis isn’t well-suited for emulating acoustic instruments. It is noted for producing constantly evolving sounds; harsh and metallic, or bell-like sounds; punchy basses; and other digital tones.

Wavetable synthesis was championed by the PPG and Waldorf instruments. ES2 and Retro Synth include a number of wavetable features. Alchemy takes this a step further with granular synthesis which shares some aspects with wavetable synthesis. See Granular synthesis.

Roland LA (Linear Arithmetic) synthesizers such as the D-50 work on a similar principle. In these synthesizers, complex sampled attack phases are combined with simple sustain or decay phases to create a sound. In essence, this is a simple wavetable that consists of two samples.

Where LA and wavetable synthesizers differ is that the latter were designed to create new, original, digital sounds. LA synthesizer designers, in contrast, wanted to emulate real instruments using a minimum of memory. To achieve this goal, they combined samples of the attack phase—the crucial part of a sound—with appropriate decay and sustain phases that were played with filtered sawtooth or pulse waves.

Vector synthesis—used in the Sequential Circuits Prophet-VS and Korg Wavestation—allows you to move through wavetables and sequences arranged on a two-dimensional grid (two different vectors, or less technically, on the X or Y axis). The main benefit of this approach is that the balance between samples and waves is achieved in real time by moving a joystick. You can also use ES2 to perform vector synthesis by modulating the Oscillator Mix (Triangle) parameter with the Vector Envelope.

Download the guides:

MainStage User Guide: PDF

MainStage Instruments: PDF

MainStage Effects: PDF

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