Logic Pro User Guide
- Welcome
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- What is Logic Pro?
- Workflow overview
- Logic Pro project basics
- Advanced tools and additional options
- Undo and redo edits
- Manage Logic Pro content
- How to get help
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- Projects overview
- Create projects
- Open projects
- Save projects
- Delete projects
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- Play a project
- Set the playhead position
- Control playback with the transport buttons
- Use transport shortcut menus
- Use transport keyboard shortcuts
- Customize the control bar
- Change the LCD display mode
- Monitor and reset MIDI events
- Use the cycle area
- Use the Chase Events function
- Control Logic Pro using Apple Remote
- Control Logic Pro projects using Logic Remote
- Preview projects in the Finder
- Close projects
- View project information
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- Overview
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- Before recording software instruments
- Play software instruments
- Record software instruments
- Record additional software instrument takes
- Overdub software instrument recordings
- Spot erase software instrument recordings
- Use Note Repeat
- Record to multiple software instrument tracks
- Replace software instrument recordings
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Use step input recording techniques
- Use the metronome
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- Overview
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- Regions overview
- Select regions
- Select parts of regions
- Cut, copy, and paste regions
- Move regions
- Add or remove gaps
- Delay region playback
- Loop regions
- Repeat regions
- Resize regions
- Mute and solo regions
- Time stretch regions
- Split regions
- Demix MIDI regions
- Join regions
- Create regions in the Tracks area
- Normalize audio regions in the Tracks area
- Create aliases of MIDI regions
- Clone audio regions
- Convert repeated MIDI regions to loops
- Change the color of regions
- Convert audio regions to Sampler zones
- Rename regions
- Delete regions
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- Overview
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- Add notes
- Select notes
- Snap items to the grid
- Move notes
- Copy notes
- Change the pitch of notes
- Resize notes
- Edit note velocity
- Quantize the timing of notes
- Quantize the pitch of notes
- Change note articulations
- Lock the position of events
- Mute notes
- Change note color
- View note labels
- Delete notes
- Time stretch notes
- View multiple MIDI regions
- Split chords
- Automation/MIDI area in the Piano Roll Editor
- Open other editors
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- Flex Time and Pitch overview
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- Flex Pitch algorithm and parameters
- Edit the pitch of audio in the Audio Track Editor or a zoomed in track
- Edit the pitch of audio in the Tracks area when the track is not zoomed in
- Correct the timing of audio regions with Flex Pitch
- Quantize the pitch of audio regions
- Create MIDI from audio recordings
- Change the gain of notes in audio regions
- Use Varispeed to alter the speed and pitch of audio
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- Mixing overview
- Set channel strip input formats
- Set channel strip pan or balance positions
- Mute and solo channel strips
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- Plug-ins overview
- Add, remove, move, and copy plug-ins
- Insert a plug-in on a track using drag and drop
- Activate plug-ins on inactive channels
- Use the Channel EQ
- Work in the plug-in window
- Work with plug-in settings
- Work with plug-in latencies
- Work with Audio Units plug-ins
- Support for ARA 2 compatible plug-ins
- Use the Plug-in Manager
- Work with channel strip settings
- Surround panning
- Use the I/O Labels window
- Undo and redo Mixer and plug-in adjustments
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- Smart Controls overview
- Show Smart Controls for master effects
- Choose a Smart Control layout
- Automatic MIDI controller assignment
- Map screen controls automatically
- Map screen controls
- Edit mapping parameters
- Use parameter mapping graphs
- Open the plug-in window for a screen control
- Rename a screen control
- Use articulation IDs to change articulations
- Assign hardware controls to screen controls
- Compare Smart Control edits with saved settings in Logic Pro
- Use the Arpeggiator
- Automate screen control movements
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- Live Loops overview
- Start and stop cells
- Work with Live Loops cells
- Change loop settings for cells
- How the Live Loops grid and Tracks area interact
- Edit cells
- Edit scenes
- Work in the Cell Editor
- Bounce cells
- Record a Live Loops performance
- Change Live Loops grid settings
- Control Live Loops in Logic Pro with other devices
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- Overview
- Add notes
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- Part box overview
- View score symbols
- Select score symbols
- Add notes and rests
- Add notes and symbols to multiple regions
- Add key and time signature changes
- Change the clef sign
- Add dynamic marks, slurs, and crescendi
- Change note heads
- Add symbols to notes
- Add trills, ornaments, and tremolo symbols
- Add sustain pedal markings
- Add chord symbols
- Add chord grids and tablature symbols
- Add bar lines, repeats, and coda signs
- Add page and line break symbols
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- Select notes
- Move and copy notes
- Change note pitch, duration, and velocity
- Change note articulations
- Quantize the timing of notes
- Restrict note input to the current key
- Control how ties are displayed
- Add and edit tuplets
- Override display quantization using tuplets
- Add grace notes and independent notes
- Delete notes
- Use automation in the Score Editor
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- Staff styles overview
- Assign staff styles to tracks
- Staff Style window
- Create and duplicate staff styles
- Edit staff styles
- Edit staff, voice, and assign parameters
- Add and delete staffs or voices in the Logic Pro Staff Style window
- Copy staffs or voices in the Logic Pro Staff Style window
- Copy staff styles between projects
- Delete staff styles
- Assign notes to voices and staffs
- Display polyphonic parts on separate staffs
- Change the staff assignment of score symbols
- Beam notes across staffs
- Use mapped staff styles for drum notation
- Predefined staff styles
- Share a score
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- Environment overview
- Common object parameters
- Customize the Environment
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- Fader objects overview
- Use fader objects
- Play back fader movements
- Work with object groups
- Fader styles
- Fader functions: MIDI events
- Fader functions: range, value as
- Fader functions: filter
- Vector fader
- Special faders overview
- Cable switchers
- Meta event faders
- SysEx faders
- Work with SysEx messages
- Special functions
- Ornament objects
- MMC record buttons
- Keyboard objects
- Monitor objects
- Channel splitter object
- Physical input objects
- Physical input objects
- MIDI click objects
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- Key commands overview
- Browse, import, and save key commands
- Assign key commands
- Copy and print key commands
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- Global Commands key commands
- Global Control Surfaces Commands
- Various windows
- Windows Showing Audio files
- Main Window Tracks and Various Editors
- Live Loops Grid
- Various Editors
- Views showing Time Ruler
- Main Window Tracks
- Mixer
- MIDI Environment
- Piano Roll
- Score Editor
- Event Editor
- Step Editor
- Step Sequencer
- Project Audio
- Audio File Editor
- Smart Tempo Editor
- Sampler
- Step Input Keyboard
- Tool key commands in Logic Pro
- Touch Bar shortcuts
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- Working with your control surface
- Connect control surfaces
- Add a control surface to Logic Pro
- Automatic assignment for USB MIDI controllers
- Grouping control surfaces
- Control Surfaces preferences overview
- Modal dialog display
- Tips for using your control surface
- Control surfaces supported by Logic Pro
- Software and firmware
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- Learn about Effects
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- Learn about Amps and Pedals
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- Bass Amp Designer overview
- Bass amplifier models
- Bass cabinet models
- Build a custom combo
- Amplifier signal flow
- Pre-amp signal flow
- Use the D.I. box
- Amplifier controls
- Bass Amp Designer effects overview
- Bass Amp Designer EQ
- Bass Amp Designer compressor
- Bass Amp Designer Graphic EQ
- Bass Amp Designer Parametric EQ
- Bass Amp Designer microphone controls
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controller parameters
- Modifier MIDI plug-in controls
- Note Repeater MIDI plug-in controls
- Randomizer MIDI plug-in controls
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- Use the Scripter MIDI plug-in
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer MIDI plug-in controls
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- Learn about included Instruments
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- Alchemy overview
- Name bar
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Master voice section
- Alchemy extended parameters
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- Logic Pro Quick Sampler overview
- Add content to Logic Pro Quick Sampler
- Logic Pro Quick Sampler waveform display
- Use Flex in Logic Pro Quick Sampler
- Logic Pro Quick Sampler Pitch controls
- Logic Pro Quick Sampler Filter controls
- Quick Sampler filter types
- Logic Pro Quick Sampler Amp controls
- Logic Pro Quick Sampler extended parameters
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Use surround range and diversity
- Assign MIDI controllers
- Extended parameters
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- Ultrabeat overview
- Ultrabeat interface
- Synthesizer section overview
- Filter section controls
- Distortion circuit controls
- Glossary
Edit in the Logic Pro Delay Designer Tap display
You can graphically edit any tap parameter that is represented as a vertical line in the Tap display. The Tap display is ideal if you want to edit the parameters of one tap relative to other taps or when you need to edit or align multiple taps simultaneously.
Edit a tap parameter in the Tap display
In Logic Pro, click the view button of the parameter you want to edit.
Vertically drag the bright line of the tap you want to edit (or one of the selected taps, if multiple taps are selected).
If you selected multiple taps, the values of all selected taps are changed relative to each other.
Note: The method outlined above is slightly different for the Filter Cutoff and Pan parameters. See the tasks below.
Set the values of multiple taps
In Logic Pro, Command-drag over multiple taps to change their value.
Parameter values change to match the pointer position as you drag across the taps. Command-dragging across several taps lets you draw value curves, much like using a pencil to create a curved line on a piece of paper.
Align the values of several taps
In Logic Pro, Command-click in the Tap display, and drag while holding down the Command key.
A line trails behind the pointer as you drag.
Click the appropriate position to mark the end point of the line.
The values of taps that fall between the start and end points are aligned along the line.
Reset the value of a tap
In Logic Pro, you can use the Tap display or Tap parameter bar to reset tap parameters to their default values.
To reset a parameter to its default setting in the Tap display: Option-click a tap to reset the selected parameter to its default setting.
If multiple taps are selected, Option-clicking any tap resets the chosen parameter to its default value for all selected taps.
To reset a parameter to its default setting in the Tap parameter bar: Option-click a parameter value to reset it to the default setting.
If multiple taps are selected, Option-clicking a parameter of any tap resets all selected taps to the default value for that parameter.
Edit filter cutoff in the Tap display
In Cutoff view, each tap actually shows two parameters: highpass and lowpass filter cutoff frequency.
In Logic Pro, drag the cutoff frequency line—the upper line is lowpass and the lower line is highpass—to independently adjust filter cutoff values. Both cutoff frequencies can be adjusted simultaneously by dragging in the area between them.
When the highpass filter cutoff frequency value is lower than that of the lowpass cutoff frequency, only one line is shown. This line represents the frequency band that passes through the filters—in other words, the filters act as a bandpass filter. In this configuration, the two filters operate in series which means the tap passes through one filter first, then the other.
If the highpass filter cutoff frequency value is above that of the lowpass filter cutoff frequency, the filter switches from serial operation to parallel operation, which means the tap passes through both filters simultaneously. In this case, the space between the two cutoff frequencies represents the frequency band being rejected—in other words, the filters act as a band-rejection filter.
Edit pan in the Tap display
In Logic Pro, the way the Pan parameter is represented in the Pan view is entirely dependent on the input channel configuration—mono to stereo, stereo to stereo, or surround.
In mono input/stereo output configurations, all taps are initially panned to the center.
In stereo input/stereo output configurations, the Pan parameter adjusts the stereo balance, not the position of the tap in the stereo field.
Note: Pan is not available in mono configurations.
To edit the pan position in mono input/stereo output configurations: Drag vertically from the center of the tap in the direction you want to pan the tap or taps.
A white line extends outward from the center in the direction you have dragged, reflecting the pan position of the tap or taps.
Lines above the center position indicate pans to the left, and lines below the center position denote pans to the right. Left (blue) and right (green) channels are easily identified.
To adjust the stereo balance in stereo input/stereo output configurations: Drag the Pan parameter—which appears as a dot on the tap—up or down the tap to adjust the stereo balance.
By default, stereo spread is set to 100%. To adjust the spread width, drag either side of the dot. As you do so, the width of the line extending outward from the dot changes. Keep an eye on the Spread parameter in the Tap parameter bar while you are adjusting.
Note: In Surround configurations, the bright line represents the surround angle. See Use Logic Pro Delay Designer in surround.
Edit taps with shortcut menu commands
In Logic Pro, Control-click (or right-click) a tap in the Tap display, then choose one of the following commands from the shortcut menu:
Copy sound parameters: Copies all parameters (except the delay time) of the selected tap or taps to the Clipboard.
Paste sound parameters: Pastes the tap parameters from the Clipboard into the selected tap or taps. If there are more taps in the Clipboard than are selected in the Tap display, the extra taps in the Clipboard are ignored.
Reset sound parameters to default values: Resets all parameters of all selected taps (except the delay time) to the default values.
2 x delay time: Doubles the delay time of all selected taps. For example, the delay times of three taps are set as follows: Tap A = 250 ms, Tap B = 500 ms, and Tap C = 750 ms. If you select these three taps and choose “2 x delay time,” the taps are changed as follows: Tap A = 500 ms, Tap B = 1000 ms, and Tap C = 1500 ms. In other words, a rhythmic delay pattern unfolds half as fast. (In musical terms, it is played in half time.)
1/2 x delay time: Halves the delay time of all selected taps. Using the example above, choosing “1/2 x delay time” changes the taps as follows: Tap A = 125 ms, Tap B = 250 ms, and Tap C = 375 ms. In other words, a rhythmic delay pattern unfolds twice as fast. (In musical terms, it is played in double time.)
Delete tap(s): Deletes all selected taps.