Logic Pro User Guide for iPad
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
- Undo and redo edits in Logic Pro for iPad
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Route MIDI internally to software instrument tracks
- Record with Low Latency Monitoring mode
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Session Player region or a pattern region
- Replace a MIDI region with a Session Player region in Logic Pro for iPad
- Rename regions
- Change the color of regions
- Delete regions
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- Intro to chords
- Add and delete chords
- Select chords
- Cut, copy, and paste chords
- Move and resize chords
- Loop chords on the Chord track
- Color chords on the Chord track
- Edit chords
- Work with chord groups
- Use chord progressions
- Change the chord rhythm
- Choose which chords a Session Player region follows
- Analyze the key signature of a range of chords
- Create fades on audio regions
- Extract vocal and instrumental stems with Stem Splitter
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Intro to mixing
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- Channel strip types
- Channel strip controls
- Peak level display and clipping
- Set channel strip volume
- Set channel strip input format
- Set the output for a channel strip
- Set channel strip pan position
- Mute and solo channel strips
- Reorder channel strips in the Mixer in Logic Pro for iPad
- Replace a patch on a channel strip using drag and drop
- Work with plug-ins in the Mixer
- Search for plug-ins in the Mixer in Logic Pro for iPad
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
- Use the Mod Pad
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope point transition shapes
- Vector Envelope release phase behavior
- Use Vector Envelope time scaling
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low, bandpass, and highpass filters
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Studio Piano
- Copyright
Expander in Logic Pro for iPad
Expander is similar in concept to a compressor, but increases, rather than reduces, the dynamic range above the threshold level. You can use Expander to add liveliness and freshness to your audio signals.
To add Expander to your project, choose Dynamics > Expander in a channel strip Audio Effect plug-in menu or the Plug-ins area. See Intro to plug-ins. Also see Add, replace, reorder, and remove plug-ins in the Plug-ins area and Work with plug-ins in the Mixer.
Expander parameters
Input meters: Shows the input signal level.
Expansion meter: Shows the amount of gain (expansion) applied to the signal.
Output meters: Shows the overall output signal level.
Threshold knob and field: Set the threshold level. Signals above this level are expanded.
Ratio knob and field: Set the expansion ratio—the ratio of signal expansion when the threshold is exceeded.
Note: Because Expander is a genuine upward expander—in contrast to a downward expander, which increases the dynamic range below the Threshold—the Ratio knob features a value range of 1:1 to 0.5:1.
Peak/RMS buttons: Determine whether the Peak or RMS method is used to analyze the signal.
Knee knob and field: Determine the strength of expansion at levels close to the threshold. Lower values result in more severe or immediate expansion—hard knee. Higher values result in a gentler expansion—soft knee.
Attack knob and field: Set the time it takes for Expander to respond to signals that exceed the threshold level.
Release knob and field: Set the time it takes for Expander to stop processing the signal after it falls below the threshold level.
Auto Gain button: Turn on to compensate for the level increase caused by expansion. When Auto Gain is active, the signal sounds softer, even when the peak level remains the same.
Note: If you dramatically change the dynamics of a signal (with extreme Threshold and Ratio values), you may need to reduce the Gain slider level to avoid distortion. In most cases, turning on Auto Gain adjusts the signal appropriately.
Output Clip buttons: Choose whether to apply clipping above 0 dB, and the type of clipping. Off disables clip distortion. Soft and Hard change the signal around 0 dB in different ways, resulting in a smoothed or squared off distortion of signal peaks.
Gain slider and field: Set the amount of overall gain applied to the signal.
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