Logic Pro for iPad 2.0

Logic Pro for iPad 1.1

Logic Pro for iPad 1.0

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Table of Contents

What’s new in Logic Pro 1.1
- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
- Start a Logic Pro subscription
- How to get help
- Browser overview
- Find sounds in the Browser
- - Patches overview
  - Save custom patches
- - Use Apple Loops
  - Add Apple Loops to your project
- Work with samples in the Browser
- Manage plug-in presets in the Browser
- Manage Step Sequencer patterns and templates in the Browser
- Download additional sound packs
- Import media
- Supported media and file formats
- Open GarageBand songs
- Intro to Play Surfaces
- Use side controls with the Play Surfaces
- Use the Keyboard Play Surface
- Use the Drum Pads Play Surface
- Use the Fretboard Play Surface
- Use the Chord Strips Play Surface
- Use the Guitar Strips Play Surface
- Intro to recording
- Use the metronome
- Use the count-in
- Intro to arranging
- Create fades on audio regions
- Access mixing functions using the Fader
- Intro to Live Loops
- Start and stop Live Loops cells
- Work with Live Loops cells
- - Record to Live Loops cells
  - Record and edit takes in cells
- Change loop settings for cells
- How the Live Loops grid and Tracks area interact
- Edit cells
- Edit scenes
- Work in the Cell Editor
- Bounce cells
- Record a Live Loops performance
- Introduction
- Edit Live Loops in the Cell Editor
- Intro to Drummer
- Convert Drummer regions to MIDI or pattern regions
- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
- Intro to plug-ins
- - Intro to Details view
  - Work with plug-in presets
- Work with Audio Unit Extensions
- Intro to mixing
- Work with plug-ins in the Mixer
- Intro to automation
- Show automation
- Write automation in real time
- Use automation with Mixer groups
- Cell automation in Live Loops
- Undo, turn off, or delete automation
- Play automation
- Create automation with Step Sequencer
- Intro to markers, signatures, and tempo
- - Intro to global tracks
  - Show and hide global tracks
- - Intro to markers
  - Use markers
- - Intro to time signatures
  - Use time signature changes
- - Intro to key signatures
  - Use key signature changes
- Intro to exporting and sharing
- Share a project
- Work with projects from Logic Pro for Mac
- Settings app
- - Gestures overview
- - Keyboard shortcuts overview
- Effect plug-ins overview
- Instrument plug-ins overview
- - Alchemy overview
  - Performance controls
  - Extended parameters
- - Drum Kit Designer overview
  - Kit piece controls
  - Details parameters
  - Drum kit mappings
- - Drum Machine Designer overview
  - Play Surface
  - Edit surface settings
  - Edit pad settings
- - Drum Synth overview
  - Global controls
  - Kicks
  - Snares and Claps
  - Percussion
  - Hats and Cymbals
- - EFM1 overview
  - Modulation parameters
  - Output parameters
  - Global parameters
  - MIDI controller assignments
- - ES E overview
  - Oscillator parameters
  - Filter parameters
  - Envelope parameters
  - Amp and effect parameters
  - Pitch bend parameters
- - ES M overview
  - Oscillator parameters
  - Filter and filter envelope controls
  - Amp and effect controls
  - Pitch bend parameters
- - ES P overview
  - Oscillator parameters
  - Filter parameters
  - LFO parameters
  - Envelope and level controls
  - Integrated effect processor
  - Pitch bend parameters
- - ES1 overview
  - - Oscillator parameters overview
    - Oscillator waveforms
  - Filter parameters
  - Amp and output parameters
  - Global parameters
  - MIDI controller assignments
- - ES2 overview
  - Interface overview
  - - Use randomization parameters
    - Restrict randomization
- - EVOC 20 Polysynth overview
  - Vocoder basics
  - Analysis Signal controls
  - - Vocoder Filter Bank controls
    - Formant filter modulation controls
  - - (U/V) detection parameters
    - Output parameters
  - Global parameters
  - Vocoder history
  - Block diagram
- - Quick Sampler overview
  - Add audio
  - - Mod Matrix pane
    - LFO controls
  - Pitch controls
  - Filter controls
  - Filter types
  - Amp controls
- - Retro Synth overview
  - Filter controls
  - Filter types
  - Amp and effect controls
  - Global and controller settings
  - MIDI mono mode parameters
- - Sample Alchemy overview
  - Interface overview
  - Add source material
  - Save a preset
  - Edit mode
  - Play modes
  - Source overview
  - Synthesis modes
  - Granular controls
  - Additive effects
  - Additive effect controls
  - Spectral effect
  - Spectral effect controls
  - Filter module
  - Low and highpass filter
  - Comb PM filter
  - Downsampler filter
  - FM filter
  - Envelope generators
  - Mod Matrix
  - Modulation routing
  - Motion mode
  - Trim mode
  - More menu
- Sampler
- - Sculpture overview
  - Interface overview
  - - Pickup parameters
    - Amplitude envelope parameters
  - MIDI controllers
- - Studio Instruments overview
  - Section MIDI channel assignments
- - Utility instruments overview
  - External Instrument
  - Klopfgeist
  - Test Oscillator
- - Vintage B3 Organ overview
- - Vintage Clav overview
  - Clavinet models
  - Model characteristics
  - Pickups parameters
  - Color parameters
  - Misc parameters
  - MIDI Mono Mode
  - - D6 Clavinet history
    - D6 mechanical details
- - Vintage Electric Piano overview
  - Main controls
  - - Rhodes models
    - Hohner and Wurlitzer models
  - MIDI controller assignments
- - Vintage Mellotron overview
  - Main controls
- - Intro to synthesizers
  - Synthesizer fundamentals
Copyright

Vintage Clav color controls in Logic Pro for iPad

Central to the D6 sound are the color switches. The four tone controls of the D6 are switchable high or low pass filters that change the preamplifier EQ response in the original instrument.

Figure. Vintage Clav Color parameters.

Color parameters

Filter switches: The four filter switches emulate the original tone control switches of the D6. Brilliant and Treble are different high pass filters that create an edgy and punchy tone. The Medium and Soft switches act as a low pass filter for mellower, darker tones. Experiment with different switch combinations.
- Brilliant switch: Make the sound nasal with a strong bass cut.
- Treble switch: Make the sound sharper with a gentle bass cut.
- Medium switch: Make the sound thinner with a slight bass reduction.
- Soft switch: Make the sound softer or more muted.
Brilliance knob and field: Set the level of the harmonic content caused by string excitation. Positive values—to the right—result in a sharper sound. Negative values result in a more muted sound.
Decay knob and field: Set the decay time of the strings, following the attack phase of a played note. Positive values increase the decay time. Negative values reduce the decay time.

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