MainStage User Guide
- Welcome
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- Overview of Edit mode
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- Select patches and sets in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Add patches
- Create a patch from several patches
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- Overview of the Patch Settings Inspector
- Select patch settings in the Patch Library
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Transpose the pitch of incoming notes for a patch
- Change the tuning for a patch
- Add text notes to a patch
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- Overview of channel strips
- Add a channel strip
- Change a channel strip setting
- Configure channel strip components
- Show signal flow channel strips
- Hide the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Set channel strip pan or balance positions
- Set channel strip volume levels
- Mute and solo channel strips
- Use multiple instrument outputs
- Use external MIDI instruments
- Reorganize channel strips
- Delete channel strips
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- Overview of the Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Set keyboard input for a software instrument channel strip
- Transpose individual software instruments
- Filter MIDI messages
- Scale channel strip velocity
- Set channel strips to ignore Hermode tuning
- Override concert- and set-level key ranges
- Add text notes to a channel strip in the Channel Strip Inspector
- Route audio via send effects
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- Screen Control Inspector overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change background or grouped screen control appearance
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
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- Overview of mapping screen controls
- Map to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Use screen controls to display PDF document pages
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work with graphs
- Create controller transforms
- Share patches and sets between concerts
- Record the audio output of a concert
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- Overview of concerts
- Create a concert
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Clean up concerts
- Consolidate assets in a concert
- Rename the current concert
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- Overview of the Concert Settings Inspector
- Set MIDI Routing to channel strips
- Transpose incoming note pitch for a concert
- Define the program change message source
- Send unused program changes to channel strips
- Set the time signature for a concert
- Change the tuning for a concert
- Set the pan law for a concert
- Add text notes to a concert
- Control the metronome
- Silence MIDI notes
- Mute audio output
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- Layout mode overview
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- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Reset screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export and import layouts
- Change the aspect ratio of a layout
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- Before performing live
- Use Perform mode
- Screen controls in performance
- Tempo changes during performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
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- Overview of keyboard shortcuts and command sets
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- Concerts and layouts keyboard shortcuts
- Patches and sets (Edit mode) keyboard shortcuts
- Editing keyboard shortcuts
- Actions keyboard shortcuts
- Parameter mapping (Edit mode) keyboard shortcuts
- Channel strips (Edit mode) keyboard shortcuts
- Screen controls (Layout mode) keyboard shortcuts
- Perform in Full Screen keyboard shortcuts
- Window and view keyboard shortcuts
- Help and support keyboard shortcuts
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- Learn about Effects
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- Learn about Amps and Pedals
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- Bass Amp Designer overview
- Bass amplifier models
- Bass cabinet models
- Build a custom combo
- Amplifier signal flow
- Pre-amp signal flow
- Use the D.I. box
- Amplifier controls
- Bass Amp Designer effects overview
- Bass Amp Designer EQ
- Bass Amp Designer compressor
- Bass Amp Designer Graphic EQ
- Bass Amp Designer Parametric EQ
- Bass Amp Designer microphone controls
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- Learn about Delay effects
- Echo controls
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- MainStage Loopback overview
- Add a Loopback instance in MainStage
- MainStage Loopback interface
- MainStage Loopback waveform display
- MainStage Loopback transport and function controls
- MainStage Loopback information display
- MainStage Loopback Sync, Snap To, and Play From parameters
- Use the MainStage Loopback group functions
- MainStage Loopback Action menu
- Sample Delay controls
- Stereo Delay controls
- Tape Delay controls
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controller parameters
- Modifier MIDI plug-in controls
- Note Repeater MIDI plug-in controls
- Randomizer MIDI plug-in controls
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- Use the Scripter MIDI plug-in
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer MIDI plug-in controls
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- Learn about included Instruments
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- Alchemy overview
- Name bar
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Master voice section
- Alchemy extended parameters
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- MainStage Quick Sampler overview
- Add content to MainStage Quick Sampler
- MainStage Quick Sampler waveform display
- Use Flex in MainStage Quick Sampler
- MainStage Quick Sampler Pitch controls
- MainStage Quick Sampler Filter controls
- Quick Sampler filter types
- MainStage Quick Sampler Amp controls
- MainStage Quick Sampler extended parameters
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- MainStage Playback plug-in overview
- Add a MainStage Playback plug-in
- MainStage Playback interface
- Use the MainStage Playback waveform display
- MainStage Playback transport and function buttons
- MainStage Playback information display
- MainStage Playback Sync, Snap To, and Play From parameters
- Use the MainStage Playback group functions
- Use the MainStage Playback Action menu and File field
- Use markers with the MainStage Playback plug-in
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Assign MIDI controllers
- Extended parameters
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MainStage Alchemy partial envelope
Source components are shown only in advanced view. Click the Advanced button to switch to advanced view, then click the A/B/C/D button to view detailed parameters for the selected source.
The source edit window is opened by clicking the Edit button on any source subpage. Click the close window icon (X) at the top right to close the window.
Use the Additive button at the top of the Main edit window to open the additive editor window.
The Partial envelope shows a number of points that indicate the temporal position of envelope snapshots (groups of partials) or individual partials, depending on the chosen Mode pop-up menu option (above the Partial bar). These points also indicate the overall level or value of the visible parameter type in the selected snapshot or partial. Partials are shown in the Partial bar display. See MainStage Alchemy partial bar display.
Partial envelope parameters
Overall button: Shown above the Partial bar display, sets two Partial envelope modes.
Overall button on: Each point represents a snapshot of summed amplitude, pitch, and pan values of all partials at a certain point in time. Typically, you choose snapshots in the envelope display and adjust individual or grouped partial values in the Partial bar display. You can, however, also adjust all partial values in a given snapshot by dragging vertically in the Partial envelope. The horizontal, or x-axis, indicates the temporal position of each snapshot. The vertical, or y-axis, indicates the summed value of each snapshot.
Overall button off: Each point in the Partial envelope has a one-to-one correlation with the selected partial in the Partial bar display. Adjusting a value in either the Partial bar display or the Partial envelope is immediately reflected in the other. The horizontal, or x-axis, indicates the temporal position of the selected partial. The vertical, or y-axis, indicates the value of the selected partial.
Note: The time positions of envelope points may vary from one partial to the next as you choose different partials when the Overall button is off. This is one of the keys to the high quality of resynthesis in Alchemy: each partial can have an independent set of points. When the Overall button is on, Alchemy presents a series of envelope points linked to all partials, and adjustments to individual partial times and values are handled automatically.
Detail knob: Set the resolution of the Partial envelope display. This affects the number of points shown.
A value of 25% reduces the total number of visible points. This may necessitate scrolling or zooming to view all points.
A value of 100% shows all points. The 500 or more visible points are unnecessary for anything other than the most precise edits, but you may find this level of detail useful when programming an additive sound from scratch, rather than editing resynthesis data.
Mode pop-up menu and field: Choose a mode to determine the way the envelope responds when a point is dragged.
Normal: The dragged point only is moved. All other points remain stationary.
Slide: Dragging one point causes all subsequent points to move, retaining the relative distances between points.
Stretch: Dragging left compresses earlier points and stretches later points. Dragging right stretches earlier points and compresses later points. In either case, the total length of the envelope is preserved.
Note: Point levels remain fixed in stretch mode, so you can only drag horizontally.
Partial envelope: Display and edit envelope point positions and values.
The ruler indicates the current envelope position in milliseconds.
The Partial envelope shows only straight line segments between points, with no convex or concave lines.
The first and last points always have an amplitude of zero. In sounds with a fast attack phase, a second point with a nonzero amplitude is shown at a time position very close to the first point. You may need to increase the Detail setting to see the second point.
Loop and warp markers can be superimposed on the Partial envelope. See MainStage Alchemy zone waveform editor.
Warp marker movements automatically snap to existing Partial envelope points.
Positioning the loop start and loop end markers at identical positions creates a sustain point which allows a particular segment of the sound (a snapshot) to be heard continuously. This method is useful for locating, auditioning, and editing a succession of snapshots.
Scroll bar and zoom controls: Drag the middle of the scroll bar to view envelope points that are not visible in the display area. Horizontally drag the zoom controls at either end of the scroll bar to resize the contents of the visible display area.
Create or delete points in the partial envelope
In MainStage, do one of the following:
Click anywhere in the Partial envelope to create a new point for the active partial (selected in the Partial number bar).
Click on or near a line between existing points to create a new point.
When the Partial envelope contains existing points, either method creates a snapshot of partial values that fall in between the partial values associated with the preceding and following points.
If the Partial envelope is “blank” (only contains a single point), each newly-created point has a single associated partial value (for the partial selected in the Partial number bar). The partial (value) of the preceding point is also shown in the Partial bar display.
Note: The Overall button affects the display of values shown in the Partial bar and related points in the Partial envelope.
Double-click an envelope point to delete it.
Adjust partial pitch values with partial envelope points
When the additive editor displays pitch (the Tune button is on), point levels represent partial pitches. You can edit these levels to eliminate a pitch wobble or to create vibrato, for example.
In MainStage, click an envelope point to select it. You can also drag across multiple envelope points to select them.
This selects a snapshot of multiple partials when the Overall button is on, or individual partials when the Overall button is off.
When multiple points are selected, the Partial bar shows the average value of each partial across the selected envelope points. Edits of partial values are applied to all partials associated with the selected points.
Click the Tune button above the Partial bar display to view pitch values at the current envelope point.
If required, click the Mode pop-up menu above the Partial bar to choose how your edits are applied: to a single partial, all partials, or a group of related partials.
Drag the envelope point vertically to set the pitch value.
The time and pitch of the selected point are displayed at the pointer position when clicked.
Fix unwanted pitch fluctuations with copied envelope points
In cases where a resynthesized sound has unwanted pitch fluctuations, you can resolve these artifacts by reducing the PVar (pitch variation) control on the source A/B/C/D subpage. The downside with this approach is that each partial is aligned with its harmonic tuning which may change the character of the sound significantly. Try this alternative method.
In MainStage, make sure the Overall and Tune buttons are active, then select a single Partial envelope point.
Click the Breakpoint button, and choose Copy from Breakpoint from the pop-up menu.
Click the Breakpoint button, and choose Paste All Breakpoints Pitch Data from the pop-up menu.
The partial pitch values of the copied envelope point are applied to all other envelope points, thus retaining the inharmonic features of the copied point while simultaneously eliminating fluctuations from one point to the next.