Logic Pro User Guide for iPad
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
- Undo and redo edits in Logic Pro for iPad
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Route MIDI internally to software instrument tracks
- Record with Low Latency Monitoring mode
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Session Player region or a pattern region
- Replace a MIDI region with a Session Player region in Logic Pro for iPad
- Rename regions
- Change the color of regions
- Delete regions
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- Intro to chords
- Add and delete chords
- Select chords
- Cut, copy, and paste chords
- Move and resize chords
- Loop chords on the Chord track
- Color chords on the Chord track
- Edit chords
- Work with chord groups
- Use chord progressions
- Change the chord rhythm
- Choose which chords a Session Player region follows
- Analyze the key signature of a range of chords
- Create fades on audio regions
- Extract vocal and instrumental stems with Stem Splitter
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Intro to mixing
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- Channel strip types
- Channel strip controls
- Peak level display and clipping
- Set channel strip volume
- Set channel strip input format
- Set the output for a channel strip
- Set channel strip pan position
- Mute and solo channel strips
- Reorder channel strips in the Mixer in Logic Pro for iPad
- Replace a patch on a channel strip using drag and drop
- Work with plug-ins in the Mixer
- Search for plug-ins in the Mixer in Logic Pro for iPad
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
- Use the Mod Pad
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope point transition shapes
- Vector Envelope release phase behavior
- Use Vector Envelope time scaling
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low, bandpass, and highpass filters
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Studio Piano
- Copyright
Arpeggiator MIDI plug-in latch parameters in Logic Pro for iPad
You can determine the latching behavior and can edit arpeggio steps with the latch parameters.
The Arpeggiator MIDI plug-in operates in two distinct functional modes: Live and Grid. The modes are mutually exclusive, so turning on one turns off the other. It also provides a unique Live Capture to Grid facility.
When Grid mode is active, it controls the arpeggio velocity, cycle length, step length, rests, ties, and chords. All live input of available grid parameters, such as velocities, is ignored. See Arpeggiator options parameters.
When in the default Live mode, the arpeggio performance is controlled by your input. For example, the velocities of arpeggiated notes are determined by the way you played them. Any existing grid values are retained but are disabled until you return to Grid mode.
Note: When you capture a live performance, grid values are not retained.
In Live mode, you can add rests, ties, and chords in real time by tapping the onscreen buttons or by using equivalent MIDI keyboard remote keys. See Assign Arpeggiator controllers.
Latch parameters
On/Off button: Turn Latch mode on or off. This allows an arpeggio to run without you holding down keys. Latch mode behavior is determined with the Latch mode pop-up menu.
Latch Mode pop-up menu: Choose a Latch mode.
Reset: The first key played clears the currently latched notes.
Transpose: Play a single key to transpose the arpeggio relative to the note value of the pressed key and the lowest arpeggiated note.
Note: Pressing more than one key simultaneously clears currently latched notes and starts a new arpeggio.
Gated Transpose: This option is the same as Transpose Latch mode with the difference that the arpeggio only plays while a key is pressed. As soon as the key is released, the arpeggio is muted.
Add: Play keys—one by one, or simultaneously as a chord—to add them to the latched arpeggio. You can play the same key multiple times and the note repeats the number of times it is struck.
Add Temporarily: This option is the same as Add Latch mode except that played notes are added to the latched arpeggio only while held. When a temporarily added key is released, it is removed from the arpeggio.
Through: All incoming MIDI notes are passed through the Arpeggiator plug-in, enabling you to play along with a latched arpeggio.
Add Rest button: Insert a rest at the current arpeggiator step position. A position identification number is assigned to the rest, ensuring that its rhythmic position (step number) within the arpeggio is retained, even when different note order presets are chosen.
Note: Rests can only be added while building the arpeggio, which means that at least one key must be held if you want to add a rest. Once all keys are released, the Arpeggiator acts in accordance with the rules of the set Latch mode and expects to receive a MIDI note for transposition and so on. In Latch Add mode, this restriction does not apply because it allows you to add MIDI notes, rests, ties, and chords after all keys are released.
Add Tie button: Insert a tie at the current arpeggiator step position. A position identification number is assigned to the tie, ensuring that its rhythmic position (step number) within the arpeggio is retained, even when different note order presets are chosen.
Add Chord Step button: Insert a chord at the current arpeggiator step position. When the arpeggiator encounters a chord step, it simultaneously plays all notes, including their unique velocities, currently in memory (latched or held). A position identification number is assigned to the chord, ensuring that its rhythmic position (step number) within the arpeggio is retained, even when different note order presets are chosen.
Delete Last button: Delete the last note, rest, or tie that was added to the arpeggio.
Note: Each event is allocated a unique position identification number and the “last” event has the highest position identification number.
Clear button: Remove all notes from the Arpeggiator plug-in latch memory. The arpeggio stops playing and all position identification numbers are reset to zero, enabling you to create a new arpeggio without turning off Latch mode, which can be useful in a live situation when preparing for a chord change.
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