Logic Pro User Guide for iPad
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
- Undo and redo edits in Logic Pro for iPad
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Route MIDI internally to software instrument tracks
- Record with Low Latency Monitoring mode
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Session Player region or a pattern region
- Replace a MIDI region with a Session Player region in Logic Pro for iPad
- Rename regions
- Change the color of regions
- Delete regions
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- Intro to chords
- Add and delete chords
- Select chords
- Cut, copy, and paste chords
- Move and resize chords
- Loop chords on the Chord track
- Color chords on the Chord track
- Edit chords
- Work with chord groups
- Use chord progressions
- Change the chord rhythm
- Choose which chords a Session Player region follows
- Analyze the key signature of a range of chords
- Create fades on audio regions
- Extract vocal and instrumental stems with Stem Splitter
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Intro to mixing
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- Channel strip types
- Channel strip controls
- Peak level display and clipping
- Set channel strip volume
- Set channel strip input format
- Set the output for a channel strip
- Set channel strip pan position
- Mute and solo channel strips
- Reorder channel strips in the Mixer in Logic Pro for iPad
- Replace a patch on a channel strip using drag and drop
- Work with plug-ins in the Mixer
- Search for plug-ins in the Mixer in Logic Pro for iPad
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
- Use the Mod Pad
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope point transition shapes
- Vector Envelope release phase behavior
- Use Vector Envelope time scaling
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low, bandpass, and highpass filters
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Studio Piano
- Copyright
Rotor Cabinet effect in Logic Pro for iPad
The Rotor Cabinet effect emulates the rotating loudspeaker cabinet of a Hammond organ. Also known as the Leslie effect, it simulates both the rotating speaker cabinet, with and without deflectors, and the microphones that pick up the sound.
To add Rotor Cabinet effect to your project, choose Modulation > Rotor Cabinet in a channel strip Audio Effect plug-in menu or the Plug-ins area. See Intro to plug-ins. Also see Add, replace, reorder, and remove plug-ins in the Plug-ins area and Work with plug-ins in the Mixer.
Rotor and Cabinet parameters
Cabinet pop-up menu: Choose a cabinet model.
Wood: Mimics a Leslie with a wooden enclosure. It sounds like the Leslie 122 or 147 model.
Proline: Mimics a Leslie with a more open enclosure, similar to a Leslie 760 model.
Single: Simulates the sound of a Leslie with a single, full-range rotor. It sounds like the Leslie 825 model.
Split: Routes the bass rotor signal slightly to the left and the treble rotor signal toward the right.
Wood & Horn IR: Uses an impulse response of a Leslie with a wooden enclosure.
Proline & Horn IR: Uses an impulse response of a Leslie with a more open enclosure.
Split & Horn IR: Uses an impulse response of a Leslie with the bass rotor signal routed slightly to the left and the treble rotor signal routed more to the right.
Horn Deflector button: Tap to emulate a Leslie cabinet with the horn deflectors removed or attached. A Leslie cabinet contains a double horn, with a deflector at the horn mouth. This deflector makes the Leslie sound. You can remove the deflector to increase amplitude modulation and decrease frequency modulation.
Acc/Dec Scale knob and field: Set the time it takes to get the rotors up to speed (set with the Max Rate knob) and the length of time it takes for them to slow down. The Leslie motors need to physically accelerate and decelerate the speaker horns in the cabinets, and their power to do so is limited. Turn Acceleration to the far left position to switch to the preset speed immediately. As you rotate the knob to the right, it takes more time to hear the speed changes. At the default centered position, the behavior is Leslie-like.
Rotor Fast Rate knob and field: Set the maximum possible rotor speed.
Motor Control pop-up menu: Choose different speeds for the bass and treble rotors. Use the Rotation switch to choose slow, brake, or fast mode.
Normal: Both rotors use the speed determined by the Rotation switch position.
Inv (inverse): In fast mode, the bass compartment rotates at a fast speed, while the horn compartment rotates slowly. This is reversed in slow mode. In brake mode, both rotors stop.
910: The 910 (also known as “Memphis”), stops the bass drum rotation at slow speed, while the speed of the horn compartment can be switched. This is useful when you’re after a solid bass sound but still want treble movement.
Sync: The acceleration and deceleration of the horn and bass drums are roughly the same. This sounds as if the two drums are locked, but the effect is clearly audible only during acceleration or deceleration.
Note: If you choose Single Cabinet from the (Cabinet) Type pop-up menu, the Motor Control setting is not relevant because there are no separate bass and treble rotors in a single cabinet.
Rotor Speed buttons: Change the rotor speed between Slow, Brake, or Fast.
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