MainStage User Guide
- Welcome
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- Overview of Edit mode
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- Select patches and sets in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Add patches
- Create a patch from several patches
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- Overview of the Patch Settings Inspector
- Select patch settings in the Patch Library
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Transpose the pitch of incoming notes for a patch
- Change the tuning for a patch
- Add text notes to a patch
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- Overview of channel strips
- Add a channel strip
- Change a channel strip setting
- Configure channel strip components
- Show signal flow channel strips
- Hide the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Set channel strip pan or balance positions
- Set channel strip volume levels
- Mute and solo channel strips
- Use multiple instrument outputs
- Use external MIDI instruments
- Reorganize channel strips
- Delete channel strips
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- Overview of the Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Set keyboard input for a software instrument channel strip
- Transpose individual software instruments
- Filter MIDI messages
- Scale channel strip velocity
- Set channel strips to ignore Hermode tuning
- Override concert- and set-level key ranges
- Add text notes to a channel strip in the Channel Strip Inspector
- Route audio via send effects
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- Screen Control Inspector overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change background or grouped screen control appearance
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
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- Overview of mapping screen controls
- Map to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Use screen controls to display PDF document pages
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work with graphs
- Create controller transforms
- Share patches and sets between concerts
- Record the audio output of a concert
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- Overview of concerts
- Create a concert
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Clean up concerts
- Consolidate assets in a concert
- Rename the current concert
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- Overview of the Concert Settings Inspector
- Set MIDI Routing to channel strips
- Transpose incoming note pitch for a concert
- Define the program change message source
- Send unused program changes to channel strips
- Set the time signature for a concert
- Change the tuning for a concert
- Set the pan law for a concert
- Add text notes to a concert
- Control the metronome
- Silence MIDI notes
- Mute audio output
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- Layout mode overview
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- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Reset screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export and import layouts
- Change the aspect ratio of a layout
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- Before performing live
- Use Perform mode
- Screen controls in performance
- Tempo changes during performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
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- Overview of keyboard shortcuts and command sets
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- Concerts and layouts keyboard shortcuts
- Patches and sets (Edit mode) keyboard shortcuts
- Editing keyboard shortcuts
- Actions keyboard shortcuts
- Parameter mapping (Edit mode) keyboard shortcuts
- Channel strips (Edit mode) keyboard shortcuts
- Screen controls (Layout mode) keyboard shortcuts
- Perform in Full Screen keyboard shortcuts
- Window and view keyboard shortcuts
- Help and support keyboard shortcuts
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- Learn about Effects
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- Learn about Amps and Pedals
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- Bass Amp Designer overview
- Bass amplifier models
- Bass cabinet models
- Build a custom combo
- Amplifier signal flow
- Pre-amp signal flow
- Use the D.I. box
- Amplifier controls
- Bass Amp Designer effects overview
- Bass Amp Designer EQ
- Bass Amp Designer compressor
- Bass Amp Designer Graphic EQ
- Bass Amp Designer Parametric EQ
- Bass Amp Designer microphone controls
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- Learn about Delay effects
- Echo controls
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- MainStage Loopback overview
- Add a Loopback instance in MainStage
- MainStage Loopback interface
- MainStage Loopback waveform display
- MainStage Loopback transport and function controls
- MainStage Loopback information display
- MainStage Loopback Sync, Snap To, and Play From parameters
- Use the MainStage Loopback group functions
- MainStage Loopback Action menu
- Sample Delay controls
- Stereo Delay controls
- Tape Delay controls
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controller parameters
- Modifier MIDI plug-in controls
- Note Repeater MIDI plug-in controls
- Randomizer MIDI plug-in controls
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- Use the Scripter MIDI plug-in
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer MIDI plug-in controls
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- Learn about included Instruments
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- Alchemy overview
- Name bar
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Master voice section
- Alchemy extended parameters
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- MainStage Quick Sampler overview
- Add content to MainStage Quick Sampler
- MainStage Quick Sampler waveform display
- Use Flex in MainStage Quick Sampler
- MainStage Quick Sampler Pitch controls
- MainStage Quick Sampler Filter controls
- Quick Sampler filter types
- MainStage Quick Sampler Amp controls
- MainStage Quick Sampler extended parameters
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- MainStage Playback plug-in overview
- Add a MainStage Playback plug-in
- MainStage Playback interface
- Use the MainStage Playback waveform display
- MainStage Playback transport and function buttons
- MainStage Playback information display
- MainStage Playback Sync, Snap To, and Play From parameters
- Use the MainStage Playback group functions
- Use the MainStage Playback Action menu and File field
- Use markers with the MainStage Playback plug-in
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Assign MIDI controllers
- Extended parameters
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MainStage Auto Sampler controls and parameters
The following lists the Auto Sampler controls, with brief descriptions of their functions.
Range Start field and slider: Drag vertically to set the lowest note of the key range. You can also drag the left Sample Note Range handle in the keyboard display.
Range End field and slider: Drag vertically to set the highest note of the key range. You can also drag the right Sample Note Range handle in the keyboard display.
Sample Every field and slider: Drag vertically to set the interval between sampled notes in semitones.
Round Robin pop-up menu: Choose the number of times each sample is captured to provide sound variations for more realistic sample playback (if the source provides sound variations). Choose No to capture each sample only a single time (no round robin).
Sustain field and slider: Drag vertically to set the duration that the note is sampled (before its release phase begins) in seconds. Percussion and other short-duration sounds are shortened after sampling if the end contains complete silence.
For notes (pitched sounds), a Sustain value of 10 seconds or more is recommended.
Velocity Layers pop-up menu: Choose the number of velocity layers to sample. The default is 1. To sample multiple velocity layers, the source instrument must respond to MIDI Velocity as well as MIDI Note messages.
Velocity Response pop-up menu: When multiple velocity layers are sampled, choose a velocity response curve:
Linear: Divides the Velocity span region equally. This is the default, and is recommended for most situations.
Exp1-Exp3: Gradually render the Velocity curve more exponentially. After the Velocity high and low parameters are set, more zones are sampled next to the High Velocity setting. This results in more zones with smaller Velocity spans, and lower Velocity zones that span more Velocity values.
Log1-Log3: Gradually render the Velocity curve more logarithmically. After the Velocity high and low parameters are set, more zones are sampled next to the Low Velocity setting. This results in more zones with smaller Velocity spans, and higher Velocity zones that span more Velocity values.
Velocity Editor: You can view and edit velocity layers in the Velocity editor. When you hold the pointer over the Velocity Layers and Velocity Response pop-up menus, the Velocity editor appears in the lower part of the window. Each velocity layer appears as a horizontal line, with its velocity value displayed. You can drag lines vertically to adjust their velocity value. When you manually adjust velocity layers in the Velocity editor, the Velocity Response value changes to Custom.
Auto Loop pop-up menu: Choose if loop points are automatically determined by Auto Sampler, and if so, which method or algorithm to use.
None: No auto-looping is performed.
Search: The audio content is analyzed and the optimal loop in each sample is set, without adding a loop crossfade. This is useful if the sampled sound contains clearly looping sections.
Search with XFade: The audio content is analyzed and the optimal loop in each sample is set, with a loop crossfade also added to smooth the loop. This is useful if the sampled sound contains clearly looping sections.
Search with Rev XFade: The audio content is analyzed and the optimal loop in each sample is set. A copy of the loop is automatically created, reversed and mixed with the analyzed loop, and then a loop crossfade is added.
Penrose Machine: Instead of searching for the best loop in each sample, a snapshot of the sample is taken, and the Penrose Machine algorithm is used to create a DSP-synthesized loop from the snapshot, which is inserted and crossfaded with the rest of the sample.
The Penrose Machine is an algorithm in which the sonic properties of the current loop are analyzed, and an artificial loop is created with the same sonic properties. This algorithm is completely automatic and has no parameters, making it simple as well as very powerful.
Bidirectional: The loop area is cut, doubled in length (by being crossfaded into a reversed copy of itself - hence the name “bidirectional”), and the resulting loop is smoothly crossfaded back into the original sample.
Auto Loop Start field and slider: Drag vertically to set the Auto Sampler search start point for an automatic loop. The value indicates a percentage of the total sample length/time. For example, in a 10-second sample with an Auto Loop Start value of 40%, Auto Sampler begins looking for an auto loop start point after 4 seconds.
Auto Loop End field and slider: Drag vertically to set the auto loop end point. . The value indicates a percentage of the total sample length/time.
One Shot checkbox: Turn on to save samples as non-repeating, “one shot” samples that play to the end of the sample and stop, rather than loop.
When you trigger a one shot sample, it plays to the end of the file, regardless of whether other samples are triggered. One shot samples are typically used for percussion sounds and sound effects.