Logic Pro User Guide for iPad
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
- Undo and redo edits in Logic Pro for iPad
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Route MIDI internally to software instrument tracks
- Record with Low Latency Monitoring mode
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Session Player region or a pattern region
- Replace a MIDI region with a Session Player region in Logic Pro for iPad
- Rename regions
- Change the color of regions
- Delete regions
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- Intro to chords
- Add and delete chords
- Select chords
- Cut, copy, and paste chords
- Move and resize chords
- Loop chords on the Chord track
- Color chords on the Chord track
- Edit chords
- Work with chord groups
- Use chord progressions
- Change the chord rhythm
- Choose which chords a Session Player region follows
- Analyze the key signature of a range of chords
- Create fades on audio regions
- Extract vocal and instrumental stems with Stem Splitter
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Intro to mixing
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- Channel strip types
- Channel strip controls
- Peak level display and clipping
- Set channel strip volume
- Set channel strip input format
- Set the output for a channel strip
- Set channel strip pan position
- Mute and solo channel strips
- Reorder channel strips in the Mixer in Logic Pro for iPad
- Replace a patch on a channel strip using drag and drop
- Work with plug-ins in the Mixer
- Search for plug-ins in the Mixer in Logic Pro for iPad
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
- Use the Mod Pad
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope point transition shapes
- Vector Envelope release phase behavior
- Use Vector Envelope time scaling
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low, bandpass, and highpass filters
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Studio Piano
- Copyright
Create fades on audio regions in Logic Pro for iPad
You can fade in the beginning of audio regions, and fade out the end of audio regions (including audio Apple Loops) using the Fade Start and Fade End parameters in the inspector. Fades are visible in the Tracks area when you have zoomed in enough to see the waveform in the audio region.
You can edit the length of a fade, the fade curve shape, and the fade type. You can also edit the playback speed of fades using the Speed Up (for fade-ins) and Slow Down (for fade-outs) Style settings.
Create a fade-in on an audio region
In Logic Pro, select one or more audio regions.
Tap the Inspector button to open the inspector.
Tap the Fade Start disclosure triangle to show region parameters for fade-ins.
Note: Time values for fade-ins are expressed in milliseconds with a maximum fade time of 99,999 ms (nearly 100 seconds).
Tap the Style menu, then choose Fade-In (for normal speed) or Speed Up (for a speed-up effect).
To set the length of the fade, do one of the following:
Drag the Time value up or down to edit the fade length.
Tap the Time value, then then edit the value in the numeric input dialog using the Decrement/Increment buttons, the scroll wheel, or the numeric keypad.
Do one of the following to set the fade curve shape:
Drag the Curve value up or down to edit the fade curve.
Tap the Curve value, then then edit the value in the numeric input dialog using the Decrement/Increment buttons, the scroll wheel, or the numeric keypad.
Create a fade-out on an audio region
In Logic Pro for iPad, select one or more audio regions.
Tap the Inspector button to open the inspector.
Tap the Fade End disclosure triangle to show region parameters for fade-outs.
Note: Time values for fade-outs are expressed in milliseconds with a maximum fade time of 99,999 ms (nearly 100 seconds).
Tap the Style menu, then choose Fade-Out (for normal speed) or Slow Down (for a slow-down effect).
To set the length of the fade, do one of the following:
Drag the Time value up or down to edit the fade length.
Tap the Time value, then then edit the value in the numeric input dialog using the Decrement/Increment buttons, the scroll wheel, or the numeric keypad.
Tap the Type pop-up mend and choose the fade-out type. The choices are:
Out: Creates a standard fade-out whenever the Fade tool or Fade parameter is used.
X (Crossfade): Crossfades the selected region with the following region when you use the Fade tool or Fade parameter.
EqP (Equal Power Crossfade): Results in an equal power crossfade. This minimizes volume dips between audio regions, resulting in a more even crossfade between regions that may be slightly different in level.
X S (S-Curved Crossfade): Delivers an S-curved crossfade. The fade curve, as the name suggests, is S shaped.
The last three items in the pop-up menu can only be applied to the first of two consecutive regions. Also note that the Fade In (and corresponding Curve) parameters are made redundant when any of the X, EqP, or X S options are chosen.
Do one of the following to set the fade curve shape:
Drag the Curve value up or down to edit the fade curve.
Tap the Curve value, then then edit the value in the numeric input dialog using the Decrement/Increment buttons, the scroll wheel, or the numeric keypad.
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