Logic Pro User Guide for iPad
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Route MIDI internally to software instrument tracks
- Record with Low Latency Monitoring mode
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Session Player region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
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- Intro to chords
- Add and delete chords
- Select chords
- Cut, copy, and paste chords
- Move and resize chords
- Loop chords on the Chord track
- Edit chords
- Work with chord groups
- Use chord progressions
- Change the chord rhythm
- Choose which chords a Session Player region follows
- Analyze the key signature of a range of chords
- Create fades on audio regions
- Extract vocal and instrumental stems with Stem Splitter
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
- Use the Mod Pad
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope point transition shapes
- Vector Envelope release phase behavior
- Use Vector Envelope time scaling
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low, bandpass, and highpass filters
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Studio Piano
- Copyright
Bounce regions in place in Logic Pro for iPad
You can bounce regions in place, creating audio files that are placed at the same position as the original regions in the Tracks area. Using Bounce in Place, you can bounce regions of any type. You set the audio file format of the bounce and set additional options in the Bounce in Place dialog when you create the bounce.
When multiple regions are selected, the result is a single audio file (per track) that extends from the beginning of the first selected region to the end of the last selected region, plus any audio tail following the last selected region.
Bouncing in place might seem similar to the Freeze function. Both save CPU power by rendering all effects (or instrument) plug-ins of a track, but there are several differences:
Freeze allows you to return to the original state of the tracks and their automation data, unlike Bounce in Place.
Freeze (in 32-bit float) safeguards against volume clipping.
Note: A bounce in place is performed offline, not in real time. Audio and software instrument tracks with internal sound sources can be bounced in place.
Bounce one or more regions in place
In Logic Pro, select the region or regions.
Tap one of the selected regions, then tap Bounce and Join.
Tap Bounce in Place.
In the Bounce in Place dialog, edit any of the following parameters:
Name field: Tap the name, then enter a new name for the bounce file. The default name is the region name of the first selected region, with the extension _bip added at the end.
Destination pop-up menu: Choose the track type on which the bounce file is placed. The choices are:
New Track: Creates a new audio track below the selected track and places the bounce cell on that track.
Selected Track: Places the bounce cell on the selected track. This option is available only if an audio track is selected.
Source pop-up menu: Choose whether the source regions are muted, deleted, or left in place.
Include Effect Plug-ins switch: When selected, all plug-ins on the source track are included during the bounce process.
Include Audio Tail in File switch: When selected, the bounce process continues after the end of the bounce range—either to the end of the cycle or to the end of the last selected region—until there is no longer any signal. Otherwise, only the bounce range is bounced.
Include Audio Tail in Region switch: When selected, the entire bounce file is included in the bounce region. Otherwise, the bounce region only includes the bounce range.
Note: The Audio Tail in Region switch is available only when the Audio Tail in File switch is on.
Include Volume/Pan Automation switch: When selected, volume and pan automation is performed during the bounce process, affecting the bounce file. Otherwise, the volume and pan automation is simply copied, not performed.
Normalize pop-up menu: Choose one of the normalization options:
On: The bounce files receive full bidirectional normalization.
Off: The bounce files are not normalized.
Prevent Overload: The bounce files receive downward normalization in case of overloads—levels above 0 dB, which would lead to clipping—but no normalization in case of lower levels.
Tap Bounce at the top of the dialog.
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