MainStage User Guide
- Welcome
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- Overview of Edit mode
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- Select patches and sets in the Patch List
 - Copy, paste, and delete patches
 - Reorder and move patches in the Patch List
 - Add and rename patches
 - Create a patch from several patches
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- Overview of the Patch Settings Inspector
 - Select patch settings in the Patch Library
 - Set the time signature for patches
 - Change the tempo when you select a patch
 - Set program change and bank numbers
 - Defer patch changes
 - Instantly silence the previous patch
 - Change patch icons
 - Transpose the pitch of incoming notes for a patch
 - Change the tuning for a patch
 - Add text notes to a patch
 
 
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- Overview of channel strips
 - Add a channel strip
 - Change a channel strip setting
 - Configure channel strip components
 - Show signal flow channel strips
 - Hide the metronome channel strip
 - Create an alias of a channel strip
 - Add a patch bus
 - Set channel strip pan or balance positions
 - Set channel strip volume levels
 - Mute and solo channel strips
 - Use multiple instrument outputs
 - Use external MIDI instruments
 - Reorganize channel strips
 - Delete channel strips
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- Overview of the Channel Strip Inspector
 - Choose channel strip settings
 - Rename channel strips
 - Change channel strip colors
 - Change channel strip icons
 - Use feedback protection with channel strips
 - Set keyboard input for a software instrument channel strip
 - Transpose individual software instruments
 - Filter MIDI messages
 - Scale channel strip velocity
 - Set channel strips to ignore Hermode tuning
 - Override concert- and set-level key ranges
 - Add text notes to a channel strip in the Channel Strip Inspector
 
 
 - Route audio via send effects
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- Screen Control Inspector overview
 - Replace parameter labels
 - Choose custom colors for screen controls
 - Change background or grouped screen control appearance
 - Set screen controls to show the hardware value
 - Set parameter change behavior for screen controls
 - Set hardware matching behavior for screen controls
 - Reset and compare changes to a patch
 - Override concert- and set-level mappings
 
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- Overview of mapping screen controls
 - Map to channel strip and plug-in parameters
 - Map screen controls to actions
 - Map a screen control to multiple parameters
 - Use screen controls to display PDF document pages
 - Edit the saved value for a mapped parameter
 - Set drum pads or buttons to use note velocity
 - Map screen controls to all channel strips in a patch
 - Undo screen control parameter mappings
 - Remove screen control mappings
 
 - Work with graphs
 - Create controller transforms
 - Share patches and sets between concerts
 - Record the audio output of a concert
 
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- Overview of concerts
 - Create a concert
 - Open and close concerts
 - Save concerts
 - How saving affects parameter values
 - Clean up concerts
 - Consolidate assets in a concert
 - Rename the current concert
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- Overview of the Concert Settings Inspector
 - Set MIDI Routing to channel strips
 - Transpose incoming note pitch for a concert
 - Define the program change message source
 - Send unused program changes to channel strips
 - Set the time signature for a concert
 - Change the tuning for a concert
 - Set the pan law for a concert
 - Add text notes to a concert
 
 - Control the metronome
 - Silence MIDI notes
 - Mute audio output
 
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- Layout mode overview
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- Screen control parameter editing overview
 - Lift and stamp screen control parameters
 - Reset screen control parameters
 - Common screen control parameters
 - Keyboard screen control parameters
 - MIDI activity screen control parameters
 - Drum pad screen control parameters
 - Waveform screen control parameters
 - Selector screen control parameters
 - Text screen control parameters
 - Background screen control parameters
 
 - How MainStage passes through MIDI messages
 - Export and import layouts
 - Change the aspect ratio of a layout
 
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- Before performing live
 - Use Perform mode
 - Screen controls in performance
 - Tempo changes during performance
 - Tips for performing with keyboard controllers
 - Tips for performing with guitars and other instruments
 - Tune guitars and other instruments with the Tuner
 - The Playback plug-in in performance
 - Record your performances
 - After the performance
 - Tips for complex hardware setups
 
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- Overview of keyboard shortcuts and command sets
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- Concerts and layouts keyboard shortcuts
 - Patches and sets (Edit mode) keyboard shortcuts
 - Editing keyboard shortcuts
 - Actions keyboard shortcuts
 - Parameter mapping (Edit mode) keyboard shortcuts
 - Channel strips (Edit mode) keyboard shortcuts
 - Screen controls (Layout mode) keyboard shortcuts
 - Perform in Full Screen keyboard shortcuts
 - Window and view keyboard shortcuts
 - Help and support keyboard shortcuts
 
 
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- Use MIDI plug-ins
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- Arpeggiator overview
 - Arpeggiator control parameters
 - Note order parameters overview
 - Note order variations
 - Note order inversions
 - Arpeggiator pattern parameters overview
 - Use Live mode
 - Use Grid mode
 - Arpeggiator options parameters
 - Arpeggiator keyboard parameters
 - Use keyboard parameters
 - Assign controllers
 
 - Modifier controls
 - Note Repeater controls
 - Randomizer controls
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- Use Scripter
 - Use the Script Editor
 - Scripter API overview
 - MIDI processing functions overview
 - HandleMIDI function
 - ProcessMIDI function
 - GetParameter function
 - SetParameter function
 - ParameterChanged function
 - Reset function
 - JavaScript objects overview
 - Use the JavaScript Event object
 - Use the JavaScript TimingInfo object
 - Use the Trace object
 - Use the MIDI event beatPos property
 - Use the JavaScript MIDI object
 - Create Scripter controls
 
 - Transposer controls
 
 
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- Alchemy overview
 - Alchemy interface overview
 - Alchemy Name bar
 - Alchemy file locations
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- Alchemy source overview
 - Source master controls
 - Import browser
 - Source subpage controls
 - Source filter controls
 - Source filter use tips
 - Source elements overview
 - Additive element controls
 - Additive element effects
 - Spectral element controls
 - Spectral element effects
 - Pitch correction controls
 - Formant filter controls
 - Granular element controls
 - Sampler element controls
 - VA element controls
 - Wide unison mode
 - Source modulations
 - Morph controls
 
 - Alchemy master voice section
 - Alchemy Extended parameters
 
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- Playback plug-in overview
 - Add a Playback plug-in
 - Playback interface
 - Use the Playback waveform display
 - Playback transport and function buttons
 - Playback information display
 - Playback Sync, Snap To, and Play From parameters
 - Use the Playback group functions
 - Use the Playback Action menu and File field
 - Use markers with the Playback plug-in
 
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- Sample Alchemy overview
 - Interface overview
 - Add source material
 - Edit mode
 - Play modes
 - Source overview
 - Synthesis modes
 - Granular controls
 - Additive effects
 - Additive effect controls
 - Spectral effect
 - Spectral effect controls
 - Filter module
 - Lowpass, bandpass, and highpass filters
 - Comb PM filter
 - Downsampler filter
 - FM filter
 - Envelope generators
 - Mod Matrix
 - Modulation routing
 - Motion mode
 - Trim mode
 - More menu
 
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- Sculpture overview
 - Sculpture interface
 - Global parameters
 - Amplitude envelope parameters
 - Use the Waveshaper
 - Filter parameters
 - Output parameters
 - Define MIDI controllers
 - Extended parameters
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 - Studio Piano
 
 - Copyright
 

Match EQ parameters in MainStage
Match EQ offers the parameters described in this section.

Match EQ parameters
Fade Extremes checkbox: Select to set an automatic high cut and low cut threshold. Matching signals above or below these thresholds are slowly faded to zero.
Main display: Displays the filter curve created by matching the template to the current material. You can also edit the filter curve directly (see Edit the Match EQ filter curve).
Scale display: Drag the scale to set the 0 dB reference line and scaling in the main display.
Mode buttons: Set the information shown in the graphic display. Choices are:
Current: Displays the frequency curve for the audio learned as current material. This is shown in green.
Reference: Displays the learned frequency curve template for the source file. This is shown in purple.
EQ Curve: Displays the filter curve created by matching the template and the current material. This is shown in yellow.
Action menu: Choose and execute commands from the Current or Reference Action menu.
Clear: Clears the Current Material Spectrum or Reference Spectrum.
Copy: Copies the Current Material Spectrum or Reference Spectrum to the Clipboard.
Paste: Pastes the Current Material Spectrum or Reference Spectrum from the Clipboard.
Load: Loads the Current Material Spectrum or Reference Spectrum from a setting file.
Generate: Creates a Current Material Spectrum or Reference Spectrum from an audio file.
Current Learn button: Start or stop the process of learning the frequency spectrum of the project you want to match with the source file or input.
Reference Learn button: Start or stop the process of learning the frequency spectrum of the source file or input.
EQ Curve Match button: Match the frequency spectrum of the current material to that of the template (source) file.
Analyzer button: Turn the Analyzer on or off. Play the audio signal and watch the graphic display to identify peaks and low level parts of the frequency spectrum.
Pre/Post button: Choose whether the Analyzer looks at the signal before (Pre) or after (Post) the filter curve is applied.
Smoothing slider and field: Set the amount of smoothing for the filter curve, using a constant bandwidth set in semitone steps. A value of 0.0 has no impact on the filter curve. A value of 1.0 means a smoothing bandwidth of one semitone. A value of 4.0 means a smoothing bandwidth of four semitones (a major third). A value of 12.0 means a smoothing bandwidth of one octave, and so on.
Note: Smoothing has no effect on any manual changes you make to the filter curve.
Channel pop-up menu: Click to determine if separate curves are displayed by the Analyzer. Choose L&R for stereo, or an individual L or R channel. Changes to the filter curve affect the chosen channel if a single channel is selected.
Note: The Hide Others and Channel Link parameters are disabled when you use the effect on a mono channel.
Hide Others checkbox: Hide or show other channels when an individual channel is chosen in the Channel pop-up menu. The visible impact of this parameter is directly tied to the Channel Link slider value.
Note: The Hide Others parameter is disabled when you use the effect on a mono channel.
Channel Link slider and field: Refine settings made with the Channel pop-up menu.
When set to 100%, all channels are represented by a common EQ curve.
When set to 0%, a separate filter curve is displayed for each channel (chosen with the Channel pop-up menu).
Settings between 0 and 100% blend these values with your filter curve changes for each channel. This results in a hybrid curve.
Note: The Channel Link parameter is disabled when you use the effect on a mono channel.
Phase pop-up menu: Choose the operational principle of the filter curve.
Linear: Prevents processing from altering the signal phase, but latency is higher.
Minimal: Alters the signal phase (slightly), but latency is reduced.
Minimal, Zero Latency: Adds no latency, but has a higher CPU overhead than the other options.
Apply slider and field: Determine the impact of the filter curve on the signal.
Values above 100% magnify the effect.
Values below 100% reduce it.
Negative values (−1% to −100%) invert the peaks and troughs in the filter curve.
A value of 100% has no impact on the filter curve.