Final Cut Studio 2: Soundtrack Pro 2.0 - Technical Specifications

Final Cut Studio 2 - Part Numbers

Retail

MA886Z/A

Upgrade from Final Cut Pro

MA887Z/A

Academic

MA886Z/A

Additional Information

Minimum Requirements to Install All Final Cut Pro 6

  • A Macintosh computer with a 1.25GHz or faster PowerPC G4, PowerPC G5, Intel Core Duo, or Intel Xeon processor

  • 1GB of RAM

  • An AGP or PCI Express Quartz Extreme graphics card (Final Cut Studio is not compatible with integrated Intel graphics processors)

  • A display with 1024-by-768 resolution or higher

  • Mac OS X v10.4.9 or Mac OS X v10.5.5 or later

  • QuickTime 7.1.6 or later

  • A DVD drive for installation

Available Disk Space

  • 4GB of disk space required to install all applications (Final Cut Pro, Color, DVD Studio Pro, Soundtrack Pro 2.0, Motion, Cinema Tools, LiveType, Compressor, and Apple Qmaster)

  • Additional 55GB required to install all optional templates, content, and tutorials (may be installed on separate disks):

  • 9GB for DVD Studio Pro content

  • 8GB for Motion templates and tutorial media

  • 24GB for Soundtrack Pro audio content

  • 12GB for LiveFonts and LiveType animated elements and templates

  • 2GB for Apple Pro Training Final Cut Studio Tutorials media

Recommended Configurations

The following are recommended for all applications:

  • 2GB of RAM when working with compressed HD and uncompressed SD sources

  • 4GB of RAM when working with uncompressed HD sources

  • A display with 1280 x 1024 resolution or higher

  • 4 GB of hard disc space is required to install all of the Final Cut Studio 2 applications

  • An additional 55 GB of hard disc space is required to install all optional templates, content, and tutorials (may be installed on separate discs):

  • 9 GB for DVD Studio Pro content

  • 8 GB for Motion templates and tutorial media

  • 24 GB for Soundtrack Pro audio content

  • 12 GB for LiveFonts and LiveType animated elements and templates

  • 2 GB for Apple Pro Training Final Cut Studio Tutorials media

Soundtrack Pro 2.0-Specific Requirements

  • For 51. surround monitoring of multichannel audio content: an audio interface with a minimum of six outputs

  • for multitrack recording: an audio interface with multiple inputs

*Some features require additional hardware. Capturing HD resolution video using the ProRes 422 format requires a Mac Pro with an Intel Xeon processor or a G5 Quad computer and a qualified third-party capture card. DV, DVCPRO 50, and DVCPRO HD output requires a FireWire-enabled camera or deck. SD output via FireWire requires an AJA Io. Please contact your Apple Authorized Reseller for information.

Soundtrack Pro 2.0

Precise Audio Control

  • Nondestructive, sample-accurate editing of audio files

  • Support for up to 24-channel files, including mono, stereo, and surround

  • Action-based editing to modify, reorder, suspend, or delete any audio edit, plug-in, or process

  • Audio Effects and Audio Units plug-ins can be applied to supported audio files as Actions

  • Audio Effects and Audio Units plug-ins can be applied to supported audio files as real-time effect chains

  • Real-time effects applied to audio files can be rendered to Actions

  • Intelligent analysis, repair, and restoration functions for:

    • Clicks and pops

    • Power line hum

    • DC offset

    • Phase

    • Clipped signal

  • Integrated multichannel file editor

  • Audio time stretching without affecting pitch

  • Ambient Noise Print to quickly replace unwanted noises from location recordings

  • Background Noise Removal including noise print

  • Sample ruler units in sample value, normalized, percent, and decibel view

  • Snapping to ruler ticks, zero crossings, markers, and adjacent clips

  • Support for bit depths up to 32-bit float

  • Support for sample rates from 2kHz to 192kHz

  • Support for AIFF, WAV, MP3, CAF, BWF, SDII, NeXT, QuickTime, and STAP (Soundtrack Audio Project) file playback

  • Saves files nondestructively as STAP files or destructively as AIFF, WAV, SDII, QuickTime, CAF, or NeXT

  • Export mixes as AIFF, WAV, NeXT, SDII, MP3, AAC/Podcast, Dolby Digital Professional (AC-3), or use Compressor for additional file support

  • Selection history

  • Waveform and customizable frequency spectrum views with linear and logarithmic display

  • Frequency selection and editing in frequency spectrum view

  • Animated waveform feedback

  • Mini-waveform view

Advanced Sound Design

  • Processes including:

    • Fade in/Fade out

    • Normalize

    • Amplitude adjust

    • Silence

    • Invert

    • Swap channels

    • Mono conversion

    • Channel reordering

    • Resample

    • Generate silence, white noise, pink noise, sine wave, sawtooth wave, square wave, or triangle wave

  • Support for Audio Units plug-ins

  • Audio Units presets available to all Audio Units-compatible applications

  • More than 6000 sound effects, music beds, and music loops, including over 1000 in surround

  • Powerful media search engine

  • Support for Apple Loops, AIFF, WAV, MP3, AAC, CAF, and ACID sound and music libraries

Advanced Take Management

  • Multitake recording with take editing in Multitake Editor

  • Multitake Editor allows comps of multitake recordings and other audio files

  • Combine individual phrases from different takes

  • Automatic customizable crossfade between phrases

  • Single-click take selection

  • Adjustable transition boundaries for multitake comps

  • Final comp functions as stand-alone clip while retaining access to all takes

  • Slide phrases within edit boundaries

Professional Multitrack Audio Editing

  • Single window with customizable tab panes

  • Customizable window layouts

  • Dynamic tab panes with quick show/hide functionality

  • Resizable video window tab

  • Multitrack Timeline with tracks, busses, submixes, and master in mono, stereo, or surround

  • Multiple multitrack and audio file projects open at once

  • Mixed sample rates supported in multitrack projects

  • Time- or beat-based tracks

  • Ruler in HH:MM:SS, seconds, samples, frames, drop frame, non-drop frame, beats

  • Loop clip transposition

  • Loop clip speed adjustments (quadruple, double, normal, half, quarter)

  • Adjustable automatic and manual crossfades

  • Fade selector for customizing fade in, fade out, and crossfades

  • Tape style and sample repeat scrubbing

  • Rolling edit tool

  • Native and custom timecode spotting

  • Multitrack recording of mono, stereo, and multichannel files

  • Lift and stamp tool to selectively copy plug-in sets from one clip to another

  • Lift and stamp effect sets can be saved as presets

  • Lift and stamp EQ matches the EQ characteristics of one clip to another

  • Automation parameters can move with clips or lock to absolute time

  • Pull up/pull down of audio and video to all common standards

  • Customizable clip and track colors

  • Clip locking in multitrack

  • Clip disabling in multitrack

  • Momentary mono switch

  • Automatable master tempo, master volume, master effects, and key

  • Automation of most mix and effect parameters with read, touch, and latch modes

  • Pre- and post-fader send busses for application of common effect plug-ins to multiple tracks

  • Output bussing for single fader control of multiple tracks

  • Support for multichannel audio output devices

  • Time, duration, podcast, beat, and end-of-project markers

  • Powerful browser for locating content quickly

  • Multipoint Video HUD

  • Tool HUD

  • Timecode HUD

  • Numeric Clip offset

  • Bin with access to multiple projects, media files, markers, and clips

  • Spotlight-style searching in Bin

Surround and Stereo Mixing

  • Discrete 5.1 mixing, bussing, and routing

  • Console-style Mixer with full stereo and surround meters on every track, buss, submix, and master

  • Surround panning of mono, stereo, and surround audio files

  • Mono, stereo, and surround files can be combined on same track

  • Support for multichannel surround files

  • Surround Panner HUD with automatable controls for rotation, width, collapse, center bias, LFE balance, and individual speaker disabling

  • Surround and stereo panner automation data simultaneously available on each track

  • Automatic surround to stereo Dolby-standard downmix

  • Support for true surround and multi-mono effects

  • Over 1000 royalty-free surround sound effects and music tracks

  • Control surface support (Mackie Control Protocol)

Surround and Stereo Mixing

  • Discrete 5.1 mixing, bussing, and routing

  • Console-style Mixer with full stereo and surround meters on every track, buss, submix, and master

  • Surround panning of mono, stereo, and surround audio files

  • Mono, stereo, and surround files can be combined on same track

  • Support for multichannel surround files

  • Surround Panner HUD with automatable controls for rotation, width, collapse, center bias, LFE balance, and individual speaker disabling

  • Surround and stereo panner automation data simultaneously available on each track

  • Automatic surround to stereo Dolby-standard downmix

  • Support for true surround and multi-mono effects

  • Over 1000 royalty-free surround sound effects and music tracks

  • Control surface support (Mackie Control Protocol)

Integrated Workflow

  • AppleScript scriptable (executable from Soundtrack Pro, Final Cut Pro 6, or as AppleScript droplets for batch processing)

  • Automator actions for creation of complex multiapplication workflows in Mac OS X v10.4 or later

  • Support for video formats up to HD resolutions

  • Integrated video tab

  • Output to SD and HD1 video monitors (via FireWire or PCI card)

  • HD1 or SD output using Digital Cinema Desktop2 to second Apple Cinema Display

  • Send and receive MIDI timecode and beat clock for synchronization with hardware and software

  • Integration with Final Cut Pro 6, DVD Studio Pro 4, and Motion 3

  • Round-trip audio file editing with Final Cut Pro 6 and Motion 3

  • Support for Final Cut Pro 6 scoring markers

  • Conform tab to conform audio edit to new Final Cut Pro 6 edits

  • Conform visual interface for highlighting changed areas

  • Accept or reject changes across entire project or selectively on a change-by-change basis

  • Podcast track to create audio-only, enhanced audio, or video podcasts

  • Support for chapter, artwork, and URL markers in video and audio podcasts

  • Export presets and customizable post-export scripts

  • OMF import

  • AAF import and export

Included Effects

TS = True surround

  • Dynamics

    • Adaptive Limiter

    • Compressor

    • DeEsser

    • Expander

    • Limiter TS

    • Multichannel Gain TS

    • Multipressor

    • Noise Gate

    • Surround Compressor TS

  • Distortion

    • Bitcrusher

    • Clip Distortion

    • Distortion

    • Distortion II

    • Exciter

    • Overdrive

    • Phase Distortion

  • EQ and Filter

    • AutoFilter

    • Channel EQ

    • Fat EQ

    • High Cut

    • High Pass Filter

    • High Shelving EQ

    • Linear Phase EQ

    • Low Cut

    • Low Pass Filter

    • Low Shelving EQ

    • Match EQ TS

    • Parametric EQ

    • Soundtrack Pro AutoFilter

  • Modulation

    • Chorus

    • Ensemble TS

    • Flanger

    • Modulation Delay

    • Phaser

    • Scanner Vibrato

    • Tremolo TS

  • Reverb/Delay

    • PlatinumVerb

    • Soundtrack Pro Reverb

    • Space Designer TS

    • Stereo Delay

    • Tape Delay

  • Metrics and Diagnostics

    • Correlation Meter

    • Multi Meter TS

    • Test Oscillator

    • TunerTS

  • Miscellaneous

    • Direction Mixer

    • Enveloper

    • Gain

    • Pitch Shifter II

    • Ringshifter

    • Spectral Gate

    • Stereo Spread

    • SubBass

    • Vocal Transformer

  1. HD requires a Power Mac with 1GHz or faster single or dual processors and 1GB of RAM or any Intel-based Macintosh with a minimum of 1GB of RAM.

  2. Digital Cinema Desktop requires a dual-port AGP card with second display.

Published Date: