Logic Pro User Guide for iPad
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        - What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
- Undo and redo edits in Logic Pro for iPad
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        - Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
 
- Start a Logic Pro subscription
- How to get help
 
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        - Intro to recording
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        - Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Route MIDI internally to software instrument tracks
 
- Record with Low Latency Monitoring mode
- Use the metronome
- Use the count-in
 
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        - Intro to arranging
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        - Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Normalize audio regions in the Tracks area in Logic Pro for iPad
- Create regions in the Tracks area
- Convert a MIDI region to a Session Player region or a pattern region
- Replace a MIDI region with a Session Player region in Logic Pro for iPad
- Rename regions
- Change the color of regions
- Delete regions
 
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        - Intro to chords
- Add and delete chords
- Select chords
- Cut, copy, and paste chords
- Move and resize chords
- Loop chords on the Chord track
- Color chords on the Chord track
- Edit chords
- Work with chord groups
- Use chord progressions
- Change the chord rhythm
- Choose which chords a Session Player region follows
- Analyze the key signature of a range of chords
 
- Create fades on audio regions
- Extract vocal and instrumental stems with Stem Splitter
- Access mixing functions using the Fader
 
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        - Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
 
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        - Intro to mixing
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        - Channel strip types
- Channel strip controls
- Peak level display and clipping
- Set channel strip volume
- Set channel strip input format
- Set the output for a channel strip
- Set channel strip pan position
- Mute and solo channel strips
- Reorder channel strips in the Mixer in Logic Pro for iPad
- Replace a patch on a channel strip using drag and drop
 
- Work with plug-ins in the Mixer
- Search for plug-ins in the Mixer in Logic Pro for iPad
 
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        - Effect plug-ins overview
 
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        - Instrument plug-ins overview
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        - ES2 overview
- Interface overview
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        - Modulation overview
- Use the Mod Pad
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        - Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope point transition shapes
- Vector Envelope release phase behavior
- Use Vector Envelope time scaling
 
- Modulation source reference
- Via modulation source reference
 
 
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        - Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low, bandpass, and highpass filters
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
 
- Sampler
- Studio Piano
 
- Copyright
Use the ES1 modulation envelope in Logic Pro for iPad
The modulation envelope can directly modulate a chosen parameter. It controls the time it takes for the modulation to fade in or fade out. At its center position (Off), modulation intensity is static—no fade-in or fade-out occurs. When set to its full value, modulation intensity is at a constant level.
The modulation envelope allows you to set either a percussive type of decay envelope by choosing low values or an attack type of envelope by choosing high values.

Modulation envelope parameters
- Time slider and field: Set a fade-in (attack) or fade-out (decay) time for the modulation. Drag upward to set a fade-in. Drag downward to set a fade-out. When set to the center position (Off), the modulation envelope fade is turned off. 
- Destination pop-up menu: Choose a modulation target for the modulation envelope. - Pitch: Modulate the pitch—the frequency—of the oscillators. 
- PW: Modulate the pulse width of the pulse wave. 
- Mix: Modulate the mix between the primary oscillator and the sub-oscillator. 
- Cutoff: Modulate the cutoff frequency of the filter. 
- Res.: Modulate the resonance of the filter. 
- VCA: Modulate the main volume. 
- FM: Use the triangle waveform to modulate filter cutoff frequency. This modulation can result in a pseudo-distortion of the sound, or it can create metallic, FM-style sounds. The latter occurs when the only signal you can hear is the self-oscillation of the resonating filter. 
- LFO: Modulate the overall amount of LFO modulation. 
 
- Vel Min/Max sliders and fields: Set the upper modulation envelope limit for the hardest keystrike (velocity=127) with the Max slider. The Min slider sets the lower limit for the softest keystrike (velocity=1). The distance between the sliders indicates the range of velocity values that alter the intensity of the modulation envelope. 
Modulate a parameter with velocity
- In Logic Pro, select a modulation target, such as PW (Pulse Width), from the Destination pop-up menu. 
- Set the Time slider to the center (Off) position, and adjust the Vel Min/Max sliders as needed. - This results in a velocity-sensitive modulation of the oscillator pulse width. - More interestingly, you can directly control the LFO level if you choose LFO in the Destination pop-up menu. 
Fade the LFO modulation in or out
- In Logic Pro, drag the Time slider upward to fade in the LFO modulation. The higher the value, the longer it takes for you to hear the modulation. 
- Drag the Time slider downward to fade out the LFO modulation. The lower the value, the shorter the fade-out time is. - LFO control with envelopes is most often used for delayed vibrato, a technique many instrumentalists and singers employ to intonate longer notes. 
Set up a delayed vibrato
- In Logic Pro, drag the Time slider upward. 
- Select Pitch as the LFO target in the Destination pop-up menu. 
- In the LFO section, use the Wave knob to select the triangular wave as the LFO waveform. 
- Set the (LFO) Rate knob to a rate of about 5 Hz. 
- Set the (LFO) Wheel Max slider to a low value, and the (LFO) Wheel Min slider to zero. 
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