Final Cut Studio 2: Final Cut Pro 6 - Technical Specifications
| Final Cut Studio 2 - Part Numbers | |
| Retail | MA886Z/A | 
| Upgrade from Final Cut Pro | MA887Z/A | 
| Academic | MA886Z/A | 
Additional Information
Minimum Requirements to Install All Final Cut Studio Applications
- A Macintosh computer with a 1.25GHz or faster PowerPC G4, PowerPC G5, Intel Core Duo, or Intel Xeon processor 
- 1GB of RAM 
- An AGP or PCI Express Quartz Extreme graphics card (Final Cut Studio is not compatible with integrated Intel graphics processors) 
- A display with 1024-by-768 resolution or higher 
- Mac OS X v10.4.9 or Mac OS X v10.5.5 or later 
- QuickTime 7.1.6 or later 
- A DVD drive for installation 
Available Disk Space
- 4GB of disk space required to install all applications (Final Cut Pro, Color, DVD Studio Pro, Soundtrack Pro, Motion, Cinema Tools, LiveType, Compressor, and Apple Qmaster) 
- Additional 55GB required to install all optional templates, content, and tutorials (may be installed on separate disks): 
- 9GB for DVD Studio Pro content 
- 8GB for Motion templates and tutorial media 
- 24GB for Soundtrack Pro audio content 
- 12GB for LiveFonts and LiveType animated elements and templates 
- 2GB for Apple Pro Training Final Cut Studio Tutorials media 
Recommended Configurations
The following are recommended for all applications:
- 2GB of RAM when working with compressed HD and uncompressed SD sources 
- 4GB of RAM when working with uncompressed HD sources 
- A display with 1280 x 1024 resolution or higher 
- 4 GB of hard disc space is required to install all of the Final Cut Studio 2 applications 
- An additional 55 GB of hard disc space is required to install all optional templates, content, and tutorials (may be installed on separate discs): - 9 GB for DVD Studio Pro content 
- 8 GB for Motion templates and tutorial media 
- 24 GB for Soundtrack Pro audio content 
- 12 GB for LiveFonts and LiveType animated elements and templates 
- 2 GB for Apple Pro Training Final Cut Studio Tutorials media 
 
Final Cut Pro 6 - Technical Specifications
Editing and Timeline
- Mix frame sizes, frame rates, and formats in the same Timeline in real time 
- Edit at 23.976, true 24, 25, 29.97, 30, 50, or 60 fps 
- Multicam editing of up to 128 sources with real-time playback of up to 16 angles 
- Source/Record three-point editing model 
- Insert and overwrite with or without transitions 
- Replace, fit to fill, and superimpose edits 
- Edit overlay for drag-and-drop editing 
- Blade and Blade All tools for adding edits 
- Extend and split edits 
- Sync indicators in Timeline 
- Adjacent (through edit) indicators in Timeline 
- Dupe detection in Timeline 
- Keyframe graphs 
- Track targeting 
- Track locking 
- Auto Select tools 
Trimming
- Ripple 
- Roll 
- Slip and slide 
- Lift and ripple delete 
- Asymmetric, multitrack trimming 
- Dynamic trimming 
- JKL trimming 
- Trim window 
- Timeline trimming 
- Keyboard and numeric trimming 
Effects
- FxPlug support 
- Real-time software-based audio normalization 
- RT Extreme for scalable software-based, multistream real-time effects in DV, SD, and HD formats 
- Real-time effects playback on main display and on NTSC/PAL or HD monitor with perfect synchronization 
- Dynamic RT for automatically adjusting playback quality and/or frame rate based on hardware capabilities 
- Motion integration for motion graphics work 
- Shake integration for visual effects work 
- 8-bit, 10-bit, and HDR (32-bit floating point) image processing 
- Time Remap tool 
- Keyframe graphs and editing in Viewer or Timeline 
- More than 200 transitions, effects, and filters 
- Unlimited effects favorites 
- Copy and paste motion and effect attributes 
- Unlimited layers with support for nesting 
- Bezier curves with movable motion paths 
- Numeric control and keyframe capabilities for precise animation and effects 
- 2D and 3D titles with Boris Calligraphy 
- Animated titles, lower thirds, and graphics with LiveType 
- Composite and transfer modes 
- Import multilayered Photoshop files with layers and alpha support 
- Support for many third-party After Effects plug-ins (PowerPC only) 
- FXScript and FXBuilder for designing custom filters and effects 
- Digital Cinema Desktop for real-time SD and HD preview playback on an attached Apple Cinema Display 
Tools
- High-quality real-time video vectorscopes and waveform monitors 
- Multitrack Audio Mixer 
- Keyboard and user interface customization tool 
- Voice Over tool for adding narration directly to Timeline 
- Frame Viewer for shot comparisons 
- Source timecode overlays in Viewer and Canvas 
- QuickView for RAM-based previews of complex multilayered sequences 
LiveType
- LiveFonts animated fonts 
- Customizable text effects and project templates 
- Royalty-free animated content library 
- Keyframe animation 
- Real-time wireframe preview 
- Canvas RAM preview 
- Import wide variety of formats 
- Resolution independent and scalable 
- Individual character control 
- Unicode system font support 
- Animation for rolls and crawls 
- Type on a curve 
- FontMaker utility for creating custom LiveFonts 
Audio
- Subframe audio keyframing to 1/100th of a frame 
- Real-time audio filter adjustments during playback 
- Multichannel audio with support for up to 24 channels in and out 
- OMF audio export 
- Onscreen multitrack mixing console 
- External control surface support 
- Soundtrack Pro integration for audio mixing and sound design 
- Real-time fader automation 
- Variable keyframe thinning 
- Real-time audio filters and effects 
- Sampling at 8kHz to 96kHz and 8 to 24 bits 
- Audio level meters (per track) 
- Mac OS X Audio Units plug-in support 
- Pan controls 
- Mute and solo controls 
- Audio waveform display in Timeline 
- Logarithmic audio fades 
- Scrubbing with or without pitch shifting 
- More than 25 audio filters 
Color Correction
- Send to Color 
- Primary (three-way) color corrector 
- Secondary (two-way) color corrector 
- Image control filters 
- 4- and 8-point garbage mattes 
- Real-time, hardware-accurate waveform monitor and vectorscopes 
- Broadcast-safe filter 
- Range-checking zebra stripe overlays 
Application
- Full Unicode support 
- Dynamic window resizing 
- Mode-free interface for workflow efficiency 
- Multiple sequences and projects open simultaneously 
- Up to 99 levels of undo 
- 99 audio and 99 video tracks with support for nesting sequences together 
- System and user preferences 
- Easy Setups for quick configuration 
- Customizable keyboard 
- Customizable real-time effects settings 
- Customizable render settings 
- Customizable window arrangements 
- Customizable user interface buttons 
- Customizable Browser layouts 
- Customizable track layouts 
- External editor support (helper applications) 
- Create Support Profile command for improved AppleCare support 
Film
- Cinema Tools 4 included 
- Create PDF and export XML film lists 
- Include timecode and keycode in the same list 
- Support for 35mm 3-perf, 35mm 4-perf, and 16mm-20 
- Comprehensive, integrated film management tools 
- View feet and frames in Timeline 
- View keycode and ink number overlays on video in Final Cut Pro 
- Film data information in Final Cut Pro Browser 
- 24-fps EDL I/O 
- 24-fps EDL conversion to and from 29.97 fps 
- Import ALE, ATN, FLX, and FTL files in both Cinema Tools and Final Cut Pro 
- Track key numbers, ink numbers, video and audio timecode 
- Output the following lists: - Cut list 
- Change list 
- Optical list 
- Pull list 
- Dupe list 
- Missing elements list 
- Audio EDL 
 
- Link media to database 
- Synchronize database with Final Cut Pro 
- View film data directly in Final Cut Pro 
- Search and sort 
- Poster frame capability 
- Conform clips to specified frame rate 
- Reverse telecine function in either Cinema Tools or Final Cut Pro 
- Export ALE files 
- Import and export Final Cut Pro batch lists 
Supported Formats and I/O*
- Apple ProRes 422 and Apple ProRes 422 (HQ), an 8- or 10-bit, full-resolution VBR format that supports all major frame sizes and frame rates at target bit rates of 145 Mbps and 220 Mbps 
- 5.1 surround sound monitoring 
- Broadcast Wave Format with drop and non-drop frame timecode options 
- Native editing for DV, DVCAM, DVCPRO, DVCPRO 50, and DVCPRO HD 
- Native long GOP MPEG-2 editing for HDV, including 1080i 50/60, 1080p 24/25/30, 720p 24/25/30/50/60 
- Native long GOP MPEG-2 editing for XDCAM EX at 720p 24/25/30/50/60, 1080i 50/60, 1080p24/25/30 
- AVCHD and AVC-Intra editing support using ProRes (requires a Mac computer with an Intel processor) 
- Support for XDCAM HD at 1080i 50/60/VFR and 1080p 24/25/30/VFR with free Sony software 
- Support for Sony XDCAM HD 422 1080i 50/60, 1080p 24/25/30, 720p50/60 
- Native 25-Mbps CBR, 18- and 35-Mbps VBR MPEG HD for XDCAM HD 
- Native editing for IMX at 30, 40, and 50 Mbps for SD 
- Native editing for P2 at 1080i 50/60/VFR and 720p 24/24N/25/25N/30/VFR from P2 cards 
- 1080pA 24 (Advanced Pulldown) supported via FireWire from AJ-HD1200A and AJ-HD1400 
- P2 import dialog with browse, mark, and background ingest 
- IMX ingest and output supported with optional third-party software 
- Uncompressed 8- and 10-bit HD (4:2:2 YUV) via PCI card 
- Uncompressed 8- and 10-bit SD (4:2:2 YUV) via FireWire or a PCI card 
- Apple Intermediate Codec 
- OfflineRT Photo-JPEG codec 
- HD at 1080i 50/60, 1080p 23.98/24/25, and 720p 24/25/30/50/60 
- Pulldown tools for telecine insertion and removal 
- 25 fps @24 fps conversion 
- Frame-accurate log and captures 
- Frame-accurate edit-to-tape 
- Serial device control (RS-422, RS-232) 
- FireWire device control 
- Log and capture tool with support for batch, clip, and on-the-fly capturing 
- Still images: PSD, BMP, JPEG, PICT, PNG, SGI, TARGA, TIFF 
- Insert and assemble editing to tape 
- Compressor for encoding, format conversions, and batch processing 
Media Management
- Export OMF with volume and pan metadata 
- Media management tools 
- Render file manager 
- Extensive search, sort, and sift capabilities in Browser 
- Rename Clips to match Media and vice versa 
- Maintain Master clips across multiple projects 
- Clip labels 
- Custom comment fields 
- Integrated film database with Cinema Tools 4 
- Master and affiliate clips 
- Move, copy, and transcode items at sequence or project level 
- Consolidate, trim, or archive 
- Online with automatic reconnect and batch capture capabilities 
- EDL I/O 
- Autosave Vault 
- XML interchange format for custom integration work 
- Batch export 
- Compressor integration 
*Some features require additional hardware. Capturing HD resolution video using the ProRes 422 format requires a Mac Pro with an Intel Xeon processor or a G5 Quad computer and a qualified third-party capture card. DV, DVCPRO 50, and DVCPRO HD output requires a FireWire-enabled camera or deck. SD output via FireWire requires an AJA Io. Please contact your Apple Authorized Reseller for information.
- Copy protection requires that you output your project to a replicator. Macrovision requires that users work with a Macrovision-certified replication facility or execute a Macrovision usage agreement. Check with your replicator for costs and minimum quantities