Logic Pro User Guide for iPad
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Route MIDI internally to software instrument tracks
- Record with Low Latency Monitoring mode
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Session Player region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
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- Intro to chords
- Add and delete chords
- Select chords
- Cut, copy, and paste chords
- Move and resize chords
- Loop chords on the Chord track
- Edit chords
- Work with chord groups
- Use chord progressions
- Change the chord rhythm
- Choose which chords a Session Player region follows
- Analyze the key signature of a range of chords
- Create fades on audio regions
- Extract vocal and instrumental stems with Stem Splitter
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
- Use the Mod Pad
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope point transition shapes
- Vector Envelope release phase behavior
- Use Vector Envelope time scaling
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low, bandpass, and highpass filters
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Studio Piano
- Copyright
Sample Alchemy play modes in Logic Pro for iPad
There are five play modes, each providing a different way to play back the sample. You can tap the Classic, Loop, Scrub, Bow, and Arp buttons to determine the play mode.
Classic button: Select Classic mode to play a sample from beginning to end. Sample playback begins from the handle point and finishes at the end of the sample. This mode is great for playing a sample in a conventional manner. In this mode, the first source parameter (Playback Speed) determines the sample playback speed.
Loop button: Select Loop mode to loop between two points within a sample. In this mode, playback starts from the defined start point, playing to the defined loop end position, then skips to the start point and repeats. These positions are set on the sample using the source handle and source handle end point. You can also place the handle after the loop end point to play the sample in reverse, and move the entire audio section between these markers by dragging the bar between the loop start and end points. In this mode, the first source parameter (Loop Speed) determines the sample playback speed. Set the playback speed of each loop on each source independently to create more dynamic sounds. This mode is ideal for manipulating musical phrases and looped, rhythmic material. For instance, it lets you play particular sections of a waveform and repeat them as the basis for a new rhythmic sound.
Scrub button: Select Scrub mode to play the sample at the touch point and in unison with up to four sources. Play the sample at the position you touch on the waveform, or scrub through the waveform as you touch and move source handles. Up to four sources can be heard simultaneously, depending on how many have been turned on. Scrub mode is great for selecting precise points of the sample and playing all sources in unison for VA synthesizer–style sounds or scrubbing through a sample waveform like a tape machine. In this mode, the first source parameter (Scrub Jitter) determines how much random movement is applied to the handle position for playback. This can be useful for creating a unison-like effect.
Bow button: Select Bow mode to play the sample at each handle position with the bow action mechanism used to play stringed instruments. The up-and-down motion of a bow is replicated to play the sample sources. The up motion plays the sample normally, and the down bow plays the sample in reverse. Up to four sources can be heard simultaneously, depending on how many have been turned on. Bow mode is great for selecting precise points of the sample and playing them back and forth in unison. In this mode, the first source parameter (Bow rate) determines the speed of the bow action. The speed of the bow action can also be synced to the tempo of your project using the Sync button.
Arp button: Select Arp mode to generate repeating patterns of notes that trigger different sections of the sample to create intricate sequences based on the notes played in real time or from a MIDI region. In this mode, the first source parameter (Arp Speed) determines the rate of the arpeggiator. The rate of the arpeggiation is automatically synced to the tempo of your project.
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