Final Cut Express 4 - Technical Specifications
Final Cut Express 4 - Part Numbers | |
Retail | MB278Z/A |
Upgrade from Final Cut Pro | MA339Z/A |
Academic | MB279Z/A |
Minimum Hardware Requirements to Install All Final Cut Express Applications
A Mac computer with a 1.25GHz or faster PowerPC G4, PowerPC G5, Intel Core Duo, Intel Core 2 Duo, or Intel Xeon processor
For AVCHD: A Mac computer with an Intel processor
500MB of disk space to install Final Cut Express and LiveType
Additional 500MB to install LiveType content
1GB of RAM or more
An AGP or PCI Express graphics card compatible with Quartz Extreme; or an Intel GMA integrated graphics processor in a MacBook or Mac mini computer
Some FxPlug filters are not compatible with integrated Intel graphics processors.
A display with 1024-by-768 resolution or higher
A DVD drive for installation
Minimum Software Requirements
Mac OS X v10.4.10 or later
QuickTime 7.2 or later
Universal Applications
Final Cut Express 4 and LiveType 2.1 are Universal applications; they run on both PowerPC- and Intel-based Mac computers.
Input and Capture
Plug-and-play support for most DV25-format camcorders and decks: MiniDV and DVCAM (NTSC or PAL)
Plug-and-play support for most HDV-format camcorders and decks: 720p, 1080i
Plug-and-play support for most AVCHD-format camcorders and decks: 720p, 1080i*
FireWire device control of most FireWire-equipped MiniDV camcorders from such leading manufacturers as Sony, Canon, Panasonic, and JVC
Capture window for naming, adding comments to, and organizing clips as they are captured
Log and Transfer window for naming, adding comments to, organizing, and transferring AVCHD clips
Incremental clip naming during capture when a recording break is discovered
Still image importing for PSD, BMP, JPEG, PICT, PNG, SGI, TARGA, and TIFF formats
iMovie ’08 file import with cuts and dissolve transitions
Bins for project file and sequence organization
Clip organization in the Browser using extensive search and sort capabilities
Clip labels for organizing and sorting clips
Master and affiliate clip relationship for automatic update of certain properties of a clip, such as clip name or reel name, within the current project
Up to 32 levels of undo
Editing and Timeline
Mix DV (NTSC and PAL) and HD formats in the same Timeline
Nondestructive editing references original video to prevent alteration of source footage
Editing palette for most-used functions, enabling one-click, pro-style edits
Drag-and-drop editing
Editing in the Timeline
Three-point editing model
99 video tracks with support for nesting sequences
Support for multiple sequences and projects for creating alternative edits or breaking projects into smaller pieces
Insert and overwrite with or without transitions
Replace, fit to fill, and superimpose edits
Blade and Blade All tools for adding edit points to sequences
Extend and split edits for additional editing options
Sync detection and correction to compensate for audio and video tracks that slip out of sync
Active track targeting for specifying individual or multiple tracks to apply edits or protect from editing
Auto Select controls of specific tracks in the Timeline for track content selection via In and Out points in the Timeline or Canvas
Keyframe graphs
Track locking
Timecode or frames in the Timeline
Clip, sequence, scoring, chapter, and compression markers
Clip and sequence marker export to LiveType for titling
Chapter marker export to iDVD
Custom, independent track heights
Autosave Vault for saving projects at specified intervals to prevent accidental loss
Trimming
Ripple, roll, slip, and slide
Asymmetric, multitrack trimming
Dynamic JKL trimming
Trim Edit window
Timeline trimming
Keyboard and numeric trimming
Output
Print to Video command for recording a sequence or clip back to DV or HDV device
Footage looping for multiple outputs on the same tape
Sequence, scoring, chapter, and compression markers
Marker export to DVD Studio Pro for chapter and compression settings
Project export using any QuickTime file format, including MPEG-4, for distribution via email or the web
Digital Cinema Desktop for full-screen, real-time preview playback
Streamlined Workflow
Full Unicode support
Dynamic window resizing
Mode-free interface for workflow efficiency
Simultaneous opening of multiple sequences and projects
99 audio and 99 video tracks with support for nesting tracks together
System and user preferences
Easy Setups for quick configuration
Customizable real-time effects settings
Customizable render settings
Customizable window arrangements
Customizable user interface buttons
Customizable Browser layouts
Customizable track layouts
Custom, independent track heights in the Timeline
Media Management
Extensive search and sort capabilities in the Browser
Clip labels
Custom comment fields
Master and affiliate clips
Move, copy, and transcode capability at sequence or project level
Autosave Vault
Transitions, Filters, and Effects
More than 200 transitions, filters, and effects
Unlimited effects favorites
Over 50 new FxPlug filters and effects from Final Cut Pro
Support for third-party FxPlug filters and effects
Copy and paste capability for motion and effect attributes
Bezier curves for motion paths
Keyframe control of all effects and filters for precise results
Precision numeric controls for effects and animation
RT Extreme for scalable, software-based, multistream real-time effects
Safe and Unlimited RT Extreme modes for customizing performance versus quality tradeoffs
RT Extreme quality settings: low, medium, high. Low setting for maximum simultaneous real-time streams and effects; high setting for full-resolution output for finishing directly to DV or HDV device
Dynamic RT for automatic adjustment of image quality and frame rate on the fly, optimizing playback, and scaling performance as processor power increases
Opacity overlays in the Timeline for adjustable, keyframable opacity
Direct-to-Timeline drag-and-drop integration of Motion projects
Auto Render option
Broadcast-safe filter
2D and 3D titles with Boris Calligraphy
Composite and transfer modes
Titling
Standard and scrolling text generators for creating titles that crawl, scroll, or appear in the lower third of the screen
Option to combine titles with other filters, effects, and compositing for unlimited creative expression
Boris Calligraphy plug-ins for 2D and 3D titles
Non-Latin alphabet characters and symbols with full Unicode support
LiveType 2.1
Animated title and motion graphics creation
Unicode system font support
500MB of royalty-free animated content, including over 50 background textures and objects
Sophisticated project templates
More than 200 customizable text effects
Keyframe animation
Real-time wireframe preview
Canvas RAM preview
Import capability for a wide variety of formats
Independent and scalable resolution
Dynamic individual character control
Animation for rolls and crawls
Type on a curve capability
FontMaker utility for creating custom LiveFonts
Drag-and-drop integration to Final Cut Express 4 Timeline with auto-updating
Compositing
Nesting for virtually unlimited compositing layers for complex video effects
Adobe Photoshop file import, complete with layers for effects and motion graphics
Bezier curves with movable motion paths for animation application and control
Ease in/Ease out motion paths for smooth compositing animations
Time effects, including slow motion with frame blending, for smooth, time-altered playback
Accurate subpixel interpolation rendering for smooth, high-quality effects creation
Composite modes including multiply and lighten
Flicker filter for incorporation of still frames from video
Color Correction
Secondary (two-way) color corrector
Image control filters
Broadcast-safe filter
Correction for flesh tones and other key elements
Color mixing for visual style
Footage matching from different sources for consistency
Error correction in color balance and exposure
Audio
Up to 99 total audio tracks per sequence
More than 25 audio filters, including three-band and parameter equalizer, compressor/limiter, 60/120Hz hum remover, and noise gate for soundtrack quality control
New Soft Normalize and Gain filter
Real-time fader automation
Real-time audio filters and effects
Real-time audio filter adjustments during playback
Subframe audio keyframing to 1/100th of a frame
Sampling at 8kHz to 48kHz and 8 to 24 bits
Audio level meters
Mac OS X Audio Units plug-in support
Pan controls
Mute and solo controls
Audio waveform display in the Timeline
Logarithmic audio fades
Scrubbing with or without pitch shifting
Voice Over tool for adding narration directly to the Timeline
Audio level overlays viewable in the Timeline
No re-rendering required when muted tracks are reactivated