Logic Pro User Guide for iPad
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Drummer region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
- Create fades on audio regions
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope release phase behavior
- Vector Envelope point transition shapes
- Use Vector Envelope time scaling
- Use the Mod Pad
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and Highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Copyright
ES1 amp and output controls in Logic Pro for iPad
The parameters in the ES1 Amplifier section allow you to fine-tune sound level behavior. These are separate from the Out Level parameter, which acts as the ES1 master volume control.
Amp parameters
Mode pop-up menu: Determine how the ADSR envelope generator is used for control of the amplifier envelope. The ES1 amplifier envelope modes affect played notes in different ways.
AR: In this mode, move the Attack and Release sliders of the ADSR envelope to set these portions, or stages, of the sound. Between these stages, a gate control signal maintains a constant level while a note is held. When you release the key, the release stage begins immediately. The Decay and Sustain sliders of the ADSR Envelope have no impact on the sound level.
ADSR: Set this mode to control the level of the sound over time with all ADSR envelope sliders.
R: In this mode, the gate control signal maintains a constant level while a note is held. As soon as you release the key, the release stage begins. The Attack, Decay, and Sustain sliders of the ADSR envelope have no impact on the sound level.
The letters A, D, S, and R refer to the attack, decay, sustain, and release stages of the envelope (see envelope parameters).
Gate refers to a control signal used in analog synthesizers that is sent to an envelope generator when a key is pressed. As long as an analog synthesizer key is pressed, the gate signal maintains a constant voltage. When a gate signal is used as a modulation source in the voltage-controlled amplifier (instead of the envelope), it creates an organ-type envelope without any attack, decay, or release stage—in other words, an even, sustained sound.
Vel Min/Max sliders and fields: Determine how note velocity affects the synthesizer level. Use the sliders to set minimum and maximum velocity range values. The greater the distance between the sliders, the more the volume is affected by incoming velocity messages.
Output parameters
Out Level knob and field: Set the ES1 master volume.
Chorus buttons: Choose a classic stereo chorus effect, an ensemble effect, or disable the effects processor.
Off disables the built-in chorus circuit.
C1 is a typical chorus effect.
C2 is a variation of C1 and is characterized by a stronger modulation.
Ens(emble) uses a more complex modulation routing, creating a fuller and richer sound.
Control your sound level over time
The envelope generator controls the sound level over the course of a note duration. The modulation intensity and response to velocity information is set with the VCA Vel Min/Max sliders in the Amp section.
In the Logic Pro ES1 Amp section, set the minimum and maximum amount of modulation with the Vel Min/Max sliders and fields.
The difference between the Vel Min/Max sliders indicates the dynamic range of this modulation.
Set the ADSR sliders to the values you want to use, and adjust the Vel Min/Max sliders as needed.
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